Ruud Janssen's interview traces Gunther Ruch's career in the mail art network. Ruch was the publisher of Clinch magazine. -- Source of annotation: Marvin or Ruth Sackner.

Newsletter by Rudd Janssen that explains the history and process of mail art. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Carol Stetser. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Ayah Okwabi. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Dick Higgins describes the beginnings of mail art and fluxus. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Ibirico and his involvement with the mail art network. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Jenny de Groot. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Klaus Groh. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Mark Bloch. Bloch describes the suicide death of Ray Johnson. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Patricia Collins traces her contributions to the mail art network and her own background of art projects. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Rudi Rubberoid. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Vittore Baroni. He mentions that complete runs of Arte Postale! are held by the Sackner Archive, the Administrative Center in Belgium, and the V.E.C. Archives in Holland. -- Source of annotation: Marvin or Ruth Sackner.

Announcement of Commonpress No.44 that apparently was never released. Stored in commonpress box.. -- Source of annotation: Marvin or Ruth Sackner.

Ian Hamilton Finlay is featured in this general catalogue with 16 picture poems and photographs of fleets of model boats in his garden "Little Sparta" in Scotland. This book is stored in the Finlay materia. -- Source of annotation: Marvin or Ruth Sackner.

Paula Scher traces her design work and career in sections titled Corporate Politics 101, Style Wars and In the Company of Men. Her graphic designs have a concrete and visual poetic sensibility. One of them, "an opinionated map," that is held by the Sackner Archive is reproduced on page 134. In the first section of the book, Scher describes and illustrates her record cover designs. Style Wars concerns designing record, books, logos, marketing graphics, posters and painted maps. The final section concerns Scher's involvement with Pentagram, designing for the Public Theater and Broadway, logos, magazines, architectural design and fabric design. Scher writes, "I began painting small opinionated maps in the early nineties. Over time they grew larger and more obsessive. In the late nineties and now the map paintings serve as an antidote to laborious corporate design projects frustrated by indecisive committees." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for the exhibition on the work of the British poet, Bob Cobbing. The exhibition was curated by Matthew Abess who was the scholar in residence at the Sackner Archive during the summer of 2006 between his sophomore and junior years at the University of Pennsylvania. He also wrote the catalogue essay and organized a symposium at the Kelly Writers House with Maggie O'Sullivan and cris cheek, compatriates of Bob Cobbing, participating in the event along with Charles Bernstein and Marvin Sackner. All the Cobbing material for the exhibition came from the Sackner Archive. The three copies in the Sackner Archive will be considered varient copies as the final few pages were poorly printed. Marvin Sackner advised the attendees to hold on to these copies as special before a more perfect version is reprinted. -- Source of annotation: Marvin or Ruth Sackner.