Critical text
Found in 3308 Collections and/or Records:
Colloque: Piendre les Mots / White K ; Butor M ; Baltazar J ; Cortot J ; Sicard M ; Eluard P ; Char R ; Dorny B., 1988
Published in conjunction with colloquium held at the time of exhibition of the work of J. Baltazar, J. Cortot, and B. Dorny. Includes abstracts of lectures delivered by Michel Butor and Kenneth White. -- Source of annotation: Marvin or Ruth Sackner.
Colour Lock, Grey Series / Caruso, Barbara., 1979
Combatting Historical Prejudices / Genereux, Linda; Finlay IH., 1989
Come Funziona e Finalita / Miglietta, Enzo., 1984
Comment juger de la valeur d'une oeuvre d'art, ou le reclassement creatif de la culture du passe, 1984
No.24 of series "Documents Lettristes." -- Source of annotation: Marvin or Ruth Sackner.
Commentaries on Meister Eckhart Sermons, 2000
Although known as a concrete poet, critic, translator, and artist in the art and poetry worlds, Houedard was also well versed in religious thoughts and traditions. Educated in the Christian monastic and contemplative traditions, Dom Sylvester had a deep knowledge of many forms of belief, which he saw as different expressions of a single wisdom. A pioneer of the wider ecumenism, he had active contacts with Tibetan Buddhism and the work of the great Islamic mystic Muhyddin Ibn' Arabi. In these talks given near the end of his life, Dom Sylvester illuminates the meanings embedded in six of Eckhart's greatest sermons. -- Source of annotation: Marvin or Ruth Sackner.
Commentaries on the New Media Arts: Fluxus & Conceptual Art, Artists' Books, Correspondence Art, Audio & Video Art / Morgan, Robert C. ; Higgins D ; Weiner L ; Allen T ; Porter B ; Steinberg S ; Viola B., 1992
This is a collection of previously published essays. -- Source of annotation: Marvin or Ruth Sackner.
Commentario, 1985
This book depicts and annotates Carrega's seminal work, entitled "50 modelli d'uso" that was shown the first time at Mercato del Sale in May 1978. It was remade in 1981 with 45 pieces in an edition of three copies and the Sackner Archive holds one of these editions in a specially made box. -- Source of annotation: Marvin or Ruth Sackner.
Commentary: An exhibition of work by Sylvia Ptak / Ptak, Sylvia., 2004
The artist comments on the rare books and manuscripts in the library by interfacing pages from the texts with fabric threads with language-like lines that mirror the original works. These "carefully plucked lines, configured into paragraphs and columns, recall the elaborate handwriting found in the manuscripts." Another artist also in the Sackner Archive, Frances Trumbley, also uses threads to create callikgraphic markings. -- Source of annotation: Marvin or Ruth Sackner.
Commonplace Books: A History of Manuscripts and Printed Books form Antiquity to the Twentieth Century / Havens, Earle., 2001
The Sackner Archive holds an anonymous Victorian scrapbook or commonplace book on the subjects of 1) Anagrams, 2) Charades, 3) Enigmas, 4) Epigrams, 5) Epigraphs, 6) Rebuses, 7) Conundrums, 7) Sermons, 8) Puzzles, 9) Maxims, 10) Musick, 11) Transpositions, 12) Matrimony, 13) Miscellaneous Drolleries, 14) Drawings & Prints, 15) Prose, 16) Verse, 17) Blank-Verse, and 18) Parodies. This exhibition catalogue portrayed the collection of rare books and manuscripts that was displayed at the Beinecke Rare Book and Manuscript Library from late July to September, 2001 The event was presented in two parts: (1) the meaning of "commonplace" and how it developed over the centuries and (2) how manuscripts were used in scholarly studies. Commonplace Books contains descriptions from titles such as the first modern history of commonplace books Polyhistor, literarius, philosophicus et practicus. -- Source of annotation: Marvin or Ruth Sackner.
Commonpress: Microfichecatalogue. No.56 / Guy Bleus, editor ; Bleus G ; Schraenen G ; Deisler G ; Rehfeldt R ; Blaine J ; VanHouten K ; Ben ; Crozier R ; Arts A ; Carrion U ; Toth G ; Baroni V ; Cavellini GA ; Perfetti M ; Rypson P ; Groh K ; Mittendorf H ; Olbrich JO ; Cohen R ; Cole D., 1984
Pawel Petasz initiated the Commonpress series of publications produced by the correspondence art network and was its first editor. Bleus discusses the etymology, grammer, spelling, meanings, practice, history, economy, psychology, sociology, art-criticism, ethics, and communication of mail art. -- Source of annotation: Marvin or Ruth Sackner.
Commonpress: Microfichecatalogue. No.56 / Guy Bleus, editor ; Bleus G ; Schraenen G ; Deisler G ; Rehfeldt R ; Blaine J ; VanHouten K ; Ben ; Crozier R ; Arts A ; Carrion U ; Toth G ; Baroni V ; Cavellini GA ; Perfetti M ; Rypson P ; Groh K ; Mittendorf H ; Olbrich JO ; Cohen R ; Cole D., 1984
Pawel Petasz initiated the Commonpress series of publications produced by the correspondence art network and was its first editor. Bleus discusses the etymology, grammer, spelling, meanings, practice, history, economy, psychology, sociology, art-criticism, ethics, and communication of mail art. -- Source of annotation: Marvin or Ruth Sackner.
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Deawing Collection / Twombly C ; Thomkins A ; Johns J ; Hammons D ; Rauschenberg R ; Beuys J ; Tuttle R ; Piper A ; Kusama Y ; Cage J ; Cunningham M ; Weiner L ; Huebler D ; Barry R ; Kawara O ; Lombardi M ; Orozco G ; Darboven H ; Fahlstrom O ; LeWitt S ; Baldessari J ; Matta-Clark G ; Wilke H ; Samaras L ; Nauman B ; Ruscha E ; Broodthaers M ; Anselmo G ; Boetti A ; Merz M ; Kentridge W ; Ruppersberg A ; Pettibon R ; Ligon G ; Pearson J ; Hirschhorn T ; Friedman T ; Stark F ; Kelley M ; Shaw J ; Crotty R ; Hamilton A ; Penck A ; McCarthy P ; Tom Of Findland ; Dzama M ; Darger H ; Crumb R ; Westermann H ; Johnson R ; Conner B., 2009
This catalogue prints an extensive interview of Harvey S. Shipley Miller that provides the background as to how the collection was formed. Carl Andre's typed carbon drawing entitled "words men word..." from the collection of Eileen and Michael Cohen (purchased by Shipley Miller) is depicted on page 84 of this catalogue, and is identical to the Sackner typing who have called their piece July 26... after the title at the bottom of the drawing. -- Source of annotation: Marvin or Ruth Sackner.
Con gli acchi del linguaggio / Balestrini, Nanni ; Bonito-Oliva A ; Eco U ; Barilli R ; Dorfles G ; Barilla R., 2006
A collage held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.
Con le "Parole-Oggetto" Nasce la Poesia-Meccano / Pautasso, Sergio; Hirsal J; Lora-Totino A; DeCampos A; Pignatari D; Grunewald JL; Gomringer E; Kriwet F; Havel V; Kolar J; Belloli C., 1966
Review of the periodical "Modulo." -- Source of annotation: Marvin or Ruth Sackner.
Con Vista Sui Suoni: musica in secca / Marchetti, Walter ; Duchamp M ; Diacono M ; Schwarz A ; Marchetti W., 1994
Concept Art / Honnef, Klaus, editor ; Brouwn S ; Huebler D ; LeWitt S ; Barry R ; Weiner L ; Kosuth J ; Kawara O ; Darboven H ; Gilbert & George ; Dibbets J ; Oppenheim D ; Andre C ; Stella F ; Siegelaub S ; Wilson I ; Gilbert & George., 1971
This book lists important Concept Art exhibitions. -- Source of annotation: Marvin or Ruth Sackner.
Conceptual Art: Over, and Yet Everywhere / Smith, Roberta; Kruger B; Ligon G; Duchamp M., 1999
Conceptual Music / Chiari, Giuseppe ; Cage J ; Martin H ; Simonetti GE ; Oliva AB ; Ben ; Ruhe H ; Dorfles G ; Miccini E., 1996
Concrete Poetry: A Teacher's Guide / Michael Warshaw; E Williams; ME Solt; D Pignatari., 1970
This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. The film was donated to the Anthology Film Archives and transferred to DVD in 2006. According to 2006 media standards, the film should be considered quaint, historic and dated. -- Source of annotation: Marvin or Ruth Sackner.