Critical text
Subject
Subject Source: Sackner Database
Found in 3307 Collections and/or Records:
Subduing Demons in America: Selected Poems 1962-2007, 2008
Item
Identifier: CC-49491-70537
Scope and Contents
Marcus Boon, who edited this book writes, Giorno's late-1960s poems see him expanding the use of found materials, including pornographic and countercultural texts, as well as the use of repetition. Indeed, poems like "Capsule," "Give It to Me, Baby," and "Johnny Guitar" are among the most rock 'n' roll poems ever written, every bit as psychedelic and confrontational as The Stooges or Jefferson Airplane, and probably just as much the product of a wide-ranging armory of pharmaceuticals, which, as Giorno has repeatedly insisted, have the potential to open and expand the mind and bring bliss. Balling Buddha, a multicolor confection printed on pages in the six colors of the rainbow, rather than traditional black on white, introduced Giorno's signature split lines running down the center of each page-as a way of both reproducing the multitracking used in his sound poems and perturbing the linear flow of text on the page. Giorno observes that the split line "breaks the lineal flow....
Dates:
2008
Sublimato Potabile / Costa, Claudio., 1981
Item
Identifier: CC-16586-16939
Scope and Contents
The images in this book depict old hand tools. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1981
Subvers: On Language. No.8/Aug / Herman de Vries., 1972
Item
Identifier: CC-31408-32896
Subvers: On Language. No.8/Aug / Herman de Vries., 1972
Item
Identifier: CC-31409-32897
Sulfur: Anglophone Poetry & Poetics Outside the US and UK. No.44/Spr / Marjorie Perloff, Jenny Penberthy, editors ; Blaser R ; Bok C ; McCaffery S ; Werschler-Henry D ; Perloff M ; Creeley R ; Barbour D ; Kinsella J ; Strang C., 1999
Item
Identifier: CC-32296-33858
Scope and Contents
This issue deals with post-modern poetry in English. It is the penultimate isssue of Sulfur. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1999
Sulfur. No.34/Spr / Bernstein C., 1994
Item
Identifier: CC-02886-2930
Summary Dissolution, 1988
Item
Identifier: CC-48877-69914
Super-Writing 1983 - America 1683 / Curtay, Jean-Paul; Isou I; Pomerand G; Lemaitre M; Sabatier R; Spacagna J; Altmann R; Satie A; Canal F; Broutin GP; Grimaud A; Villers F; Blank I., 1983
Item
Identifier: CC-17830-18200
Scope and Contents
This is a draft of an essay for publication in the exhibition catalog on the occasion of "Lettrisme" held at the University of Iowa Museum in 1983. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1983
supertonic boom or babbling as artform / Houedard, Dom Sylvester., 1970
Item
Identifier: CC-61938-10004403
Support the Revolution / Berman, Wallace ; Meltzer D ; McClure M., 1992
Item
Identifier: CC-23764-24211
Scope and Contents
Includes several critical essays and biographic remembrances. An untitled Verifax collage of a Mexican dictator that is depicted on page 56 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1992
Surfiction: Fiction Now and Tomorrow, 1975
Item
Identifier: CC-11503-11719
Surfiction: Problemes de Lecture et d'Ecriture / Federman, Raymond., 1978
Item
Identifier: CC-11557-11773
Surrealism and the Book / Hubert, Renee Riese ; Iliazd ; Ernst M ; Lohr H ; Trinkewitz K ; Breton A., 1988
Item
Identifier: CC-08770-8945
Scope and Contents
Major discussion of Iliazd & Ernst's books "Maxmilliana". -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1988
Susan Hiller / Hiller, Susan., 1996
Item
Identifier: CC-32184-33735
Scope and Contents
In the preface, Nicholas Serota and Lewis Biggs write that Susan Hiller "uses ephemeral, everyday objects, telling their stories and extracting new meanings from them, producing art which is both visually stimulating and emotionally compelling." This major exhibition of Hiller's works brings together several of her major works that require viewer participation, shifting from the whole of the art piece to its particular elements and back again to the whole. One of Hiller's major works was installed in MOMA in the exhibition, "The Museum as Muse," which the Sackners viewed in New York. In it, the artist used ordinary materials to evoke moments of cultural, historical and personal disturbance inspired by Sigmund Freud's last home. Her found elements were boxed, labelled and categorized and placed in a large vitrine. Hiller indicated that the boxes "present the viewer with a word (each is titled), a thing of object, and an image or text of chart, a representation. And the three aspects...
Dates:
1996
Sussex Outlook: Special Issue: Brighton Festival. No.18/Apr / Conrad Martin, editor ; Ruehm G ; Houedard DS ; Finlay IH ; Lyle P ; Mayer HJ ; Morgan E., 1967
Item
Identifier: CC-59788-66215
Sutra: One Thing in Everything, Everything in One Thing / Kariya, Hiroshi., 1990
Item
Identifier: CC-08165-8326
Swallowing the Scroll / Daly, Lew., 1994
Item
Identifier: CC-27958-29105
Scope and Contents
The subtitle of the book is Late in a Prophetic Tradition with the Poetry of Susan Howe and John Taggart. The author examines the religious qualities of the poems by these writers. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1994
Sweet Dreams; contemporary art and complicity, 2005
Item
Identifier: CC-48338-69363
Scope and Contents
From the inside flap of the book: Johanna Drucker's "sweet dream" is for a new and more positive approach to contemporary art. Drucker argues that contemporary art is fully engaged with material culture"”yet still struggling to escape the oppositional legacy of the early-twentieth-century avant-garde. She calls for a revamping of the critical vocabulary used to discuss art into one more befitting current creative practices.Drucker shows that artists today are aware of working within the ideologies of mainstream culture and have replaced avant-garde resistance with acknowledged complicity. Finding their materials at malls and superstores or exploring celebrity culture, contemporary artists have created a vibrantly playful attitude towards mass culture"”all while critics continue to cling to an outmoded vocabulary of opposition and radical negativity that defined modernism's avant-garde. At the cutting edge of new media research, Drucker surveys a wide range of exciting contemporary...
Dates:
2005
Sydney University Museums News. No.18 / Michael Turner, editor ; Niccolai G ; Pignotti L ; Perfetti M ; Spatola A., 2009
Item
Identifier: CC-50442-71510
Scope and Contents
The front cover and first page are dedicated to an exhibition "Poesia Visiva: Italian Concrete and Visual Poetry of the 1960s and 1970s." -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2009