The inscription by Todorovic on the title page refers to a citation from the Sackner Archive catalogue of 1986. -- Source of annotation: Marvin or Ruth Sackner.

Also numbered Jargon 67. Printed by A.D. Moore of the Finial Press and R.E. Chapdu of the Moneytree Press. -- Source of annotation: Marvin or Ruth Sackner.

This issue deals with the poetry on the Internet. It features reproductions of poetry computer screens, poetry Websites, e-mail, and programming documentation. This issue also includes a listing of poetry Website addresses on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

This was the first artist book exhibition that the Sackners attended. It made a major impact on them in terms of the their subsequent direction in collecting. The catalog includes reproductions of Kenneth Snelson's drawings for the sculpture, Forest Devil, the maquette of which is held by the Sackners. Marcel Broodthaers' Un Coup de Des and Jes Petersen's Piero Manzoni, books held by the Sackner Archive were exhibited. -- Source of annotation: Marvin or Ruth Sackner.

Book cover is illustrated by Tom Phillips. Review of Phillips' film at White Ink Studios is illustrated with "Benches" and two pages from "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

Contains reproductions of Dada emphemeral material, viz., posters, invitations, announcements and programs. -- Source of annotation: Marvin or Ruth Sackner.

The book includes full page reproductions of 13 typewriter poems dating from 1923-1929. -- Source of annotation: Marvin or Ruth Sackner.

This book "presents a comprehensive collection of the poet's handwritten, drawn, typographic and musical notation - works composed through nonintentional methods and which operate simultaneously as visual art, literature and scores for performance." The Steven Clay, Charlie Morrow, Anne Tardos, Kenneth Goldsmith, Julie Harrison, Susan Bee, Philip Gallo and Ian Tyson participated in its performance. -- Source of annotation: Marvin or Ruth Sackner.

The essays by Bentivoglio and Marcucci deal with the relationship of women's involvement in Concrete and Visual Poetry. -- Source of annotation: Marvin or Ruth Sackner.

This group exhibition was held at Nottingham Testival, Bristol Arts Centre and Newcastle-upon-Tyne. Tom Phillips contributed "The Singing Mushroom: Poem for John Cage" and a page from "A Humument" both of which are reproduced in color in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This group exhibition was held at Nottingham Testival, Bristol Arts Centre and Newcastle-upon-Tyne. Tom Phillips contributed "The Singing Mushroom: Poem for John Cage" and a page from "A Humument" both of which are reproduced in color in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The spine of the folder is frayed and torn but the contents are in excellent condition. This is probably the finest example of varied experimental Lettrist writing. An essay on four mimeographed loose pages possibly by Isou and not a part of ths piece entitled"Quelques Certitudes Theologiques et Esthetiques" has been tucked into the cove runder the dust jacket.The ouside lithographs are identical from page to page and allread Isidoe Isou repetively accompamied by Lettrist hieroglphics. -- Source of annotation: Marvin or Ruth Sackner.

Rauschenberg's 34 drawings for Dante's Inferno are reproduced in this catalogue. The images for Cantos III and V accompany this record. -- Source of annotation: Marvin or Ruth Sackner.

The drawings depict still lifes and landscapes without text. -- Source of annotation: Marvin or Ruth Sackner.

Arthur Danto contributes an essay titled "Small Wonders " that he wrote in 2006 and is published for the first time in this catalog. -- Source of annotation: Marvin or Ruth Sackner.