Documentation
Found in 3474 Collections and/or Records:
poesia critica / Giancarlo Pavanello., 1996 - 1997
Poesia Diretta / Ria, Antonio ; Beltrametti, Franco ; Blaine, Julien ; Xerra W ; Hubaut J ; Spatola A ; Costa C ; Papp T ; Ballerini L ; Heidsieck B ; Ruhm G ; Bernstein C ; Giorno J ; Hidalgo J ; Marchetti W ; Ben., 1992
The illustrations are Ria's photographs that consist of mainly European poets doing performances. -- Source of annotation: Marvin or Ruth Sackner.
Poesia in Formazione / Manfredi, Mauro., 1981
Photographs of an installation held at Il gabbiano della Spezia in 1981. -- Source of annotation: Marvin or Ruth Sackner.
poesia / Pavanello, Giancarlo., 2000
Poesia Sonora: Poeticas Experimentais da Voz No Seculo XX / Menezes, Philadelpho, editor ; Higgins D ; Minarelli E ; Aguiar F ; Chopin H ; Isou I ; Garnier I ; Kostelanetz R ; Robson E ; Depero F ; Fontana G ; Zumthor P ; Russolo L ; Garnier P ; Canals X ; Kruchenykh A., 1992
This a collection of previously published essays on sound poetry that have been translated into Portuguese. -- Source of annotation: Marvin or Ruth Sackner.
Poesia Visiva: di/Versi e Racconti Mediterranei / Arias-Misson A ; Blaine J ; Bory JF ; Carrega U ; Caruso L ; DeVree P ; Francia C ; Groh K ; Kolar J ; Lora-Totino A ; Malquori R ; Marcucci L ; Martini SM ; Miccini E ; Ori L ; Pignotti L ; Sarenco ; Takahashi S ; Tola L ; Trinkewitz K ; Vitone R ; Havel V ; Manzoni P., 2000
This extensive exhibition of poesia visiva was curated by Nicola Micieli. Critical essays were provided by Eugenio Miccini and Lamberto Pignotti. -- Source of annotation: Marvin or Ruth Sackner.
Poesia Visiva/Voci e Anticorpi in Una Collezione Privata / Arias-Misson A ; Blaine J ; Bory JF ; Carrega U ; Caruso L ; DeVree P ; Francia C ; Groh K ; Kolar J ; Lora-Totino A ; Malquori R ; Marcucci L ; Martini SM ; Miccini E ; Pignotti L ; Sarenco ; Takahashi S ; Tola L ; Trinkewitz K ; Vitone R ; Ori L., 1999
The exhibition was curated by Nicola Micieli; Eugenio Miccini and Lamberto Pignotti contributed essays. -- Source of annotation: Marvin or Ruth Sackner.
Poesie Action: Variations Sur Bernard Heidsieck, 2014
The book contains several essays including works of Heidsieck from the collections of the Centre National Des Arts Plastiques, personal interviews and reminiscences, and The importance of the Text-Sound-Compositions Festival. The DVD contributes "an intimate portrait of Bernard Heidsieck, pioneer in the sound poetry movement since 1955 and founder in 1962 of action poetry." -- Source of annotation: Marvin or Ruth Sackner.
Poesie Concrete: Multiples / Agius, Juan J. ; Bentivoglio M ; Bruscky P ; Burroughs WS ; DeCampos A ; Furnival J ; Gibbs M ; Lora-Totino A ; Moineau JC ; Mol P ; Nannucci M ; Ogaz D ; DeRook GJ ; Spector B ; Toth A ; Valoch J., 2000
Poesie Nouvelle / Lemaitre, Maurice, editor., 1959
Poesie Nouvelle / Lemaitre, Maurice, editor., 1955
Poesie: Oeuvres choisies de Ian Hamilton Finlay / Finlay, Ian Hamilton., 1999
Concerning Finlay's work the text states, "Many of his admirers surely know Finlay thanks to his elegantly printed works arriving by the mail like leaves pressed from an enchanted forest. Of reduced dimensions, they none the less have an interior monumentality generated by their simple structural clarity." -- Source of annotation: Marvin or Ruth Sackner.
Poesie Sonore / Gunther Ruch, curator ; Olbrich JO ; Aguiar F ; Bleus G ; Crozier R ; Summers R., 1996 - 1997
Poesies Sonores / Barras, Vincent, editor ; Zurbrugg, Nicholas, editor ; Burt W ; Chopin H ; Claus CF ; Duke JH ; Gysin B ; Heidsieck B ; Higgins D ; Jandl E ; Mann C ; Metail M ; Miccini E ; Ruhm G ; Schnebel D ; Scholz C ; Wendt L ; Zumthor P ; Zurbrugg N ; Zweig E., 1992
The book consists of chapters written on the field of Sound Poetry; these include essays and interviews. There are only two typewriter art pieces in this book, both by Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.
Poeta Visual, 1998
Victoria Combalia writes in her essay The Disturbing Objects of Joan Brossa that "certain themes on Brossa's work are easily recognized as 'Brossian': masks, letters of the alphabet, ordinary objects from daily life, playing cards...Perhaps the most important motif - or at the least the most utilized - by Brossa are letters of the alphabet. Brossa works with them as Cezanne did with his apples; he uses them in every way and in all places, as they are for him his dearest motif." In terms of his visual poetry, Combalia states that it "belongs to the long tradition of experimental poetry, in the line that goes from Mallarme to concrete poetry." -- Source of annotation: Marvin or Ruth Sackner.
Poeti XXL a Chiari / Carrega U ; Fontana G ; Sarenco ; Blaine J ; Bory JF ; Garnier P ; Millan F ; Novak L ; DeVree P ; Clavin H ; Isou I ; Barthes R ; McLuhan M ; Williams E., 2006
Poetic Briefs Interview Issue / Huth, Ge(of); Basinski, Michael., 1993
Huth tells how he began The Subtle Journal of Raw Coinage and why he writes minimalist poetry. -- Source of annotation: Marvin or Ruth Sackner.
poetics@ / Kuszai, Joel, editor ; Bernstein C ; Creeley R ; Higgins D ; MacLow J ; Perloff M ; Rothenberg J ; Scalapino L ; Selby S ; Blaser R ; Joris P ; Lazer H ; Murphy S ; Silliman R ; Quartermain P ; Rasula J., 1999
The material from this book includes 1133 e-mails from 67 writers. In the preface, Charles Bernstein writes that this book "provides a window onto an ongoing, highly articulate, intensely percolating poetics-in-the-making that is a fundamental feature of the most engaging and active poetry of our time." -- Source of annotation: Marvin or Ruth Sackner.
Poetry: Concrete Visual Poems 1969-1979 / Szombathy, Balint ; Marta McConnell-Duff, translator., 1981
Szombathy was born in Hungary but lives in Yugoslavia. -- Source of annotation: Marvin or Ruth Sackner.