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Dada

 Subject
Subject Source: Sackner Database

Found in 34 Collections and/or Records:

Dada Artifacts / Joann Moser, curator ; Apollinaire G ; Ball H ; Albert-Birot P ; Breton A ; Depero F ; Sheppard R ; Duchamp M ; Ernst M ; Grosz G ; Hausmann R ; Kirsanov S ; Lissitzky E ; Marinetti FT ; Mayakovsky V ; Picabia F ; Schwitters K ; Tzara T ; Foster S., 1978

 Item
Identifier: CC-14549-14860
Scope and Contents

Pictured in the catalogue and held by the Sackner Archive are Apollinaire's "Calligrammes," Marinetti's "Les Mots en Liberte Futurist," "Der Dada No.3," "291," Picabia's "Le Cannibale," "Dada No.4-5," "Der Blutige Ernst," "Der Dada No.2," Huelsenbeck's "En Avant Dada," VanDoesburg's "Kleine Dada Soiree," Mayakovski/Lissitzky's "For the Voice," " Le Coeur a Barbe." Stephen Foster contributed an essay, "Dada: Back to the Drawing Board and Richard Sheppard a comprehensive Dada chronology. The exhibition was curated by Joann Moser. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Dada & Surrealism / Breton A ; Duchamp M ; Apollinaire G ; Marinetti FT ; Picabia F ; Schwitters K ; Ernst M ; Hugnet G ; Carroll L ; Tzara T ; Soupault P ; Lebel R ; Aragon L ; Peret B., 1974

 Item
Identifier: CC-14748-15061
Scope and Contents

An exhibition of books, mauscripts, graphics and objects from the Howard L. & Muriel Weingrow Fine Arts Collection. Written and compiled by Haim Finklestein. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Destruction Was My Beatrice / Rasula, Jed ; Apollinaire G ; Arp H ; Baader J ; Ball H ; Breton A ; Duchamp M ; Ernst M ; Grosz G ; Hennings E ; Hoch H ; Huelsenbeck R ; Janco M ; Hausmann R ; Kandinsky V ; Lissitzky E ; Ray M ; Moholy-Nagy L ; Picabia F ; Ribemont-Dessaignes G ; Richter H ; Schwitters K ; Tzara T ; VanDoesburg T., 2015

 Item
Identifier: CC-60927-10003782
Scope and Contents

In "Destruction Was My Beatrice" modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artistsl like Marcel Ducahmp and Man Ray to Berlin where it inspired painters George Grosz and Hannah Hoch: and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists."THIS WAS THE LAST BOOK THAT RUTH SACKNER READ AND CATALOGUED. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2015

Juin / Luiggi, Philippe ; Apollinaire G ; Barthes R ; Bataille G ; Breton A ; Cendrars B ; Char R ; Jacob M ; Queneau R ; Tzara T ; Vian B., 1989

 Item
Identifier: CC-06851-6973
Scope and Contents

Luiggi used the initial 'E.' for his surname in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

No.10: Dada Once and for All / Ex Libris ; Albert-Birot P ; Ball H ; Breton A ; Duchamp M ; Ernst M ; Grosz G ; Hausmann R ; Huelsenbeck R ; Iliazd ; Jarry A ; Picabia F ; Schwitters K ; Tzara T., 1983

 Item
Identifier: CC-13882-14187
Scope and Contents

Contains a description of the periodical, 291, which is held in the Sackner Archive. Also has good descriptions of the individual Merz issues. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983