The proposal was done for a private garden in Provence. The image on the cover is a wild boar. The print depicts a circular post cast in bronze, with plain and rusticated bands alternating, the pattern adapted from Sebastiano Serli's Five Books of Architecture. At the top of the post, are the words, 'AGE QUOD AGIS' - 'What you are doing, do thoroughly.' -- Source of annotation: Marvin or Ruth Sackner.

Accompanied medals that are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is the plan for a new neo-classical temple at Finlay's Little Sparta. The image in the photograph is a photomontaged building to be erected against the landscape of Finlay's garden. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was done in collaboration with Angus Modelmakers. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of works using altered grainy photographs of nude women, comic strips, drawings, text, and the concept of "ejercicios para una escritura no pobre," or "exercises for non-poor writing." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds three artist books by Chancho from 1974-1980 that are depicted in a group of books on pages 68-69. -- Source of annotation: Marvin or Ruth Sackner.

The prints are reproductions of typed pages on varied colored papers. The Sackner Archive holds the original typing of Ilse Garnier's "coRRida" that is reproduced as a print in this work. For this copy, someone made a custom designed folder and slipcase. -- Source of annotation: Marvin or Ruth Sackner.

The prints are reproductions of typed pages on varied colored papers. The Sackner Archive holds the original typing of Ilse Garnier's "coRRida" that is reproduced as a print in this work. -- Source of annotation: Marvin or Ruth Sackner.

The images for the picture poems are abstract and the captions are in Hebrew. David Moss writes, "I believe that one of the most fundamental concepts of Judaism is balance - balance between the physical and the spiritual, between time and space, between strictness and leniency, between justice and compassion, between heritage and destiny...This little book is an attempt to give this notion of biblical parallelism a visual interpretation." -- Source of annotation: Marvin or Ruth Sackner.

Moss writes,"Psalm 119 is a long, brilliant ode, praise, and paean to Torah itself...This work of art was my attempt to create a version of psalm 119 that highlights its intimate connection with the Hebrew alphabet, reflects its length and structure and relates to its prime theme of Torah.. ..I drew out an alphabet and wrote as much of the text as I could for each letter in micrography, outlining the letter itself...I continued the text by filling in the borders around the letters and around the whole text." -- Source of annotation: Marvin or Ruth Sackner.

Robert and Donna Jackson who sold these Burroughs papers is a friend of the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

The book is an annoucement for a portfolio of 14 prints made with wood typefaces. The brochure is the Hamilton type specimen sheets. -- Source of annotation: Marvin or Ruth Sackner.

This is a posthumous documentary film of bp Nichol's life and work including several interviews of his poet friends. -- Source of annotation: Marvin or Ruth Sackner.

This is a posthumous documentary film of bp Nichol's life and work including several interviews of his poet friends. -- Source of annotation: Marvin or Ruth Sackner.

In the message on the verso, Huth discusses the cryptic nature of the recto and the lengthy time that it required him to design it. -- Source of annotation: Marvin or Ruth Sackner.