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Subtitled "concerning the sclerosis of a rudderless art world and the means of reaffirming its fundamental principle: Creation. A response to the Detractors of Contemporary Art." -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition from the Griffith University art collection was organized into categories such as Indigenous Australians, Women and the Law, Gay and Lesbian Rights, Legislating for the Environment and Copyright and Intellectual Property. Four works by Richard Tipping are exhibited in the last category including "Meat Mart" that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was carried out as a homage to Georges Perec. -- Source of annotation: Marvin or Ruth Sackner.

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Also designated Vergessene Autoren der Moderne No.45. -- Source of annotation: Marvin or Ruth Sackner.

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This book features works by Silveira dating from 1996 on and does not discuss her earlier poetic and rubberstamped works. A large number are gallery installations and outdoor pieces.. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book served as the catalogue at the Grolier Club exhibition in New York but was published one year before the exhibition. The Sackner Archive lent two works to the exhibition.tSTEP inside design, March/April 2003 review: Lately I've been indulging in books of unusual visual richness, and for me the most exhilarating illustrated book of the season is Jessica Helfand's Reinventing the Wheel. Helfand is a designer, a scholar, and as the book shows in spades a passionate collector of ephemera. The ephemera in question here are those odd wheel charts widely used from the 1920s to 1960s for purposes as diverse as telling fortunes, managing diets, identifying birds, spotting aircraft, charting the stars, and learning French grammar (remember the Cuthbertson Verb Wheel?). Helfand's gorgeously designed book reproduces more than a hundred of these volvelles, as hey're technically known, traces their history back to early astronomy indeed to the properties of the circle itself as a...

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This book is a reprint of an essay (with poetic license by the book designer, Michael Caine) first published by Pound in The Criterion, Jan. 1939. -- Source of annotation: Marvin or Ruth Sackner.

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Several comparisons to Sackner Archive are made by Vos. -- Source of annotation: Marvin or Ruth Sackner.

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Jerome Rothenberg wrote the introduction and Mac Low supplied notes throughout the book that documented the varied works. -- Source of annotation: Marvin or Ruth Sackner.

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Jerome Rothenberg wrote the introduction and Mac Low supplied notes throughout the book that documented the varied works. The handwritten poem on the last two pages of the book, "Ruth and Marvin Sackner," spells out the namesby a diastatic-chance method by drawing words from this book by placement of the names. For example, the first line of the poem is righteous number out nothing is obtained as follows. Righteous (page 18), nUmber (page 21), ouT (page 20), notHing (page 8). The page numbers correspond toplaces of the required letters in the alphabet: the words in stanza 1, from "018"; 2 from "118," etc. Mac Low has also handwritten a list of errata near the title page. -- Source of annotation: Marvin or Ruth Sackner.

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Nelson describes the work of "forgotten" poets involved in avant garde cultural and political movements during the period 1910-1945. Includes a great deal of poetry with critical text and documentation by blacks and leftists. -- Source of annotation: Marvin or Ruth Sackner.

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Although Gerz began as a visual poet, his later work dealt often with the events of the Holocaust. Gerz's public works frequently took the form of interviews and participation of the viewer. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue was edited by Andreas Hapkemeyer and Marion Hohlfeldt who also contributed critical essays on Gerz's works. -- Source of annotation: Marvin or Ruth Sackner.

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The references in the booklet explain Filliou's search into the physical and metaphysical origins of the universe with quotations from texts of astronomy, astrophysics, Watson and Cricks' DNA discovery, Darwin and Tao Te Ching. The scroll is Filliou's interpretation of these universal themes using squares, rectangles, dots, arrows, numbers. This is a facsimile reproduction of a handwritten manuscript that has the appearance of being an original. -- Source of annotation: Marvin or Ruth Sackner.

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Curated by Georg Jappe. -- Source of annotation: Marvin or Ruth Sackner.

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This is also issue number 10 of Architettura e citta. -- Source of annotation: Marvin or Ruth Sackner.