Mendieta writes from New York that she was "I am sorry we missed each other in Miami. I am not sure our book fits with your collection but take a look at it anyway. -- Source of annotation: Marvin or Ruth Sackner.(Note: moved to Artist Correspondence box 41- RMD)

Mendieta writes from Rome where she received the Prix de Rome. She has published a book there with Carl Andre and wondered whether we would be interested in it.the card is stosred in the Carl Andre box. -- Source of annotation: Marvin or Ruth Sackner. (Note: Moved to Artist Correspondence box 41-RMD)

This rubberstamp set was conceived by Gaglione and performed by Darlene Domel in memory of Raoul Hausmann at the Stampart Museum in Chicago c.2009. -- Source of annotation: Marvin or Ruth Sackner.

This rubberstamp set was conceived by Gaglione and performed by Darlene Domel in memory of Raoul Hausmann at the Stampart Museum in Chicago c.2009. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic text is the maquette for the folded print in Portfolio Chopin. It is a linear extract of letters by Henri and Bernard to each other from 1962 - 1977. The two are identified by heavy printed letters, BH and HC. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic text was included as a folded print in Portfolio Chopin. It is a linear extract of letters by Henri and Bernard to each other from 1962 - 1977. The two are identified by heavy printed letters, BH and HC. The maquette drawing for this print is also held by the Sackner Archive. The prints are stored in the Heidsieck drawer. -- Source of annotation: Marvin or Ruth Sackner.

This volume is the first collection of Rothenberg's poetic writings and includes ideas and excerpts from his books and essays. Rothenberg indicates that Abulalfia (1240-c.1291) himself writes of the abstracting/spiritualizing process which he then employs & by which the world is apprehended as language/sound: "Know that the method of tseruf (the combination of letters) can be compared to music; for the ear hears sounds from various combinations,in accordance with the character of the melodu & the instrument. In touch with yogic currents fgrom the East, Abulafia's intention was mantric, but his practice of a systemic & concrete poetry also closely resembles the 20th century Lettrisme of Isidore Isou, the asymmetries & nuclei of Jackson Mac Low & the blues Kabbalah improvisions of Jack Hirschman, all of whom he may have influenced. -- Source of annotation: Marvin or Ruth Sackner.

This booklet illustrates and poetically describes Korf's collage of 1986 "T" is for Time, and "T" is for Tea. -- Source of annotation: Marvin or Ruth Sackner.

This booklet illustrates and poetically describes Korf's collage of 1986 "T" is for Time, and "T" is for Tea. -- Source of annotation: Marvin or Ruth Sackner.

The silkscreen drawings were done by Castera based upon the ideas of Astrid Strid. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts a close up view of Phillips's lithograph press. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features silkscreened concrete poems on T-Shirts. -- Source of annotation: Marvin or Ruth Sackner.

This is a retraction for a claim made by the exhibitors about Chopin's work in the show, Concrete Poetry Exhibition, St Pancras Library, July 1972. -- Source of annotation: Marvin or Ruth Sackner.

This issue carries a review of Tom Phillips' exhibition at the North Carolina Museum of Art. The works to this show were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.