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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6475 Collections and/or Records:

Flowers in Concrete, 1966

 Item
Identifier: CC-02770-2813
Scope and Contents

This book was designed and printed from linecuts by John Dearstyne. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Flowers in Concrete / Solt, Mary Ellen., 1969

 Item
Identifier: CC-58806-67036
Scope and Contents

Each print depicts a concrete poem that depicts a flower silkscreen by Loyd Olcutt from Solt's original calligraphic drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Flowers in Concrete / Solt, Mary Ellen., 1969

 Item
Identifier: CC-58807-67415
Scope and Contents

Each print depicts a concrete poem that depicts a flower silkscreen by Loyd Olcutt from Solt's original calligraphic drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

FMRA / Johnson, James., 1977

 Item
Identifier: CC-37327-39178
Scope and Contents

Johnson mentions that this book was created for the Artwords & Bookworks exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Focus: Multiple Arts '76: Concrete Poetery / Cluver C ; Pignatari D ; Solt ME ; DeCampos H ; DeCampos A ; Phillips MJ ; Sanders E ; Azeredo R ; Braga E ; Pinto LA ; Xisto P ; Plaza J ; Cussen A ; Moore AD ; D'Agostino G., 1976

 Item
Identifier: CC-12777-13048
Scope and Contents

Claus Cluver provides an introduction that describes the international Concrete Poetry movement. The program for exhibition, film, graphic art and musical performances is presented. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Folder. No.4 / Daisy Aldan, Richard Miller, editors ; Mallarme S ; Aldan D., 1956

 Item
Identifier: CC-11432-11648
Scope and Contents

Includes first published English translation of Mallarme's Un Coup de Des by Daisy Aldan. The Sackner Archive also holds the separately issued hard cover book of Aldan's translation, the Cosmopolis version of 1897 and the 1914 version published after Mallarme's death. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1956

Folding the Last Sail/Sheep / Finlay, Ian Hamilton; Clark, Thomas A.; Clark, Laurie., 1997

 Item
Identifier: CC-35350-37084
Scope and Contents

The poem is printed on the inside of the several folded card, the larger brown card for sail, the smaller white card for sheep. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Folhetim. No.605 / DeCampos A., 1988

 Item
Identifier: CC-11398-11614
Scope and Contents

The final page contains the poem "Tvgrama" by Augusto de Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

FOLLY / Depew, Wally., 1983

 Item
Identifier: CC-16213-16556
Scope and Contents

A single word "FOLLY" is rubberstamped on the first page. With each subsequent page an additional rubberstamped, FOLLY, is added. This creates complex arrangements and overstamping that vary from copy to copy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Font. No.119 / Ondrej Kafka, editor ; Toman-Tylova B ; Sackner RK ; Sackner MA., 2012

 Item
Identifier: CC-54905-990324
Scope and Contents

Barbora Toman Tylova who visited the Sackner Archive in 2011 contributed an illustrated essay dealing with her experience with the books held by the Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012

Footing 2nd Edition / Gerz, Jochen., 1969

 Item
Identifier: CC-28246-29417
Scope and Contents

For its time, this book is highly experimental both in its writing and typographic presentation and layout. Some of the poems appear to have been made by the cut-up technique popularized by Gysin and Burroughs. The German and English languages are often intermingled in the same sentences. Others poems are concrete and visual in format. Originals of a few of the visual poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Footing / Gerz, Jochen., 1968

 Item
Identifier: CC-27276-27835
Scope and Contents

This is Gerz's first book and the first edition. For its time, this book was highly experimental both in its writing and typographic presentation and layout. Some of the poems appear to have been made by the cut-up technique popularized by Gysin and Burroughs. The German and English languages were often intermingled in the same sentences. Others poems were concrete and visual in format. Originals of a few of the visual poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

for alan neame (091164) / Houedard, Dom Sylvester., 1964

 Item
Identifier: CC-08655-8828
Scope and Contents Hoho Eleison typed in poem refers to the Gregorian chant. Internet: Alan John Neame, only son of Alan Bruce (1888-1967) and Annie Victoria Neame, was born on 24 January 1924 in the Kentish village of Selling. His interest in family history started with a childhood discovery that a large part of the village churchyard was filled with Neame memorials. This early interest, nurtured by elderly relatives with vivid memories of his ancestors living in the mid 19th century, became a fascination that would endure throughout the seventy-six years of his life. Alan Neame graduated from Wadham College, Oxford just after the war, and taught modern languages at Cheltenham College before moving on to lecture at the University of Baghdad. After further lecturing posts in various other Middle Eastern capitals, he gave up teaching for writing and was soon to return to England and to the village of his birth that he so loved. Alan was a religious scholar, working for three years as Literary Editor...
Dates: 1964

For BIG Mistakes / Anonymous., 2002

 Item
Identifier: CC-38414-40319
Scope and Contents

The title of the piece is printed on the eraser with the word "BIG" in a larger typeface. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

For BIG Mistakes / Anonymous., 2002

 Item
Identifier: CC-38414-40319
Scope and Contents

The title of the piece is printed on the eraser with the word "BIG" in a larger typeface. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002