Concrete poetry

Curvd H&Z: White Sound: A Varient. No.121/Jan / bp Nichol., 1982

Item

Identifier: CC-18237-18609

Scope and Contents

Also designated th wrecking ballzark #36 and Gronk intermediate series No.7. This is the 2nd supplementary edition first published in Ganglia 1976. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Curvd H&Z: Windo. No.157/Oct / George Swede., 1982

Item

Identifier: CC-18268-18640

Scope and Contents

Also designated pomez a penny #90. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Curve / Pike, Jennifer ; Upton, Lawrence ; Cobbing, Bob., 2000

Item

Identifier: CC-45206-47391

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Cut Out / Rosen, Kay., 1993

Item

Identifier: CC-03638-3703

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Cut with Care / Sloy; Nichols, Dave., 2005

Item

Identifier: CC-46854-49588

Dates: 2005

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

CV / Crombie, John., 1988

Item

Identifier: CC-17971-18341

Scope and Contents

This book has spiral spines on two of its borders. Text consists of the words, "gloom, doom, womb and tomb," similar to another book held by the Sackner Archive with a different format by Crombie, entitled "Womb to Tomb." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Cycle / Sharits, Paul., 1964

Item

Identifier: CC-48730-69763

Scope and Contents

Probably less than 100 copies were printed by Paul Sharits. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Cyclone / Sutherland, W. Mark., 1993

Item

Identifier: CC-02752-2795

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Da-Da-Doo! / Cobbing, Bob., 1984

Item

Identifier: CC-17558-17924

Dates: 1984

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

d.a. levy & the Cleveland Scene / Maser, Jeff ; levy da ; Horvath A ; Sorcic J ; Blazek D ; Potts C ; Miller B ; Wagner Dr ; Bory JF ; Simon A ; Bukowski C ; Lowenfels W ; Lowell J ; Davenport G ; Williams J ; Olson C ; Atkins R ; Baxter ER-III ; Berge C ; Dominique ; Dowden G ; Fox H ; Katzman A ; Kryss TL ; McCord H ; rjs ; Rhody R ; Taylor K ; Zack D ; O'Connelly B., 2005

Item

Identifier: CC-47920-68942

Dates: 2005

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

d.a. levy's " destructive writing" and the Instant of Communication, 1998

Item

Identifier: CC-29886-31273

Scope and Contents

Swanberg (aka Markhardt) analyzes levy's poem, "Selected Writings" of 1967, "in which no images appear and in which the words and lines bleed with a superabundance of black mimeo ink ringed by a faint aura of oil...The poem's destructive writing is a putting to death of words. Its realm is without mastery, without time. It is the instant of a complete spending, in which words are sacrificed and the poem IS." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998