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Critical text

 Subject
Subject Source: Sackner Database

Found in 3307 Collections and/or Records:

Still: Posture [Collector's Edition]. No.3 / Carl Skelton, editor ; Skelton C., 1996

 Item
Identifier: CC-28546-29828
Scope and Contents

The material within this periodical is rolled within a mailing tube. This collector's edition has a small wind-up toy which is propelled furiously with two "arms" and hands. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Still: Posture. No.3 / Carl Skelton, editor ; Skelton C., 1996

 Item
Identifier: CC-28545-29827
Scope and Contents

The material within this periodical is rolled within a mailing tube. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Stommeln Synagogue, 1997

 Item — Box 317: [Barcode: 31858072490844]
Identifier: CC-29743-31120
Scope and Contents

The concrete poem on the title page reads, "The void enclosed by the squares of three four and five." The poem is also reproduced on the back cover in a different shape. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Stuart Passed This on to Me / curry, jw., 1979

 Item
Identifier: CC-20343-20740
Scope and Contents

This a reply to Maurice Mireau's letter, New Hope for Pimply Boys in Mondo Hunkamooga #7. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Studio Brescia Exhibition Catalog: Longlife to Piero Manzoni!. No.7 / Piero Manzoni ; Sarenco., 1973

 Item
Identifier: CC-37840-39720
Scope and Contents

Sarenco wrote the introductory essay and a facsimile of his handwritten inscription is reproduced on the first page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Studio Inquadrature 33: Poesia Visiva Internazionale. No.13/Mar / Luciano Ori ; Deisler G., 1974

 Item
Identifier: CC-31610-33109
Scope and Contents

The introductory essay was written by Guillermo Deisler. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Studio International. No.957/Jul-Aug / Phillips T., 1973

 Item
Identifier: CC-02099-2137
Scope and Contents

Cover for this issue was specially designed by Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Stupidity / Ronell, Avital ; Adorno T ; Acker K ; Artaud A ; Barthes R ; Beckett S ; Benjamin W ; Derrida J ; Heidegger M ; Joyce J ; Valery P ; Eckersley R., 2002

 Item
Identifier: CC-51059-72140
Scope and Contents The jacket design was done by Richard Eckersley.Diane Davis Amazon.com. Avital Ronell is one of the most provocative, street-savvy, and theoretically sophisticated thinkers of this age. If you've not yet encountered her explosive work (her other books: Dictations, The Telephone Book, Crack Wars, Finitude's Score), Stupidity will most definitely blow you away. And if you are already a die-hard Ronell fan, Stupidity will ... blow you away. (No amount of prep will brace you sufficiently.) Like Ronell's other works, Stupidity offers a kind of post-critical or nonrepresentational analysis, going after a seemingly recognizable and knowable signifier (stupidity) but tracking it so closely that it quickly becomes unrecognizable, exceeding its object-status, overflowing itself as a concept. Explicitly breaking with scholarly tradition, a tradition that over-values mastery and certitude, Ronell engages her "object" of study at the level of its radical singularity, tracking it through poets,...
Dates: 2002