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Critical text

 Subject
Subject Source: Sackner Database

Found in 3310 Collections and/or Records:

[Writing is the field of all efforts] / Guillot, Anna., 2002

 Item
Identifier: CC-39635-41594
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Writing Machines / Hayles, N. Katherine ; Phillips T ; Danielewski M ; Williams E ; Paschal H ; Seaman B., 2002

 Item
Identifier: CC-47936-68959
Scope and Contents This book is written about the author as if someone else is making the observations (a pseudo-autobiographical narrative). From the back book cover: In "Writing Machines", N. Katherine Hayles explores how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts. Hayles weaves together intellectualized theory and pseudo-autobiographical narrative, the cultures of science and the humanities, and through her collaboration with Anne Burdick, the mandates of writing and design. Hayles inaugurates media specific analysis in literary studies, investigating words that focus on the very inscription technologies that produce them. She analyzes three writing machines in depth: Talan Memmott's groundbreaking web hypertext "Lexia to Perplexia," Tom Phillips's artist's book "A Humument," and Mark Z. Danielewski's...
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Writing Machines / Hayles, N. Katherine ; Phillips T ; Danielewski M ; Williams E ; Paschal H ; Seaman B., 2002

 Item
Identifier: CC-47937-68960
Scope and Contents This book is written about the author as if someone else is making the observations (a pseudo-autobiographical narrative). From the back book cover: In "Writing Machines", N. Katherine Hayles explores how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts. Hayles weaves together intellectualized theory and pseudo-autobiographical narrative, the cultures of science and the humanities, and through her collaboration with Anne Burdick, the mandates of writing and design. Hayles inaugurates media specific analysis in literary studies, investigating words that focus on the very inscription technologies that produce them. She analyzes three writing machines in depth: Talan Memmott's groundbreaking web hypertext "Lexia to Perplexia," Tom Phillips's artist's book "A Humument," and Mark Z. Danielewski's postprint...
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Writing on the Wall: Word and Image in Modern Art / Morley, Simon ; Adorno T ; Alechinsky P ; Aragon L ; Arakawa ; Art & Language ; Artaud A ; Baldessari J ; Ball H ; Banner F ; Barthes R ; Basquiat JM ; Baumgarten L ; Bayer H ; Beckett S ; Ben ; Bense M ; Beuys J ; Bing X ; Boetti A ; VanDoesburg T ; Bouabre FB ; Brecht G ; Breton A ; Broodthaers M ; Burgin V ; Burroughs WS ; Cage J ; Apollinaire G ; Cangiullo F ; Chopin H ; Mallarme S ; Darboven H ; Debord G ; Degottex J ; Desnos R ; Dine J ; Duchamp M ; Dufrene F ; Ernst M ; Fahlstrom O ; Finlay IH ; Fuller B ; Fulton H ; Gins M ; Ginsberg A ; Gomringer E ; Grosz G ; Hains R ; Hamilton R ; Hausmann R ; Heartfeld J ; Heidegger M ; Higgins D ; Hoch H ; Holzer J ; Isou I ; Jarry A ; Johns J ; Joyce J ; Kabakov I ; Kaprow A ; Kawara O ; Khlebnikov V ; Klucis G ; Kosuth J ; Kruger B ; Kuitca G ; Leger F ; Ligon G ; LeWitt S ; Lissitzky E ; Maciunas G ; McLuhan M ; Malevich K ; Manzoni P ; Marinetti FT ; Mayakovsky V ; Schwitters K ; Nannucci M ; Nauman B ; Neshat S ; Ono Y ; Phillips T ; Reinhardt A ; Rodchenko A ; Rollins T ; Roth D ; Ruscha E ; Salomon C ; Severini G ; Stein G ; Twombly C ; Tzara T ; Villegle J ; Vostell W ; Warhol A ; Weiner L ; Williams E ; Wittgenstein L ; Wolfli A ; Wool C ; Wyndam-Lewis ; Young L ; Zayas M., 2003

 Item
Identifier: CC-42413-44423
Scope and Contents This book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day.Publisher: "From the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner, and from the schoolboy subversion of Magritte to the demotic scrawl of Cy Twombly, the use of words is one of the defining features of modern art. Indeed, with many contemporary works, only those without text are remarkable. Exploring the strange, unsettling, and often humorous results when words escape their traditional confines and inhabit artworks, this book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day. Simon Morley traces the growing bond between word and image, explaining how artists have harnessed the resulting tension to form identities, challenge authority, and make sense of a world in constant...
Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Writing Surfaces: Selected Fiction by derek beaulieu and Lori Emerson, editors / Riddell, John ; Sackner MA., 2013

 Item
Identifier: CC-56294-9999726
Scope and Contents

In Writing Surfaces, derek beaulieu and Lori Emerson present a collection of John Riddell's work. Riddell's poems and short stories are a remarkable mix of largely typewriter-based concrete poetry mixed with fiction and drawings. Riddell's oeuvre fell out of popular attention, but it has recently garnered interest among poets and critics engaged with media studies (especially studies of the typewriter) and experimental writing. This book is an anthology of Riddell's published and unpublished works. It should be noted that the typewriter poem entitled 'Morax' totally differs from the piece with the same title published in Kontakte Series 1 No.1, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Writings. Signs. Gestures / Claus, Carlfriedrich ; Ingrid Mossinger, curator ; Brigitta Miilde, curator ; Mon F ; Block F ; Schmidt B ; Gilbert A ; Wolf G ; Scherstjanoi V ; Ramm K ; Arias-Misson A ; Dencker KP ; Garnier I ; Mahlow D ; Scholz C ; Nicolai C ; Nicolai O ; Gomringer E ; Weiss C ; Art & Language ; Basquiat JM ; Bissier J ; Broodthaers M ; Burliuk D ; Burliuk W ; Cage J ; Cobbing B ; Corner P ; Daniel P ; Darboven H ; Deisler G ; Ernst M ; Exter A ; Fahlstrom O ; Filliou R ; Finlay IH ; Furnival J ; Gappmayr H ; Garnier P ; Geerken H ; Gerz J ; Goncharova N ; Gregorova B ; Higgins D ; Hirsal J ; Hoch H ; Indiana R ; Kabakov I ; Kassak L ; Klee P ; Klucis G ; Knowles A ; Kolar J ; Kosuth J ; Kriwet F ; Lakner L ; Lissitzky E ; Lora-Totino A ; Malevich K ; Masson A ; Mathieu G ; Michaux H ; Motherwell R ; Pastior O ; Penck A ; Pollock J ; Popova L ; Rehfeldt R ; Riedl JA ; Rosanova O ; Roth D ; Ruhm G ; Schmit T ; Schultze B ; Schwitters K ; Stepanova V ; Tobey M ; Valoch J ; Ben ; Williams E ; Wolf-Rehfeldt R ; Zielke O ; Hausmann R ; Winter F ; Hartung H ; Twombly C ; Kruchenykh A ; Schmalenbach W., 2005

 Item
Identifier: CC-54914-990329
Scope and Contents

This English translation of the German catalogue, "Shrift, Zeichen, Geste. im Kontext von Klee bis Polloc k" (2005) that is also held by the Sackner Archive is abridged from the German copy through removal of the images and text of other artists/poets who knew him. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Written on a Body / Sarduy, Severo ; Carol Maier, translator ; Roche M., 1989

 Item
Identifier: CC-02607-2650
Scope and Contents

In a brief essay within this book, Sarduy critically reviews Maurice Roche's book, Compact. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Wuz. No.1/Feb / Apollinaire G ; Warhol A ; Maffei G., 2002

 Item
Identifier: CC-42296-44306
Scope and Contents

Laura Fresco Zannini documents the publications of Apollinaire's "Le Poete Assassine." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

X Libris: The Re-Purposed Book / Harriet Bart, curator ; Lohr H ; Nieblich W ; Phillips T ; Beube D ; Helmes S ; Schilling W ; Spector B ; Weber M ; Winston S ; Sackner MA ; Sackner RK., 2009

 Item
Identifier: CC-50177-71241
Scope and Contents

In the forward to the catalogue, Harriet Bart writes that this exhibition "presents the book and the printed page as palimpsest: de-constructed, re-examined, re-marked, re-considered, re-constructed, re-imagined, re-invented, re-purposed." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Xerographica / Ciani, Piermario, editor ; Baroni V ; Mohammed ; Neaderland L ; Cleveland B ; Gaglione B ; Hagglund SG ; Rocola R ; Olbrich JO ; Munari B ; Hubaut J ; Lara M ; Danon B ; Groh K ; Scott M ; Xerra W ; Maggi R., 1985

 Item
Identifier: CC-20810-21218
Scope and Contents

Contains an essay by Vittore Baroni, "Towards the Heart of the Machine: Copy Art Today" and another on "Mohammed elogio per un vampiro." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Xerographie Originali / Ciani, Piermario., 1988

 Item
Identifier: CC-16449-16801
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Xerolage: Signographics & Textes. No.18 / Clemente Padin ; Polkinhorn H., 1990

 Item
Identifier: CC-00169-175
Scope and Contents

This issue reproduces Padin's letter poems from 1967-1970. The originals of these poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Yale French Studies: Boundaries: Writing and Drawing. No.84 / Martine Reid, editor ; Butor M ; Queneau R ; Duchamp M ; Gandelman C ; Derrida J ; Artaud A ; Dubuffet J ; Vaughn-James M ; Hubert RR., 1994

 Item
Identifier: CC-00159-164
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Yes, No, Maybe / Judith Brodie, curator ; Adam Greenhalgh, curator ; Cage J ; Close C ; LeWitt S ; Marioni T ; Mehretu J ; Owens L ; Steir P., 2013

 Item
Identifier: CC-58227-10001481
Scope and Contents

Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

You Silently (Two) / Marina Warner, curator ; Dawn Ades, curator ; Winston S ; Finlay IH ; Scanlan P ; Krecker D ; Parker G ; Stangos N., 2008

 Item
Identifier: CC-54617-990064
Scope and Contents

Sam Winston's, "Passion" print of the Romeo and Juliet series is depicted. The complete work of this series (6 prints, edition of five) is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Young Fluxus / Ken Friedman, editor ; Peter Frank, editor ; Elizabeth Brown, editor ; Dupuy J ; Gerlovin V ; Gerlovina R ; Kocman JH ; Tot E., 1982

 Item
Identifier: CC-11637-11853
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Zaum Today / Janecek, Gerald., 1993

 Item
Identifier: CC-08312-8475
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Zaun: Normen als Zaun um das Judische Volk / Daniel, Peter., 1995

 Item
Identifier: CC-27645-28727
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Zeichnungen 1967-1992 / Waske, Felix., 1993

 Item
Identifier: CC-33160-34787
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Zeichnungen Drawings 1956-1974 / Jochims, Reimer., 1975

 Item
Identifier: CC-29432-30797
Dates: 1975
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

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