Concrete poetry
Found in 6393 Collections and/or Records:
Controlling Time, 2010
McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.
CONverse 1-5, 1972
Includes a card written to Pete [Peter Finch?] by Belsey requesting mention of these five cards in your "scene." -- Source of annotation: Marvin or Ruth Sackner.
cool poem (230364) / Houedard, Dom Sylvester., 1964
'Cool' starting in the 1960s was a slang word for 'nice.' -- Source of annotation: Marvin or Ruth Sackner.
Copontrep Holddad / Geczi, Janos., 1983
This concrete poem is laid out as an abstract design. -- Source of annotation: Marvin or Ruth Sackner.
Copyright / Dudek-Durer, Andrzej., 1980
The image is an equilateral triangle formed from densely packed handwritten text. -- Source of annotation: Marvin or Ruth Sackner.
Coracao Cabeca (Heart Head) / De Campos, Augusto., 1980
Letter thanks Marvin Sackner for the Iliazd catalog De Campos received from him and then explains the multiple meanings of his new poem Cabeca. -- Source of annotation: Marvin or Ruth Sackner.
Coracle / Cutts, Simon ; Van Horn, Erica., 1994
Coral Reef Six: fish [ffffff...] / Nichol, bp., 2005
The image was taken from a color photograph made by jw curry. The stamp sheet with a 50 cent face value for each stamp was designed by Steven Spazuk and Jean-Francois Renaud. It was issued as Picture Postage 10003995 on May 31, 2005. -- Source of annotation: Marvin or Ruth Sackner.
Core: A Symposium on Contemporary Visual Poetry / Byrum, John M., editor ; Hill, Crag, editor ; Aguiar F ; Baroni V ; Berry J ; Cole D ; Cena S ; Drucker J ; Ernst K ; Hatherly A ; Huth G ; Higgins D ; Kempton K ; Leirner B ; Grumman B ; Dencker KP ; Cory JJ ; Bernstein C ; Perneczky G ; Polkinhorn H ; Was E ; Sackner MA ; Basinski M ; Beining G ; Bennett JM ; Bernstein C ; Brannen J ; Cory JJ ; deAraujo A ; DiMichele B ; Ganick P ; Gorman L ; Hood W ; Huth G ; Kac E ; Keith B ; deMelo e Castro EM ; Lipman J ; Maggi R ; Martin SP ; McCaffery S ; Minarelli E ; Nash S ; Pid S ; Rosenberg MR ; Selby S ; Stetser C ; Taylor T ; Vallias A ; Wellman D ; Young K., 1993
This is a compilation of responses to a questionaire on visual poetry sent to about 200 visual poets. -- Source of annotation: Marvin or Ruth Sackner.
Cornponetonepome, 1963
d.a. levy was the proprietor of Renegade Press. The title poem was set in the style of e.e. cummings. The poems entitled "Sound Poems" are actually tongue-twisters. This was Heckman's only book. -- Source of annotation: Marvin or Ruth Sackner.
coRRida / Garnier, Ilse., 1965
The print of this original is reproduced in Ilse and Pierre Garnier's folder, "Prototypes: Textes Pour Un Architecture" (1965) that is also held by the Sackner Archive. It is also reproduced in GArnier's book "Oevres poetiques ! 1950-1968 page 219. -- Source of annotation: Marvin or Ruth Sackner.
Corrosive Signs: Essays on Experimental Poetry (Visual, Concrete, Alternative) / Espinosa, Cesar, editor ; Harry Polkinhorn, translator ; deMelo e Castro EM ; Padin C ; Vigo EA ; Lora-Totino A ; Aguiar F ; Hatherly A ; Menezes P ; Cirne M ; Boso F ; DeCampos A ; DeCampos H ; Pignatari D ; Gomringer E ; Mon F ; Espinosa C., 1990
This book was initially published by Ediciones Literarias de Factor, Mexico in 1987 and is a survey of Latin American Concrete and Visual Poetry. -- Source of annotation: Marvin or Ruth Sackner.
Cortado por la Misma Tijera, 1977
Damaso Ogaz (1924-1990). -- Source of annotation: Marvin or Ruth Sackner.
CORTEXt, 1995
Johanna Drucker contributes an introductory essay on historic aspects of visual poetry which is carried forth to multimedia information systems of today. She also was responsible for the cover design. Karl Young contributes an afterword in which he focuses on mail art. He particularly addresses his own, ongoing Shadow Project that refers to the faint traces people left on nearby surfaces after they were vaporized by the atomic bombs in Japan. Young indicates that d.a. levy stands out as the major figure in the last three decades who left an indelible inprint on underground publications and visual poetry. He also adds that Tom Phillips is the most complete book artist. The Sackner Archive partially funded this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
cosmic eggs / Cox, Kenelm., 1968
[cosmic typewriter]: from texts for the somantric diversion / Houedard, Dom Sylvester., 1963
Cough / Sellers, Peter., 1990
A concrete poem which depicts "cough drops" theough the arrangement of letters. -- Source of annotation: Marvin or Ruth Sackner.
Countdown / Niccolai, Giulia., 1970
Counter-Blast, 1969
This book designed by Harley Parker is a contemporaneous parody of Wyndham Lewis' Vorticist magazine Blast. -- Source of annotation: Marvin or Ruth Sackner.