Critical text
Found in 3307 Collections and/or Records:
Score Review: The Identity of the Text. No.35 / Geof Huth., 1990
Scribes, Script and Books: The Book Arts from Antiquity to the Renaissance / Avrin, Leila., 1991
Scritti Sull'Arte / Baj, Enrico ; Warhol A ; Manzoni P ; Duchamp M ; Jorn A., 1996
Includes two sound poems by Baj from 1986 in the style of Parole in Liberta. -- Source of annotation: Marvin or Ruth Sackner.
Scrittura Assente 1969/70 / Caruso, Luciano ; Villa E ; Diacono M., 1977
Scrittura Attiva / Carrega, Ugo ; Elena Olessi, translator ; Martini SM ; Villa E ; Belloli C ; Caruso L ; Lora-Totino A ; Accame V ; Sanesi R ; Blank I ; Danon B ; Xerra W ; Spatola A ; Munari B ; Baruchello GF ; Mussio M ; Miccini E ; Sarenco ; Isgro E ; Diacono M ; Pavanello G ; Nannucci M ; Brandolini M ; Comini R ; Algardi A ; Pignotti L ; D'Ottavi C ; Agnetti V ; Patella L ; Carrega U ; Oberto A ; Ferrari V ; Finotti C ; Niccolai G., 1981
This is the English translation of Ugo Carrega's Scrittura Attiva, Bologna: Zanichelli, 1980, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Scrittura, La / Filiberto Menna, curator ; Mussa I ; Pignotti L ; Barilla R ; Migliorini E ; Accame V ; Alfano C ; Baruchello GF ; Bentivoglio M ; Binga T ; Blank I ; Carrega U ; Caruso L ; Comini R ; Landi L ; LaRocca K ; Isgro E ; Mesciulam P ; Miccini E ; Mussio M ; Niccolai G ; Oberto A ; diBello B ; Ori L ; Osti M ; Patella L ; Stone W ; Sarenco ; Spatola A ; Xerra W ; Sandri G ; Simonetti GE., 1976
This catalogue includes five critical texts analyzing visual poetry. -- Source of annotation: Marvin or Ruth Sackner.
Scrittura Visuale / Morrocchi, Giuseppe ; Mallarme S ; Rimbaud A ; Morgenstern C ; Apollinaire G ; Marinetti FT ; Sanzin B ; Soffici A ; Ray M ; Belloli C ; Pignotti L ; Solt ME ; DeCampos A ; Kolar J ; Williams E ; Ruhm G ; Balestrini N ; Miccini E ; Isgro E ; Perfetti M ; Garnier P ; Tzara T ; Schwitters K ; Gomringer E., 1978
In this book, Marrocchi provides an extensive analysis of Mallarme's "Un Coup de Des." The final section of the book depicts reproductions of concrete and visual poems. -- Source of annotation: Marvin or Ruth Sackner.
Scritture: IT IS / Guillot, Anna ; Failla S., 1994
Salvatore Failla provided a critical analysis of Guillot's work. -- Source of annotation: Marvin or Ruth Sackner.
Scritture / Mussio, Magdalo ; Celant G ; Eco U ; Cagnone G ; Sandri G ; Schwarz A ; Palazzoli D ; Blanchot M., 1977
Scrivere Altro (reprint) / Gregotti, Carmine Magni; Carrega U; Matti L; Kolar J; Vitone R; Accame V; Landi L; Mignani R; Garnier I; Garnier P; Finlay IH; Ulrichs T; Gappmayr H; Mussio M; Porta A; Cagnone N; Jandl E; Damen H; Oberto M; Blaine J; Vicinelli P; Simonetti GE; Niikuni S., 1970
This essay is about Tool and is stored with the Tool publications. The Sackner Archive holds another copy, an original, that is included in "Agentzia 2." -- Source of annotation: Marvin or Ruth Sackner.
SCS: urlando sodoma. No.2 / Tomaso Kemeny., 1970
Sculpture in the Park / Finlay, Ian Hamilton., 1991
Se Ne Vogliamo Parlare / Miccini, Eugenio., 1989
Searching for Romberg: Art and Interactivity in the Work of Oswaldo Romberg / Romberg, Osvaldo., 2001
This book was edited by Aaron Levy. It was published from results of the Slought Networks conference on the artist Oswaldo Romberg at the University of Pennsylvania. -- Source of annotation: Marvin or Ruth Sackner.
Searching for Romberg edited by Aaron Levy / Romberg, Osvaldo., 2001
In an essay by Romberg in this book entitled "Hidden Texts," he highlights words to form a new thought from a text by another writer that has been previously published. It is the opposite of Phillips' A Humument working method to achieve a comparable result. -- Source of annotation: Marvin or Ruth Sackner.
Seashells / Finlay, Ian Hamilton; Procter, Ian; Costley, Ron; Bann S., 1971
The essay written by Stephen Bann on the back inside folder explains the metaphor of grouping designs of hulls of sailing ships like sea shells in a display case. Proctor is a ship designer and Costley the artist who made this print. -- Source of annotation: Marvin or Ruth Sackner.
Second Incarnation, The: From Zush to EVRU / Zush., 2004
Zush has reinvented himself and now calls himself Evru. This second stage in the life of Alberto Porta. Evru's interests are in networks and neural passages..."He recognizes that the computer has multiplied the number of tenacles possessed by the individual, as well as introduced a new neural net work into the subconscious." Evru is "Zush's best disciple." -- Source of annotation: Marvin or Ruth Sackner.
Secrets, Dialogues, Revelations / Saar, Betye ; Saar, Alison., 1990
Sedimente der Nacht / Schwarz, Martin., 2012
The artwork in this book consists mainly of neo-dada and surealistic images. -- Source of annotation: Marvin or Ruth Sackner.
seen of the crime / Beaulieu, Derek ; Stein G ; Reutersward CF ; Barwin G ; DeVries H ; Borges J ; Phillips T ; Johnson R ; Betts G ; Fitterman R ; Goldsmith K ; Morris S ; Backer H ; McPherson K ; bissett b., 2011
This book consists of essays of critical texts. In an essay about the work of bill bissett, Beaulieu extols bissett's "what fuckan theory" as an early conceptual text but excoriates him for the repetive nature of his work and performances as the years progressed. -- Source of annotation: Marvin or Ruth Sackner.