This letter is addressed to John Sharkey and Wendy. Houedard crosses out the bottom typed line and writes "this was meant for card to cavan! [mccarthy]" -- Source of annotation: Marvin or Ruth Sackner.

This is the obiturary of Houedard, born February 16, 1924, died January 15, 1992. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was printed for a group exhibition organized by Furnival. -- Source of annotation: Marvin or Ruth Sackner.

Chopin mentions sending Verey a small article about Ken Cox along with a poster and catalogue of Fiumalbo's work. -- Source of annotation: Marvin or Ruth Sackner.

Deals with a visual poetry exhibition with Furnival and Houedard at Arlington One Gallery, Gloucestershire. A printed red colored map attached has a hanwritten message from Cox that reads "Can you spare the time to do it?" -- Source of annotation: Marvin or Ruth Sackner.

Houedard begins letter with "i always seem to be emptying the commode when you appear on the steamradio - the cuba scene came over well...He also writes "they are doing my ballet sometime - roundhouse? the slab? - called 'the cosmic typewriter - a somantic diversion." In a handwritten note of the margin, Houedard writes, "this is terrible invicta typewritter - not at all cosmic" -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns setting up, transporting and caring for Furnival's work at the first Brighton Festival as well as asking for an indication of the arrangement of Furnival's panels and whether Houedard could associate with the project. -- Source of annotation: Marvin or Ruth Sackner.

Houedard mentions Jonathan Williams, Ronald Johnson, John and Astrid Furnival and Ken Cox. Houedard writes at the page bottom, "just did poem for polluted lake: dedicated to ernst jandl: vienna circle: WA wa wa - WA wa wa - LLLLL - tz tz" The Polluted Lake Series was edited and published by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

Houedard is concerned about sending his reversals and reflecting poems to Ugo Carrega for an exhibition in Italy "but he prefers something more general - a bit of a retrospective - which puts me [Houedard] in a quandry as my stuff gets so scattered i never know where anything is & having had two retrospectives already (the V-&-A in london: the ceolgrith in newcastle at the laing) i cant start assembling stuff all over again - however i shall suggest he writes to the british council to see if they can help - also to the V-&-A which has a travelling show of some of my work (tho whether their travelling shows go abroad i am not certain." The envelope is addressed to Richard Aaron in Switzerland. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing concludes in this essay, visual (concrete) poetry can be heard, smelt, has colours, vibrations whereas sound poetry dances, tastes, has shape. -- Source of annotation: Marvin or Ruth Sackner.