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Critical text

 Subject
Subject Source: Sackner Database

Found in 3307 Collections and/or Records:

Arts Review. No.2/Feb / Phillips T., 1979

 Item
Identifier: CC-25103-25556
Scope and Contents

The cover is a reproduction of Tom Phillips' "Dante in His Study." Pat Gilmour reviews Phillips' exhibition at Marlborough Fine Arts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Arts Review. No.6/Mar / Christie J., 1979

 Item
Identifier: CC-25920-26382
Scope and Contents

John Christie's "A Walk on the Shore" with text by Kenneth White, published by Circle Press, is reviewed -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Arts Review. No.22/Nov / Phillips T., 1980

 Item
Identifier: CC-24757-25210
Scope and Contents

Kevin Powers reviews the trade edition of "A Humument" by Tom Phillips and reproduces page 190. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Arts Review. No.23/Nov / Phillips T., 1980

 Item
Identifier: CC-25094-25547
Scope and Contents

Cover is reproduction of page 191 from "A Humument" by Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Aspects of Art: A Painter's Alphabet / Phillips, Tom., 1997

 Item
Identifier: CC-27759-28882
Scope and Contents Tom Phillips has created a discourse based on seventeenth and eighteenth century masterpieces in the collection at the Dulwich Picture Gallery. Desmond Shawe-Taylor writes that Phillips is "the ideal creative commentator, an artist of bewildering range and imagination and a writer of elegance and insight. His text is full of surprises; or as he puts it 'chance and risk are at the heart of the artistic enterprise.' He opens up the experience of art, exploring the overlap between creating and responding. the clarity of the writing masks the complexity of the issues. Tom Phillips's questioning leads in a daunting variety of directions, but this is an essential journey of discovery for those who believe in life beyond the label."The alphabetical structure of the book, where each letter of the alphabet is drawn with poetry from "A Humument," involves the topics of Abstraction, Beauty, Conservation, Detail, Education, Frame, Grammar etc. as related to specific paintings in the Dulwich....
Dates: 1997

Aspects of Art: A Painter's Alphabet / Phillips, Tom., 1997

 Item
Identifier: CC-32329-33894
Scope and Contents Tom Phillips has created a discourse based on seventeenth and eighteenth century masterpieces in the collection at the Dulwich Picture Gallery. Desmond Shawe-Taylor writes that Phillips is "the ideal creative commentator, an artist of bewildering range and imagination and a writer of elegance and insight. His text is full of surprises; or as he puts it 'chance and risk are at the heart of the artistic enterprise.' He opens up the experience of art, exploring the overlap between creating and responding. the clarity of the writing masks the complexity of the issues. Tom Phillips's questioning leads in a daunting variety of directions, but this is an essential journey of discovery for those who believe in life beyond the label."The alphabetical structure of the book, where each letter of the alphabet is drawn with poetry from "A Humument," involves the topics of Abstraction, Beauty, Conservation, Detail, Education, Frame, Grammar etc. as related to specific paintings in the Dulwich....
Dates: 1997

Assembling Magazines 1969-2000 / Perneczky, Geza ; Chopin H ; Cobbing B ; Carrion U ; Sackner MA ; Sackner RK ; Spatola A ; Vigo EA ; Ferrando B ; Perez D ; Calleja JM ; Kostelanetz R ; Szombathy B ; Perkins S ; Kocman JH ; Schraenen G ; Padin C ; Sampaio J ; Bruscky P ; Lisboa U ; Rehfeldt R ; Deisler G ; Jesch B ; Warnke U ; Dana L ; Fischer H ; VanBarneveld A ; Brand J ; DeJonge K ; Gaglione B ; Meade R ; Marin M ; Baroni V ; Ruch G ; Black J ; Raman E ; Herman C ; Holtz S ; Bogdanovic N ; Lenoir P ; Pignatari D ; DeCampos A ; DeCampos H ; Tarlatt U ; Kowalski J ; Berchenko G ; Zito R ; Petasz P ; Giacomucci U ; Boumans B ; Kantor I ; Zack D ; Home S ; Olbrich JO ; Hainke W ; Ciani P ; Kierspel J ; Stirnemann MV ; McLean D ; Neaderland L ; Stetser C ; And M ; Was E ; Bille P ; Alatalo S ; Gerlovina R ; Gerlovin V ; Nikonova R ; Segay S ; Konstriktor B ; Ebel G ; Ahnert C ; Cohen R ; Cardella J ; Guttierez R ; Peacock S ; Fabry A ; Resch R ; Krabbe P ; Putz C ; Tillier T ; Maggi R ; Morandi E ; Gagnon JC ; Lehmus J ; Seifert J ; Galantai G ; Toth G ; Blaine J ; spence p ; Collins P ; Delgado FG ; Gette PA., 2007

 Item
Identifier: CC-46801-49533
Scope and Contents

Perneczky provides essays on definitions and history of Assemblings as well as in depth analysis of individual publications in this heavily illustrated book. He adds personal vignettes on collecting several of these publications. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Associations / Roth, Andrew ; Williams J ; Ginsberg A ; Ray M ; Ruscha E ; Cahun C., 2006

 Item
Identifier: CC-62656-48629
Scope and Contents

This book is a well annotated listing of inscribed photography books from a private collection. There is a section that reproduces the inscriptions. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Asymmetric Typography / Tschichold, Jan ; Ruari McLean, translator ; Tiege K ; Lissitzky E ; Strzeminski W ; Moholy-Nagy L ; Albers J., 1967

 Item
Identifier: CC-54077-64834
Scope and Contents

Tschichold utilizes mainly books and art works by Lissitzky to demonstrate his new typography. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

At Home & in the World / Reichek, Elaine., 2000

 Item
Identifier: CC-42452-44462
Scope and Contents

Lynne Cooke contributes an in depth introductory essay, "Elaine Reichek: Memos for the New Millennium." Reichek has also written a personal review of her work and philosophy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Attack of the Difficult Poems: Essays and Inventions / Bernstein, Charles ; Sanders J ; Drucker J ; Adorno T ; Zukofsky L ; Smith H., 2011

 Item
Identifier: CC-52691-73827
Scope and Contents This latest collection of essays, gathers some of Bernstein's most memorably irreverent work while addressing seriously and comprehensively the state of contemporary humanities, the teaching of unconventional forms, fresh approaches to translation, the histsory of language media, and the connections between poetry and visual art. Jay Sanders co-authored the chapter "Poetry Plastique: A Verbal Explosion in the Art Factory."Aptowicz on Amazon.com: "Charles Bernstein is a poet & poetry professor who may be best known by the younger generation of writers as the poet who hates National Poetry Month. His oft-blogged about essay, "Against National Poetry Month As Such" (which is included in "Attack of the Difficult Poems") makes the bold claim that National Poetry Month "is about making poetry safe for readers by promoting examples of the art at its most bland and its most morally 'positive' " and then smartly up-ends the NYTimes being listed as one of National Poetry Month's...
Dates: 2011

Attention SPAM / Zelevansky, Paul; Ronell A; Calvino I., 1997

 Item
Identifier: CC-37967-39849
Scope and Contents

The primary focus of this essay is the forms of reading proposed by contemporary, commercial magazines and books, with consideration of related concepts in pop music and electronic media. It raises the question of what it means to read and interpret when the parameters of visual and verbal signs and contexts are transient and mutable. Zelevansky asks "what does scanning, sampling, hypermedia, etc. mean for the creators and consumers of books destined for the new electronic superstore? The future of the book form is entwined with the future of reading." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997