Conventional poetry
Found in 3936 Collections and/or Records:
The Ballad of no Berets / Shulman, Matthew H.., 1966
This poem was printed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.
The Baroque Poem / Segel, Harold, editor ; Herbert G ; Herrick R ; Marvell A., 1974
The Bee / Paul Oratofsky; April Vollmer; A.S.C. Rower., 1992
This work, with an envelope encased in beeswax, was designed by A.S.C. Rower. If the beeswax is slit, a leaflet can be retrieved from the envelope. -- Source of annotation: Marvin or Ruth Sackner.
The Beginning of Sunny Dawn / levy, d.a.., 1968
Cover was designed by Sandy Webb. -- Source of annotation: Marvin or Ruth Sackner.
The Beginning of Sunny Dawn & Red Lady / levy, d.a.., 1969
Doug Blazek designed the abstract markings on the cover. -- Source of annotation: Marvin or Ruth Sackner.
the black box of poems / Depew, Linda ; Depew, Wally ; LeWitt S., 2003
The Blind Cat / Depew, Wally., 1983
The Blindman / Swenson, Mary., 1987
The Bloodletting 2nd Edition / Katzman, Allan ; levy da., 1965
This booklet printed by da levy has a map as its cover. -- Source of annotation: Marvin or Ruth Sackner.
The Bloodletting / Katzman, Allan ; levy da., 1964
This booklet printed by da levy is the first edition; the Sackner Archive also holds the 2nd edition. According to an essay in Congress No.1, this book was seized by Cleveland Police for obscenity from Asphodel Book Store in 1966 but in Marvin Sackner's perusal, it did not even remotely reveal obcenity. -- Source of annotation: Marvin or Ruth Sackner.
The Blue Sail, 2002
This book is a selection of Finlay's poems over 40 years. -- Source of annotation: Marvin or Ruth Sackner.
The Blur, 1987
The Blur / John M. Bennett., 1987
The Book of Lines / Dombrowski, Bob., 1985
The Book of Numbers, 1979
The Boy and The Bird, 1969
The text is by Emmett Williams and the illustrations are by Tom Wasmuth. Each page contains four lines of poetry. The upper right corner of each page is filled with black step-like forms. As the poem becomes more complex, the black areas grow larger black areas that gradually recede altogether from the page. The poems in turn also become simpler in form. The note in the back of the book states that "the cover illustrates the intention of the artist...to realize this intention the reader may cut out the black area of each page and remove the cover photograph." -- Source of annotation: Marvin or Ruth Sackner.
The Boy and The Bird, 1969
The text is by Emmett Williams and the illustrations are by Tom Wasmuth. Each page contains four lines of poetry. The upper right corner of each page is filled with black step-like forms. As the poem becomes more complex, the black areas grow larger black areas that gradually recede altogether from the page. The poems in turn also become simpler in form. The note in the back of the book states that "the cover illustrates the intention of the artist...to realize this intention the reader may cut out the black area of each page and remove the cover photograph." -- Source of annotation: Marvin or Ruth Sackner.
The Boy Who Ate Around, 1994
The author, who also makes artist books, has included some of the illustrations utilized for them inside the front and back covers. -- Source of annotation: Marvin or Ruth Sackner.
The Burning of Los Angeles / Hirschman, Jack., 1971
This poem was composed during Hirschman's Kabbalistic phase of his career. There are large Hebrew letters and words printed on the envelope and colophon. The poem and documentation are printed in Hirschman's distinctive holographic style. -- Source of annotation: Marvin or Ruth Sackner.
The Burning of Los Angeles / Hirschman, Jack., 1971
This poem was composed during Hirschman's Kabbalistic phase of his career. There are large Hebrew letters and words printed on the envelope and colophon. The poem and documentation are printed in Hirschman's distinctive holographic style. It also includes a photocopied broadside in homage to Jack Hirschman composed by John Thomas in 1973. -- Source of annotation: Marvin or Ruth Sackner.