Concrete poetry

der versteckte hirte / Jandl, Ernst., 1975

Item

Identifier: CC-37308-39159

Scope and Contents

There are eight reproductions of semirealistic, figurative, line drawings done by Jandl in 1974 that are present in the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

dere wally depew: what is... trewt / bissett, bill; Depew W., 1971

Item

Identifier: CC-48342-69367

Scope and Contents

This poem was reproduced in Dust No.16. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Dermatic Optical Perception (11/09/64) / Houedard, Dom Sylvester., 1964

Item

Identifier: CC-55451-58828

Scope and Contents

This pamphlet (folded sheet) is included in Revue Ou No.22, 1964, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Desaparecend, 1990

Item — Box 204: [Barcode: 31858072459955]

Identifier: CC-15944-16279

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS / Augusto de Campos

Desert Hum / Depew, Wally., 1985

Item

Identifier: CC-52968-74111

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

desertpoems / Mitchell, Jenni., 2001

Item

Identifier: CC-38703-40613

Dates: 2001

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Designed Words for Designed Worlds: The International Concrete Poetry Movement, 1955-1971 [A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy] / Hilder, Jamie ; Finlay IH ; DeCampos A ; Nichol bp ; Pignatari D ; DeCampos H ; Chopin H ; Roth D ; Williams E ; McLuhan M ; Fiore Q ; Bory JF ; Burda V ; Knowles A ; Gomringer E ; Hirsal J ; Grogerova B ; Azeredo R ; Grunewald JL ; Gappmayr H ; Garnier I ; Garnier P ; Mon F ; Solt ME ; Fernbach-Flarscheim C ; Andre C ; Mayer HJ ; Graham D ; Acconci V ; Sarenco ; Sharkey JJ ; Ferro L ; Thomkins A ; Scobie S ; Blaine J ; McCaffery S ; Sackner MA ; Sackner RK ; Watson S ; Fahlstrom O ; Dohl R ; Arp H ; VanDoesburg T ; Bill M ; Weaver M ; Kostelanetz R ; Phillips T ; Weiner L ; Ruscha E ; Cage J ; MacLow J ; Isou I ; Houedard DS ; Furnival J ; Bann S ; Bowler B ; Klonsky M ; Cook G ; Scobie S ; Chopin H ; DeVree P ; Grunewald JL ; Goldsmith K ; Kotz L ; Flynt H ; Art & Language ; LeWitt S ; Kosuth J ; Smithson R ; Graham D ; Siegelaub S ; Rosler M ; Cordeiro W ; Drucker J ; Kitasono K., 2010

Item

Identifier: CC-52892-74030

Scope and Contents In this thesis, Hilder provides new concepts and arguments about the genesis of concrete poetry backed up by a serious interpretation and collation of published material. He relies heavily on critical texts in three full length books written in English, Liselotte Gumpel's "Concrete Poetry" from East and West Germany (1976), David Seaman's Concrete Poetry in France (1981) and Caroline Bayard's The New Poetics in Canada and Quebec. All are held by the Sackner Archive.Hilder "argues that the critical gaps in concrete poetry criticism, both contemporaneous and subsequent to the concrete poetry movement, have fallen into (1) the national fallacy: the attempt to read an international movement within a national framework; (2) the ancient fallacy: the attempt to link concrete poetry with visual poetry and word imagery dating back to ancient cultures; (3) the theoretical fallacy: the attempt retrospectively to read onto concrete poetry the post-structuralist theories of language that...

Dates: 2010

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

DE:SIRE IS , 2010

Item — Box 319: [Barcode: 31858072490786]

Identifier: CC-55263-9999025

Dates: 2010

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

[desire] / Kleinberg, Judy I.., 1983

Item

Identifier: CC-07880-8034

Scope and Contents

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Despoesia, 1994

Item

Identifier: CC-51758-72858

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Despoesia / De Campos, Augusto ; cummings ee ; Pessoa F., 1994

Item

Identifier: CC-16098-16441

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Destroy Prisons Break Walls, 1990

Item — Box Artist Boxed Materials/Oversized: Depew, Wally: [Barcode: 31858072491388]

Identifier: CC-55169-98964

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Detail from Europa and Her Bull / Furnival, John., 1966

Item

Identifier: CC-54810-990240

Scope and Contents

This print is depicted on page 41 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Detail of Poets and Artists] , 1995

Item — Folder 52: [Barcode: 31858072537867]

Identifier: CC-35942-37706

Scope and Contents

This detail of a large painting consists of rubberstampings of the names of contemporary artists and poets utilizing concrete and visual poetry or language in their visual works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Deutschunterricht, Der. No.1 / Gomringer E., 1970

Item

Identifier: CC-15224-15545

Scope and Contents

This issue contains essays that analyze different poetic genres. Lothar Bornscheuer contributes an essay on Eugen Gomringer's Konstellationen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Devil Trap / Furnival, John., 1966

Item

Identifier: CC-13308-13609

Scope and Contents

Included in Indicatif II portfolio. The print in different typefaces and type dimensions has a pentagonal shape. It is meant to be spun from a spoke placed in its center so as to create a blurred image of the words. The duplicate copy has a center fold. This print is depicted in Furnival's "Lost for Words" (2011) page 20. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)