Documentation
Found in 3452 Collections and/or Records:
[Photographs from Saarbrucken Visual Poetry Exhibition] / Trinkewitz, Karel; Higgins D; Sackner MA; Sackner RK; Takahashi S; Ruutsalo E; Dencker KP; Schauffelen KB; Trinkewitz K., 1984
The Sackners were invited to a televised conference for German TV in which the definitions of visual and concrete poetry were discussed in German that lasted hours with no definitive conclusions. The concluding respondent in the conference, Wolfgang Schmidt, gave a wink to the Sackners and replied to the question "What is Visual Poetry" with I...DON'T....KNOW! The event included an exhibition and poetic performances. -- Source of annotation: Marvin or Ruth Sackner.
Photographs of Bern Porter / Saunders, Robert., 1991
All Photographs are annotated on verso. and signed by Saunders. -- Source of annotation: Marvin or Ruth Sackner.
[Photographs of Works in Progress] / Furnival, John; Furnival, Astrid., 1984
John Furnival's work includes "Fifty-One Towers of Babel," and Astrid Furnival's work "The Garden" both held in the Sackner Archive. Another photograph shows the coral rock the Sackners gave the Furnivals cemented into their wall in Gloustershire. -- Source of annotation: Marvin or Ruth Sackner.
Photos Banales, Photos Ratees et Autres Cliches Novateurs, y Compris Des Portraits Origineaux de Maurice Lemaitre 1951-1980 / Lemaitre, Maurice., 1980
The colored photocopied page depicts an artwork, "Votre Sculpture.." This book depicts several reproductions of altered photographs of Lemaitre's father with handwritten captions, newspaper pages dealing with Lettrisme and Lettriste works. -- Source of annotation: Marvin or Ruth Sackner.
Piedras [Stones] Series / Martinez-Canas, Maria., 1997
The covers of the catalogue are printed with black on black typography. -- Source of annotation: Marvin or Ruth Sackner.
Pinspot 2 / Zellen, Jody., 1998
Pioneer / Bill Gaglione, aka Picasso Gaglione., 2009
This piece deals with a giant rubberstamping machine, called Pioneer that was made in Germany in 1976 by Mass Moving. It was used to provide rubberstamped images on city streets. -- Source of annotation: Marvin or Ruth Sackner.
Pioneer / Bill Gaglione, aka Picasso Gaglione., 2009
This piece deals with a giant rubberstamping machine, called Pioneer that was made in Germany in 1976 by Mass Moving. It was used to provide rubberstamped images on city streets. -- Source of annotation: Marvin or Ruth Sackner.
PIPS. No.5-7 / Claudia Putz, editor ; Weber FJ., 1987
Stored in box labeled "PIPS flat periodials." -- Source of annotation: Marvin or Ruth Sackner.
Plans for 1991 / Whittington Press, The., 1990
Plastique, 2009
Playing with the Elements / Philip Corner., 1985
The record includes the following works: Breath, Rubbing Rock, Boiling Water, and Terra Cotta. -- Source of annotation: Marvin or Ruth Sackner.
Playing with the Elements / Philip Corner., 1985
The record includes the following works: Breath, Rubbing Rock, Boiling Water, and Terra Cotta. -- Source of annotation: Marvin or Ruth Sackner.
pm + / Mairey, Francoise., 2002
Card No.22 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
PMTTTD Corporation Presents: The Standard Artist Stamp Catalogue, 1995
Po-Ex: Textos Teoricos e Documentos da Poesia Experimental Portuguesa, 1979
A table of chronology of Portuguese concrete poetry included in this book indicates that it began in 1962 with publication of de Melo e Castro's book, "Ideogramas." The book reprints texts and correspondence from the early days of concrete poetry in Portugal. -- Source of annotation: Marvin or Ruth Sackner.
Pocket Calculator Poems, 1988
Five prints referred to in book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Poem Cognomi / Minarelli, Enzo., 1988
poem for mike chapman 2 (080568) / Houedard, Dom Sylvester., 1968
This second page of three shows distribution of letters on a three dimentional screen. -- Source of annotation: Marvin or Ruth Sackner.
poem for mike chapman 3 (080568) / Houedard, Dom Sylvester., 1968
This third page of three depicts the two dimensional construction of the screen with "distribution of letters behind screen and one possible phrase appearing on screen." -- Source of annotation: Marvin or Ruth Sackner.