This is a brief survey of German language speaking concrete poetic works. -- Source of annotation: Marvin or Ruth Sackner.

This deluxe edition is printed on heavier stock paper than the ordinary edition. -- Source of annotation: Marvin or Ruth Sackner.

The cabinet (artist box) was designed by Mark Foxman, the cover was designed by by David Horton and the typography was designed by Susan Quasha. The works are mostly photographic, non-verbal images. The editor, David Lee Strauss, on an interview, discusses how he wanted this issue to be concerned with the fourth dimension. However, except for Robert Bowen's photograph, "Flat Irony," a surrealistic image of the NYC Flat Iron Building floating in space Mark Jenkinson's night photograph of a Los Vegas scene, I did not find the rest of the contributions successful in this regard. -- Source of annotation: Marvin or Ruth Sackner.

The constellations presented in this broadside are mostly based on the theme of colors. -- Source of annotation: Marvin or Ruth Sackner.

Words constituting a constellation are printed horizontally, with each word in one of four different languages. These constellation are arranged at different angles across the surface such that the composition provides a visual impression of a contructivistic image. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.

Edited by David Kilburn. -- Source of annotation: Marvin or Ruth Sackner.

A photograph from the bridge of a ship taken by David Kilburn is printed on the inside front cover and a poem by Lax is printed on the inside back cover. -- Source of annotation: Marvin or Ruth Sackner.

This is the same piece as the two scrolls with the same title held by the Sackner Archive but flattened. -- Source of annotation: Marvin or Ruth Sackner.

The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Consists of a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.

The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Consists of a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.

The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Contains a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition dealt with Finlay's sculptural objects. A work entitles "Rock Rose" that consisted of a concrete bowl filled with fishing net is reminiscent of Finlay's net collage in Furnival's book, Liber Amicorum 1964-1985 (4), a work held by the Sackner Archive. Stephen Bann contributed a critical introduction to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The poems in this booket were composed in the style (as attributed by Finlay) to Gomringer, Aram Saroyan, Gael Turnbull and Lochac. -- Source of annotation: Marvin or Ruth Sackner.

This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.

This is a page torn from the Sunday newspaper. -- Source of annotation: Marvin or Ruth Sackner.