As defined by Geof Nuth, a pwordmd is a one word poem, often a neologism, presesnted without a separate title. -- Source of annotation: Marvin or Ruth Sackner.

This is a catalogue of dbqp items which provides a brief description of each item. -- Source of annotation: Marvin or Ruth Sackner.

Contains description and listing of publications -- Source of annotation: Marvin or Ruth Sackner.

Catalogue of the press' publications. -- Source of annotation: Marvin or Ruth Sackner.

Catalogue of the press' publications. -- Source of annotation: Marvin or Ruth Sackner.

This is a catalog of works by the press. -- Source of annotation: Marvin or Ruth Sackner.

This is a catalogue from Huth's press. It lists in print works in the following series, Alabama Dogshoe Mustache, The Subtle Journal of Raw Coinage, Socks, Dregs and Rocking Chairs, A Voice Without Sides, Buried Tongue, goodbooqpress, Epistulation Exscrapts, Other Leaflets and Objects. Eight picture poems by Larry Tomoyasu are present in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Provides an explanation for publications by the press owned by Geof Huth; these include dbqp, Alabama Dogshoe Moustouche, The Subtle Journal of Raw Coinage, A Voice Without Sides, Socks Dregs and Rocking Chairs, Epistulational Exscrapts, QCKK, &, and Objecta. This was produced for a planned book on small press activity which never appeared and was a dry run for dbqp No.101. -- Source of annotation: Marvin or Ruth Sackner.

There are 100 copies of this issue that are included in dbqp #101. -- Source of annotation: Marvin or Ruth Sackner.

Notice of Huth's moving to another address. -- Source of annotation: Marvin or Ruth Sackner.

These neologisms were collected in Venezuela by John Graywood and consist of poz, barsexi, miniteka, darmaling, and miusy. -- Source of annotation: Marvin or Ruth Sackner.

This is Geof Huth's business card. The drawing on the card of Geof was done by his daughter, Erin. -- Source of annotation: Marvin or Ruth Sackner.

Huth describes his visit to the Sackner Archive on April 13th in the section titled "Home Sweet Museum." -- Source of annotation: Marvin or Ruth Sackner.

Subtitled "Visual poetry and personal experience" this massive notebook contains writings and interviews on poetic and personal experiences of Huth. In diary-like form from his blog, Huth contributes concrete and visual poems. This work is an example of Huth's brilliance as a poet, writer, archivist, critic and publisher. A visit by Huth to the Sackner Archive on April 13, 2004 titled "Home Sweet Museum" is described. In an illuminating essay dated June 15, 2004 Huth describes how he writes and how he creates fidgetglyphs. -- Source of annotation: Marvin or Ruth Sackner.