Gibb's introductory essay is written in a run-on style without periods to end the sentences. -- Source of annotation: Marvin or Ruth Sackner.

Ovcacek was one of the founding members of the Czech movements of concrete poetry and Lettrisme in the 1960's, and was an initiator of "Lettristic Photography." His work was inspired by letters, pictogrammes, symbols of zoomorphy and anthropomorphy, ideograms and the human figure. He used letter symbols as a medium of artistic and semantic meaning. -- Source of annotation: Marvin or Ruth Sackner.

All the cards depicted in this book are held by the Sackner Archive. Futher, about five times more cards by Finlay are held by the Sacknsr Archive. -- Source of annotation: Marvin or Ruth Sackner.

Helfgott mentions in an essay on the documentation of working methods that her work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Gnazzo poem in this exhibition is also depicted as one of two cards in the figura/partitura exhibition catalogue hels in Salerno in 1982. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of essays describing interviews with Lax and the interpretation of his work. It also includes poems by Lax. -- Source of annotation: Marvin or Ruth Sackner.

Klonsky prints Englsh translations with the same typographic layouts as the original poems: Mallarme's Un Coup de Des and Apollinaire's calligrammes. On page 280, Klonsky reproduces a Gerz visual poem, "The Tree of the Silent Majority;" the original collage is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Klonsky prints English translations with the same typographic layouts as the original poems: Mallarme's Un Coup de Des and Apollinaire's calligrammes. On page 280, Klonsky reproduces a Gerz visual poem, "The Tree of the Silent Majority;" the original collage is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book details the art gardens, steps and fountains titled "Spine" at the Maguire Gardens Central Library in Los Angeles. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a critical text by Dorothy Green on Patrick White's work and a rebuttal by Phillips in a letter to the editor. -- Source of annotation: Marvin or Ruth Sackner.

One of the illustrations in this book depicts a densely overwritten Hebrew alphabet. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds "Exploding Galaxy," "Lotterie Romane," "E835," and "Geschutztes Messer," works that are depicted in photographic reproductions in this catalogue. There is also a listing and description of the objects made by Schauffelen 1966-1976. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue includes essays by Axel Marwuart, Siiegfried J. Schmidt, Klaus Peter Dencker, Bob Cobbing, Jeremy Adler, Manfred Sundermann, and Mirela Bentivoglio dealing with concrete, visual and sound poetry. The series of color photographs by Michael Badura depicted o pages 13 & 14 were held by the Sackner Archive but were damaged by light and had to be destroyed. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of the book which was first published in 1965; it is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of may notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of many notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.