Conventional poetry
Found in 3945 Collections and/or Records:
Schritte: Zungen-Schkage. No.20 / Bert Berkenstrater., 1971
SCHWARZ ED 912 Posters (No Series, No. 1): No Man's Land, 1967
Arturo Schwarz, an Egyptian Jew, published the later works of Marcel Duchamp and was one of the great collectors of Surrealist and Dada books; this collection was donated to the Isreal Museum in Jerusalem. -- Source of annotation: Marvin or Ruth Sackner.
Score: Hell-Purgatory-Heaven. No.11/Apr / Crag Hill, Laurie Schneider, Bill DiMichele, editors ; Berry J ; Maggi R ; Martin SP ; Segay S ; Cook G ; Beining G ; Kempton K ; Hill C ; Gorman L ; Schneider L ; Powell D ; Martin SP ; Conner B., 1990
Score Sheet. No.22 / Berry J., 1987
Scorebooklet: I'm. No.2 / Crag Hill., 1987
Scorebooklet. No.3 / Peter Ganick ; Bill DiMichele., 1986
scostamenti / Gregotti, Carmen; Lora-Totino A; Dorfles G; Martini SM., 1997
One of the loose sheets is a reproduction of a letter to Dorflies, another a letter to Martini. The afterword was written by Lora-Totino. -- Source of annotation: Marvin or Ruth Sackner.
Scraptures Fourth Sequence, 1968
Scratching Face / Berry, Jake., 2010
Jake Berry desscribes this book as prose poems. The colored cover drawing of a scratched face is by Rich Curtis. -- Source of annotation: Marvin or Ruth Sackner.
Scratching The Beat Surface / McClure, Michael ; Kerouac J ; Ginsberg A ; Snyder G ; Olson C ; Whalen P ; Keenan L., 1982
This is a collection of essays in which poet and playwright McClure reviews his own career and that of his fellow poets - in doing so, he includes many poems by Charles Olson, Ginsberg, Gary Snyder, Philip Whalen and others. Illustrated with photographs by Larry Keenan. -- Source of annotation: Marvin or Ruth Sackner.
Scree. No.17-18 / Kirk Robertson, editor ; Arnold D ; Porter B ; Boyd G ; Fox W ; Kempton K ; Madam X ; Kostelanetz R ; Depew W ; Bukowski C ; Kasper M ; Baldessari J ; Olson C., 1981
David Arnold designed the cover. Bern Porter contributes a section dealing with his found poems and neologisms. Karl Kempton contributes a section of optical and concrete typewriter art and poetry. -- Source of annotation: Marvin or Ruth Sackner.
Scripps College Typography Class: Fab-ra-ka-shens (Fabrications). / Chalon Bridges ; Margaret Davis ; Annick Garcia ; Laura King ; Stacey Richmond ; Kitty Maryatt., 1989
Abstract images for the pages were first produced by means of a sandragraph process, i.e., from fabric stretched around a birch plywood block. The poems were then printed with letterpress over the abstract images. Concrete and visual poems were composed on the right-hand pages to depict the sound of moving fabric. The binding is a butterfly accordion style; pulling the foredge releases the pages for display purposes. -- Source of annotation: Marvin or Ruth Sackner.
Scripps College Typography Class: Instant Coffee - Aging Wine. / Kitty Maryatt, editor., 2000
This book presents pages by eleven typography students of the Scripps College Press under the guidance of Professor Kitty Maryatt. The typefaces used were Caslon Oldstyle;, Goudy Modern Italic, Optima Large, Fournier, Times New Roman, Centaur & Arrighi, Garamond, Ehrhardt Italic and Ehrhardt Roman. -- Source of annotation: Marvin or Ruth Sackner.
Scriptures: Ou, Paradigme D'Un Livre / Ayme, Albert; Saillard, Martine., 1963
The prints are joined such that they can hung vertically. There were several books printed with the same text but since the cardboard panels onto which the silksceen prints are collaged,are joined differently, each copy is considered unique. -- Source of annotation: Marvin or Ruth Sackner.
SCS: urlando sodoma. No.2 / Tomaso Kemeny., 1970
Sea water / Upton, Lawrence ; Cheek C., 1977
This book was printed by Chris Cheek -- Source of annotation: Marvin or Ruth Sackner.
Seaweeds and Construction: Anthology Hawaii. No.6 / Westlake W., 1979
Second Hymn to Janus / Thalia ; Young, Karl., 2000
The poem facing the conventional poem by Karl Young is an illustration by thalia of a man's head composed of seven different symbols standing for "goodbye, farewell, so long, go on, go out, auf wedersen and adios." -- Source of annotation: Marvin or Ruth Sackner.
Secret Location on the lower East Side: 1960-1980, A / Creeley R ; Williams J ; Corman C ; Jones L ; Kaufman B ; Weiners J ; Berman W ; Hornick L ; DiPrima D ; Ferlinghetti L ; Sanders E ; Mayer B ; Acconci V ; Saroyan A ; Padgett R ; Berrigan T ; Waldman A ; Matthews H ; Ashbery J ; Bernstein C ; Andrews B ; Silliman R ; Higgins D ; Rothenberg J ; Eshleman C ; Antin D., 1998
The exhibition was curated by Rodney Phillips and Steven Clay. It documented new and experimental writing in little magazines, many mimeographed and published in Manhattan's East Village or in other places related to this scene. According to the catalogue, these publications fostered "collaborations, community, spontaneity, humor, chance, experimentation, and committment...as basic social and literary values." -- Source of annotation: Marvin or Ruth Sackner.