Conventional poetry
Found in 3945 Collections and/or Records:
Revolution Of The Word / Rothenberg, Jerome, editor ; Brown B ; cummings ee ; Duchamp M ; Pound E ; Stein G ; Duncan R ; Gillespie AL ; MacLow J ; Olson C ; Patchen K ; Rexroth K ; Zukofsky L ; Hartley M ; Crosby H ; von Freytag-Loringhoven E., 1974
In this anthology, Rothenberg draws implicit attention to several individuals who composed concrete poems that andedated those of Gomringer and the Noigandres group such as Bob Brown, ee cummings, Marsden Hartley, and Kenneth Patchen. -- Source of annotation: Marvin or Ruth Sackner.
Revolution Of The Word / Rothenberg, Jerome, editor ; Brown B ; cummings ee ; Duchamp M ; Pound E ; Stein G ; Duncan R ; Gillespie AL ; MacLow J ; Olson C ; Patchen K ; Rexroth K ; Zukofsky L ; Hartley M ; Crosby H ; von Freytag-Loringhoven E., 1974
In this anthology, Rothenberg draws implicit attention to several individuals who composed concrete poems that andedated those of Gomringer and the Noigandres group such as Bob Brown, ee cummings, Marsden Hartley, and Kenneth Patchen. -- Source of annotation: Marvin or Ruth Sackner.
Revue internationale pour la poesie exp. No.20/Apr / Shin Tanabe, editor ; Sawada S ; Garnier P ; Blaine J ; Padin C ; Agrafiotis D ; Linschinger J ; Yarita M ; Aguiar F ; Takahashi S ; Tanabe S ; Vigo EA ; Deisler G ; Cobbing B., 2004
Revue internationale pour la poesie exp. No.22/Nov / Shin Tanabe, editor ; Helmes S ; Blaine J ; Agrafiotis D ; Yarita M ; Takahashi S ; Tanabe S ; Badini P ; Aguiar F., 2005
Rhinozeros. No.1 / Klaus-Peter Dienst, Rolf-Gunther Dienst, editors ; Dienst RG ; Dienst KP ; Ruhmkorf P., 1960
This periodical is one of the most important experimental calligraphic and typographic contributions of the early sixties. The signer (Michael Heinze) of one of the copies appears to be its initial owner. The other copy is unsigned. -- Source of annotation: Marvin or Ruth Sackner.
Rhinozeros. No.1 / Klaus-Peter Dienst, Rolf-Gunther Dienst, editors ; Dienst RG ; Dienst KP ; Ruhmkorf P., 1960
This periodical is one of the most important experimental calligraphic and typographic contributions of the early sixties. -- Source of annotation: Marvin or Ruth Sackner.
Rimbaud / Kerouac, Jack., 1960
Rimbaud: Vita Amore e Poesia da Reinventure / Bertozzi, Gabriele-Aldo ; Apollinaire G ; Breton A ; Verlaine P., 1990
rinde der baume / Claus, Carlfriedrich., 1954
Risultati Garantiti. No.1 / Crash., 1988
River Styx: The Elements. No.9 / Hirschman J., 1981
robbing mcclennen / curry, jw., 2001
The loose sheet is an announcent for a performance by curry at the house of George Grinnell and Loretta Barber. The broadside is a poem distributed at this event. -- Source of annotation: Marvin or Ruth Sackner.
Robot City / Fulker, Tina., 1976
Rom Pol / Perec, Georges., 1979
The text consists of brief fictions and poems dealing with crime mysteries. -- Source of annotation: Marvin or Ruth Sackner.
Ronald Johnson, 62, Poet of Critically Acclaimed 'Ark' / Noble, Holcomb B.; Williams J., 1998
The obituary of Johnson states that during hikes with Jonathan Williams on the Appalachian Trail, through the English Lake District, and throughout Europe. According to this obiturary, Johnson learned to become a writer by "paying attention to what he saw." -- Source of annotation: Marvin or Ruth Sackner.
Rosa Alice / Stevens, Mary., 1988
Rosetta Speaks / Straus, Austin., 1997
Presented to the Sackners by Straus at the "Dual Muse" Symposium, St. Louis, 1997. The image on the recto is a collage by Austin Straus titled "Rosetta Speaks." The poem on the verso is titiled "Red" and is also designated Collage #8. -- Source of annotation: Marvin or Ruth Sackner.
Rot: En Gros & En Detail. No.22 / Konrad Balder Schauffelen., 1965
Edited by Max Bense and Elisabeth Walther. -- Source of annotation: Marvin or Ruth Sackner.
Rot: Hier Sei Kuhl. No.35 / Johannes Ernst Seiffert., 1968
Edited by Max Bense and Elisabeth Walther. -- Source of annotation: Marvin or Ruth Sackner.
Rozum-ruzor (Intellegence-example) / Miroshnychenko, Mykola., 1997
This poem is dated 13.04.1997. Both the poem and its title are palindromes. -- Source of annotation: Marvin or Ruth Sackner.