This catalogue depicts a wide range of Finlay's poems on cards and prints along with several critical analytic essays. -- Source of annotation: Marvin or Ruth Sackner.

The dedication reads, "to Marvin Sackner - The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry MIAMI USA - whose colossal collection, stockpiled over many obsessive years guarantees that this form of poetry beloved of many dedicated exponents world-wide will in all good time become visible." The first page provides Claire's definition of concrete poetry repeated 4 1/2 times on the page. Each subsequent page was created by overprinting through altering the position of the page in the ink jet printer. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Slagter discusses concrete poetry from a Dutch and Belgian perspective. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember." This is Cobbing's manuscript essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

On this DVD that runs 72 minutes, "Ruth and Marvin Sackner share their love of words and images with an intimate tour ot their Miami Beach home/museum - the largest private collection of its kind. Over sixty-thousand objects from around the world speak volumes about a compulsive and joyful lifeof collecting art, poetry, and artists books." -- Source of annotation: Marvin or Ruth Sackner.

On this DVD that runs 72 minutes, "Ruth and Marvin Sackner share their love of words and images with an intimate tour ot their Miami Beach home/museum - the largest private collection of its kind. Over sixty-thousand objects from around the world speak volumes about a compulsive and joyful lifeof collecting art, poetry, and artists books." -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. Four of these poems have been separately catalogued. iz. Amazing Tease, Scrambled Egg, You And I Were Missing, and Obscure Dance. You And I Were Missing was included in Peter Murphy's book 'Seen & Unseen' (1975). -- Source of annotation: Marvin or Ruth Sackner.

This is a review of a photographic exhibition of Ian Hamilton Finlay's garden in Little Sparta at the Portrait Gallery. The reviewer describes the garden as arguably one of the great art works of art ever made on Scottish soil. "Certainly, it's the greatest ever made of Scottish soil - the realisation of one man's vision of a classical garden in the midst of an untamed land." -- Source of annotation: Marvin or Ruth Sackner.

Ray Gosling wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

This is a listing of the personal holdings of Leiber. Some of these items subsequently appeared in sales catalogues issued by Leiber. -- Source of annotation: Marvin or Ruth Sackner.

The text traces the literary history of concrete poetry from Apollinaire, Mallarme, Schwitters, the Russian poets and the Italian Futurists to the beginnings of the movement in Brazil with Augusto de Campos and in Switzerland with Gomringer. Samples of classical concrete and neoconcrete poems are printed. Process and mathematical poetry are described. ... -- Source of annotation: Marvin or Ruth Sackner.

Also designated Nueva Escritura No.5, Euskal Ediciones, Valencia. -- Source of annotation: Marvin or Ruth Sackner.

A simple constellation poem or repetition of a single word is printed on each page. [Jose] Alcides Pino is a literary critic and novelist. -- Source of annotation: Marvin or Ruth Sackner.

Francis Butler and Alistair Johnston are the proprietors of the press and presumably the authors of this highly eccentric but beautifully printed visual/verbal book. -- Source of annotation: Marvin or Ruth Sackner.