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Constructivism

 Subject
Subject Source: Sackner Database

Found in 317 Collections and/or Records:

[Untitled] / Kassak, Lajos., 1971

 Item
Identifier: CC-07786-7939
Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

[Untitled] / Persiani, Gloria G.., 1990

 Item
Identifier: CC-04149-4228
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

[Untitled] / Rodchenko, Aleksander ; Mayakovsky V ; Malevich K., 1979

 Item
Identifier: CC-03212-3261
Scope and Contents

German Karginov wrote the text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

vajra thunder bolt (270368) / Houedard, Dom Sylvester., 1968

 Item
Identifier: CC-56303-9999731
Scope and Contents

The image is of a 3D triangular construction of slashes and dashes with a narrowed middle portion. Vajra is a Sanskrit word meaning both thunderbolt and diamond. it is also a common male name in Tibet and Bhutan. Additionally it is a symbolic ritual object that symbolizes both the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). The vajra is used symbolically by the Dharma traditions of Buddhism, Jainism and Hinduism, often to represent firmness of spirit and spiritual power. The use of the vajra as a symbolic and ritual tool spread from India along with Indian religion and culture to other parts of East and Southeast Asia. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Via Delorosa and Letter to John Bennett] / Furnival, John; Chopin H; Weaver M; Morgan E; Cameron C., 1964

 Item
Identifier: CC-38225-40121
Scope and Contents

The letter on the verso of this photograph indicates that two of Chopin's items can be discounted. Also, Furnival mentions that Mike Weaver was upset with Edwin Morgan for not giving him more credit for his "image" article in a talk that he gave. The photograph depicts a constructivist drawing by Furnival. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Visual Poems / Gappmayr, Heinz., 2002

 Item
Identifier: CC-40393-42364
Scope and Contents

Eter Panji runs the Visual World Poetry press. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

we all are potentially sane [red] (710212) / Houedard, Dom Sylvester., 1971

 Item
Identifier: CC-33076-34701
Scope and Contents

This typing consists of a complex, square image formed from red typed, joined underline and dash marks. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

we all are potentially sane [violet] (710212) / Houedard, Dom Sylvester., 1971

 Item
Identifier: CC-33077-34702
Scope and Contents

This typing consists of a complex, square image formed from brown carbon, typed, joined underline and dash marks. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Wild Snatch III / Wolf, Arne., 1972

 Item
Identifier: CC-33310-34944
Scope and Contents

The image consists of a's and o's arranged in a loose constructivist style. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Winter Landscape / Catch the Drift / Jackman, Sandra., 2006

 Item
Identifier: CC-46132-48844
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Word Dust / Beamer, Billy Bob., 2010

 Item
Identifier: CC-51662-72762
Scope and Contents

Each page depicts a reproduction of a single drawing by Beamer. The Sackner Archive holds two original drawings by Beamer. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Word/Light Pescia: Line. No.5 / Kajino Kyuyo., 1993

 Item
Identifier: CC-00543-556
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Wordsworth Wadsworth / Finlay, Ian Hamilton; Downie, Jim., 1977

 Item
Identifier: CC-11268-11483
Scope and Contents The curve lines and jagged bars images on a dark green background that Finlay has drawn related to Wordsworth and Longfellow, respectively are difficult to interpret and probably not biographical in nature as follows below. According to to Roberto Rabe (internet), "probably the best loved of American poets the world over is Henry Wadsworth Longfellow. Many of his lines are as familiar to us as rhymes from Mother Goose or the words of nursery songs learned in early childhood. Like these rhymes and melodies, they remain in the memory and accompany us through life. There are two reasons for the popularity and significance of Longfellow's poetry. First, he had the gift of easy rhyme. He wrote poetry as a bird sings, with natural grace and melody. Read or heard once or twice, his rhyme and meters cling to the mind long after the sense may be forgotten." According to The Literature Network (internet), William Wordsworth (1770-1850), British poet, credited with ushering in the English...
Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Y] / Depew, Wally., 1990

 Item
Identifier: CC-55212-9998976
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Zaj Is Bigger Than Life, 1968

 Item — Box And-Andre: [Barcode: 31858072490810]
Identifier: CC-25617-26075
Scope and Contents

Andre superimposed a drawing for a floor sculpture on a graph paper, printed grid. Zaj was a Spanish fluxus-like group of artists/poets. This print is depicted in Encuentro De Pamplona 1972, a catalogue held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Zastave [Flags] / Stilinovic, Mladen., 1990 - 1994

 Item
Identifier: CC-29869-31256
Scope and Contents

Each page has a print of a red and black flag with symbols =" and "o" placed in various position on the flag -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990 - 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[Zeros Within Blue Squares] / Depew, Wally., 1990

 Item
Identifier: CC-55186-78967
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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