Edited by Jean-Marc Vincent. The loose sheets are supplement 5. -- Source of annotation: Marvin or Ruth Sackner.

Several books and posters which are held by the Sackner Archive are included in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Jean-Marc Vincent. The folded sheet is supplement 10. -- Source of annotation: Marvin or Ruth Sackner.

The letter is an invitation from Ingleby gallery for an exhibition andn reception for Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Francois Woimant who contributed an essay writes, "...The French National Library's Cabinet des Estampes contains one of the largest public collections of artists' books in the world, second only in size to that held at the Museum of Modern Art in New York. ... today totals approximately 4000 works." Woimant's estimate of the collection size is based upon mass distributed artist books, not the one of a kind book. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition consisted of surrealist photographs made clandestinely in Nazi-occupied Prague from 1943-1944. -- Source of annotation: Marvin or Ruth Sackner.

This reviews all the Geiger publicatons with essays and illustrations. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Francis O. Mattson. The manuscripts, books and images are from the Berg Collection of the NYPL. -- Source of annotation: Marvin or Ruth Sackner.

Consists of an analysis of individual poems from cumming's 12 collections beginning with Tulips and Chimneys in 1923 and ending with his posthumous 73 Poems in 1963. -- Source of annotation: Marvin or Ruth Sackner.

Provides a well documented source of artists, musems, galleries and alternative art works in the former East Germany. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition, which featured fine press work, was curated by Francis Mattson and Daniel Tierney, Jr. -- Source of annotation: Marvin or Ruth Sackner.

H.C. stands for Hans Carl. -- Source of annotation: Marvin or Ruth Sackner.

This is an extensive architectural project for a German bank that was planned from the onset of construction. It consisted of six carved, lettered stone sculptures for the facade, poetic wall paintings, poems on glass doors, and a floor poem. The concrete and picture poems were modified from earlier published versions, e.g., wave/rock, star, evening will come, sackcloth n., wild flower n. Bann wrote a critical analysis, Simig helped in production, & Sloan provided the stone carvings. -- Source of annotation: Marvin or Ruth Sackner.

This is an antholgy of contemporary Spanish concrete and visual poetry translated into the German language. -- Source of annotation: Marvin or Ruth Sackner.

Proun 88," "Beat the Whites with the Red Wedge," "Six Tales with Easy Endings," "Wendingen," "Of Two Squares," "For the Voice," "Isms of Art," and "Pressa" are among the works illustrated in this book that are held by the Sackner Archive. The collage, entitled Proun 88, is depicted as plate 32. The watercolor drawing of this image is held by the Sackner Archive. Plate 40 depicts the agitprop poster, "Beat the Whites with the Red Wedge but this is not the original image; the original image poster is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Joaquim Molas contributed a lengthy introductory biographic essay. This is the 22nd printing of the book. -- Source of annotation: Marvin or Ruth Sackner.

This short explanation by Henninger explains the often misquoted title of McLuhan's book, "The Medium is the Massage." The "Medium is the Message appeared in his large 1964 book, "Understanding Media." -- Source of annotation: Marvin or Ruth Sackner.

Gertrude Nuding composed this text describing Tom Phillips' creation of the DVD portrait of the Director of the RI, Susan Greenfield. The Sackners were invited by Phillips to participate in the vernissage of the electronic portrait and the preliminary drawings at the Royal Institution in November, 2000. -- Source of annotation: Marvin or Ruth Sackner.