A collage held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features Balestrini's collages and ink jet prints on varied media from 1961 to 2006. Balestrini's collage entitled "SOS" (1964) that is held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features Balestrini's collages and ink jet prints on varied media from 1961 to 2006. Balestrini's collage entitled "SOS" (1964) that is held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

Designated Studies in Concrete Poetry No.3. Includes sections on definitions, historical statements & manifestos, as well as chronologies of concrete and sound poetry. The book was first compiled in 1971 to coincide with the Stedelijk Museum's exhibition "?Concrete Poetry" but funding could not be obtained for publication. Additions to the book were continued until its publication in 1978. This is the first edition. The chronolgy was written by Dom Sylvester Houedard, Jeremy Adler and Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

This is also designated Writers Forum Series Studies in Concrete Poetry Number 3. In addition to examples from international concrete poets, the anthology cites chronologies of visual poetry and sound poetry from 1700 BC to 1978. Includes sections on definitions, historical statements and manifestos, concrete aspects of poetry, sound poetry, semantic poetry, myths of concrete poetry. Examples of poems from about 350 authors are reproduced. This is the third printing of the first edition.This reprinting under guidance by William Cobbing, Bob Cobbing's grandso, has an added introduction -- Source of annotation: Marvin or Ruth Sackner.

This is also designated Writers Forum Series Studies in Concrete Poetry Number 3. In addition to examples from international concrete poets, the anthology cites chronologies of visual poetry and sound poetry from 1700 BC to 1978. Includes sections on definitions, historical statements and manifestos, concrete aspects of poetry, sound poetry, semantic poetry, myths of concrete poetry. Examples of poems from about 350 authors are reproduced. This is the third printing of the first edition. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition included representative poems by contemporary Portugese poet/artists. Fernando Aguiar's drawing "Murmurios Acerca de um Soneto," Cesar Figueiredo's collages "Solar" and Alberto Pimenta's collages "Viagem Poetica" are reproduced in the catalogue. All the originals are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This Exhibition included representative poems by contemporary Portugese poet/artists. Fernando Aguiar's drawing "Murmurios Acerca de um Soneto," Cesar Figueiredo's collages "Solar" and Alberto Pimenta's collages "Viagem Poetica" are reproduced in the catalog. The originals are held by the Sackner Archive. The poster is an exhibition announcement. The pages have become detached from the glued binding. -- Source of annotation: Marvin or Ruth Sackner.

Reprinting of favorite poems. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember. This is Cobbing's essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

The prints making up this catalogue were those that were displayed as the exhibition. They were reproduced from prior publications. Several originals by Dom Sylvester Houedard, Peter Mayer, Jeff Nuttall, and Tom Phillips from this exhibition are held by the Sackner Archive. There was no bound catalogue published on this exhibition. Therefore, the totality of this catalogue is unique. The work is an excellent reference for the examples of concrete and poetry done in the 60's and 70's. Edith Kalman did three micrographic calligraphic prints that have been scanned into this citation. The pamphlet lists the location of the works displayed. The prints comprising the exhibition are stored in their own box withing the cobbing matrial. -- Source of annotation: Marvin or Ruth Sackner.

Consists of representative advertisements for a concrete company. -- Source of annotation: Marvin or Ruth Sackner.