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Critical text

 Subject
Subject Source: Sackner Database

Found in 3307 Collections and/or Records:

Serielle Manifeste: manifeste und darstellungen der konkretenpoesie 1954-1966. No.4/Apr / Eugen Gomringer., 1966

 Item
Identifier: CC-36337-38127
Scope and Contents

This issue consists of essays by Gomringer on concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Serielle Manifeste: manifeste und darstellungen der konkretenpoesie 1954-1966. No.4/Apr / Eugen Gomringer., 1966

 Item
Identifier: CC-36338-38128
Scope and Contents

This issue consists of essays by Gomringer dealing with concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Seven Lectures / Cremean, Robert., 1997

 Item
Identifier: CC-31333-32809
Scope and Contents

This book collects seven lectures on Cremean's philosophy of art given from 1964 - 1984. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Shakespeare & The Rigidniks: a study of cerebral dysfuncton, 2006

 Item
Identifier: CC-47058-49797
Scope and Contents

This book summarizes the theories about who was Shakespeare. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Shark. No.3/Win / Lytle Shaw, Emile Clark, editors ; Watten B ; Pettibon R ; Debrot J ; Osman J ; Cabri L ; Bee S., 2001

 Item
Identifier: CC-52888-74026
Scope and Contents

This issue includes a 20 page section of picture poems by Raymond Pettibon as well as the design for the cover. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

She / Berman, Wallace ; Prince, Richard ; McClure M., 2009

 Item
Identifier: CC-50445-71513
Scope and Contents

This catalogue focuses on the erotic and often overtly pornographic works by Berman and Prince. The catalogue Includes a reproduction of the poster for Michael Mcclure's "The Beard." This poster is also held by the Sackne Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Shorthand / Krakowiak, Katarzyna., 2012

 Item
Identifier: CC-60263-10003263
Scope and Contents This book was published on the occasion of "Possibility 02: Growth Part II." Internet: Katarzyna Krakowiak was born in 1980 in Poland. Her work explores sculpture and architecture with the use of various media, notably sound. In 2006 the Krakowiak graduated from the Sculpture Transplantation Studio, at the Academy of Fine Arts in Poznań, under Mirosław Bałka, where she worked as assistant from 2004 to 2007. From August 29 through November 29 2012, Krakowiak is presenting at the Polish Pavilion, 13th Venice International Architecture Biennial a major sound sculpture that presents architecture as a primary system of listening. "Making the walls quake as if they were dilating with the secret knowledge of great powers" is the amplification of the Polish Pavilion as a listening-system. This project is a design exploration into the interaction between sound and architecture in creating our environment. The sculpture collaborates with neighboring pavilions and echos the sounds that...
Dates: 2012

Shredding the Tapestry of Meaning: The Poetry and Poetics of Kitasono Katue / Solt, John ; Apollinaire G ; Artaud A ; Breton A ; Creeley R ; DeCampos A ; DeCampos H ; Gomringer E ; Mallarme S ; Olson C ; Perloff M ; Pignatari D ; Kitasono K ; Kyojiro H ; Pound E., 1999

 Item
Identifier: CC-47199-49942
Scope and Contents Using Kitasono as a window on Japanese literature in the twentieth century, John Solt analyzes the relationship of Japanese writers to foreign literary movements and the influences of Japanese writers on world literature. He also provides a critical analysis of Kitasono's poetic working methods with several translations of poems written in Japanese to English. He mentions that in the late 1920s, Katue published "Collection of White Poems" that was translated by Solt. This is a constellation long before Gomringer declared this form, concrete poetry, e.g. white residence - white table - pink noblelady - white distant view - blue sky, etc. Solt records the following. "Other Western poets took notice of the VOU translations. High praise came from Hugh Gordon Porteus, who wrote in Criterion in 1939, "The most fruitful experiments with language are likely to continue to emerge from those who concern themselves with images and their relations, rather than with idle wordspinning. Nothing...
Dates: 1999

Shrift, Zeichen, Geste. im Kontext von Klee bis Pollock / Claus, Carlfriedrich ; Ingrid Mossinger, curator ; Brigitta Miilde, curator ; Mon F ; Block F ; Schmidt B ; Gilbert A ; Wolf G ; Scherstjanoi V ; Ramm K ; Arias-Misson A ; Dencker KP ; Garnier I ; Mahlow D ; Scholz C ; Nicolai C ; Nicolai O ; Gomringer E ; Weiss C ; Art & Language ; Basquiat JM ; Bissier J ; Broodthaers M ; Burliuk D ; Burliuk W ; Cage J ; Cobbing B ; Corner P ; Daniel P ; Darboven H ; Deisler G ; Ernst M ; Exter A ; Fahlstrom O ; Filliou R ; Finlay IH ; Furnival J ; Gappmayr H ; Garnier P ; Geerken H ; Gerz J ; Goncharova N ; Gregorova B ; Higgins D ; Hirsal J ; Hoch H ; Indiana R ; Kabakov I ; Kassak L ; Klee P ; Klucis G ; Knowles A ; Kolar J ; Kosuth J ; Kriwet F ; Lakner L ; Lissitzky E ; Lora-Totino A ; Malevich K ; Masson A ; Mathieu G ; Michaux H ; Motherwell R ; Pastior O ; Penck A ; Pollock J ; Popova L ; Rehfeldt R ; Riedl JA ; Rosanova O ; Roth D ; Ruhm G ; Schmit T ; Schultze B ; Schwitters K ; Stepanova V ; Tobey M ; Valoch J ; Ben ; Williams E ; Wolf-Rehfeldt R ; Zielke O ; Hausmann R ; Winter F ; Hartung H ; Twombly C ; Kruchenykh A ; Schmalenbach W., 2005

 Item
Identifier: CC-54615-212245
Scope and Contents This is one of the most sumptious exhibition catalogues held by the Sackner Archive. It includes Claus' visual works and his critical essays as well as homages by poets and artists. The exhibtion included works by artists with images related to Clsus' ouvre. Original works in this exhibition as multiples or in the same style as Claus included John Cage's Not Wanting To Say Anything About Marcel (pages 356-357), Emmett Williams rubberstampings (page 364), Oyvind Fahlstrom's silkscreen prints (pages 368-369), Hansjorg Mayer's print portfolios' Konkrete Poesie International & Concrete Poetry, Britain, Canada, United State (pages 390-391), Hirsal and Grogerova's Ctyri Basne (pages 394-395), Eugen Gomringer's konkrete poesie periodicals (page 396) & Constellations (page 397), Heinz Gappmayr's minimalist concrete poems(pages 398-399), Finlay's Telegrams from my Windwill (page 400), Ilse & Pierre Grnier's Othon III - Jeanne D'Arc (pages 408-411), Ruth Wolf-Rehfeldt and Robert...
Dates: 2005