These prints are based upon a typing done in 1993 which were photocopied onto a transparent sheet of paper and then laid over the original in five different ways creating five works "with dense patterns and moire effects." -- Source of annotation: Marvin or Ruth Sackner.

Boshoff's artist statement in 2001 on his Blind Alphabet project is reproduced in this catalogue. Extension of this project to wooden sculptures of additional shapes in this exhibition are depicted along with captions of their definitions. The title of this exhibition, Epat is coloquial French and backwards in French, it is tape, a 'slap' or 'blow'; 'tapee' is a smart answer. In the exhibition, Epat is an installation of old music casettes in an asembly of plastic boxes. The final work described in the exhibition, Kykaafrikaans - Poetry Recitals, consist of a compact disc recording of the concrete poetry work held by the Sackner Archive. The compact disc is also held by the Sackner Archive courtesy of the Michael Stevenson gallery. This catalogue depicts five typings from Kykaafrikaans. -- Source of annotation: Marvin or Ruth Sackner.

This book is identical to the edition published by Frankfurter Kunstverein except that the colophon is printed in English rather than German. Both editions are held by the Sackner Archive. The poems, printed one to a page, are left in white on different colored backgrounds of narrow rectangles. Some of the poems have also been issued as cards or prints. -- Source of annotation: Marvin or Ruth Sackner.

This book is identical to the edition published by Exempla/Exit except that the colophon is printed in German rather than English in the first printing. Both editions are held by the Sackner Archive. The poems, printed one to a page, are left in white on different colored backgrounds of narrow rectangles. Some of the poems have also been issued as cards or prints. -- Source of annotation: Marvin or Ruth Sackner.

This book is identical to the edition published by Exempla/Exit except that the colophon is printed in German rather than English in the first printing. Both editions are held by the Sackner Archive. The poems, printed one to a page, are left in white on different colored backgrounds of narrow rectangles. Some of the poems have also been issued as cards or prints. -- Source of annotation: Marvin or Ruth Sackner.

The third of three of Bellaert's "n-books," all of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

David Cole created this work as a response to the Sackners' visit to his studio followed by dinner in a Chinese restaurant. -- Source of annotation: Marvin or Ruth Sackner.

This folder is a tribute to Erik Satie, along with an exhibition and concert on the 25th anniversary of his death. Tom Phillips and Ron King contributed the colored prints in addition to the black and white versions also in this folder. The Phillips print is a page of A Humument. There were 50 copies of a signed edtion with handcolored prints by Phillips and King and 30 artist proofs with handcolored prints by Phillips and King in this edition. -- Source of annotation: Marvin or Ruth Sackner.

This folder is a tribute to Erik Satie, along with an exhibition and concert on the 25th anniversary of his death. This edition contains prints by Tom Phillips and Ron King in black and white. There were 50 copies of a signed edition with handcolored prints by Phillips and King and 30 artist proofs with handcolored prints by Phillips and King in this edition. -- Source of annotation: Marvin or Ruth Sackner.

The preface was written by Pierre Garnier. -- Source of annotation: Marvin or Ruth Sackner.

Errata are arranged in rhyming, metrical, eight-word sentences, each identifiable by its distinct typeface of point size. Each page contains the words "for" and "read" on the top and bottom. -- Source of annotation: Marvin or Ruth Sackner.