Concrete poetry
Found in 6393 Collections and/or Records:
Curvd H&Z: Lineal: for Barbara Caruso. No.145/Aug / jw curry ; Michael Dudley., 1982
Poem consists of permutations of a grid of the phrase, align a line," along with an illustration. Also designated the wrecking ballzark #43. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Logical Sequence 7: a brief statement on a possibility of planetary alignment. No.51/Mar / jw curry., 1980
The poem reads as a column, 1978 1979 1980 1981 198| with the latter a an inscrible rather than 1982. The poem is also designated th wrecking ballzark #15 and pomez a penny #31. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Logical Sequence 46. No.43/Jan / jw curry ; andley G., 1980
Ths two words used in this poem are MUTATE AND MUTATION. The work is also designated th wrecking ballzark #12 and pomez a penny #26. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: New H Blues. No.266/Dec / bp Nichol., 1983
Also designated th wrecking ballzark #62. The images are abstract variations on the letter "H." -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: New New H Blues. No.379/Apr / bp Nichol., 1988
The images are calligraphic variations of the letter "H." the cover graphic was done by Robert Crumb. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: no w here. No.100/Jun / Steven Smith., 1981
Also designated pomez a penny #64. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: no w here. No.100/Jun / Steven Smith., 1981
Also designated pomez a penny #64. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Pingoth. No.396/Apr / Greg Evason., 1988
Curvd H&Z: Poet's Lament. No.216/Jun / David UU., 1983
Also designated one cent #117 and th wrecking ballzark #53. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Pornograph 2nd edition. No.46/Jan / jw curry ; Aylward D., 1980
This is the 2nd edition of the poem first published as Curvd H&Z #23. Also designated th wrecking ballzark #13 and pomez a penny #29. The poem consists of the fragmentation of the word "incest." -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Pornograph. No.23/Nov / jw curry., 1979
Also designated th wrecking ballzark #7 and pomez a penny #14. Poem consists of the fragmentation of the word "incest." -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Qaani Lore #2: First Breath. No.94/Jun / jw curry., 1981
Also designated pomez a penny #94 and th wrecking ballzark #28. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: qaani lore #7. No.196/Apr / jw curry., 1983
Also designated one cent #106 and th wrecking ballzark #49. The text is shaped like a leaf. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z (Series 0): Flight. No.11/Jun / Peggy lefler., 1979
Also designated th wrecking ballzark 2 (Vol.0). This poem was lefler's first individually written publication. She was the first wife of jw curry. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z (Series 0): Notes On Friday. No.6/Mar / jw curry ; andley G., 1979
Curvd H&Z: Seven Portraits - Ra. No.89/May / Richard Truhlar., 1981
Also designated th wrecking ballzark #26. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Shift. No.69/Sep / jw curry., 1980
The letters of this poem are set apart and smudged except for the SH of SHIFT to imply motion. The SH is printed together possibly to draw a scatologic inference. This work is also designated hangnail #3 and th wrecking ballzark #20. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Silent Page. No.79/Feb / jw curry., 1981
Also designated th wrecking ballzark #23. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Sound Poem 3. No.60/Jun / William Maki., 1980
This poem morphs the words 'dismay and Mayhem' into 'dismayhem.' It is also designated the wrecking balzark No.18 and pomez a penny #38. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Sound Poem #7. No.227/Aug / William Maki ; curry jw., 1983
Also designated th wrecking ballzark #54 and one cent #124. The cover was designed by jw curry. The sound poem appears to have its roots in a Native American chant. -- Source of annotation: Marvin or Ruth Sackner.