Instructions for two voice reading are typed on the bottom of the page and "nb improved version" in red ink handwriting. Houedard mentions that he did the translation. -- Source of annotation: Marvin or Ruth Sackner.

Glenda George made the photographs for this performance. -- Source of annotation: Marvin or Ruth Sackner.

This book illustrates and describes the monochromatique color themed events organized and produced by Hubaut in various towns in France and Japan. Hubaut writes, "I have chosen to develop my current practice on colour from the three founding elements in modern art - the monochrome, the ready-made and the gesture. I construct my monchrome 'sites' from given or borrowed objects donated by a public often isolated from the art melieu. This is a tactic to reach a wider audience." Hubaut designates himself a "color guerilla." -- Source of annotation: Marvin or Ruth Sackner.

Contains a listing of Hutchins' artist's books in the form of a booklet made by unusual folding of a single sheet of paper. -- Source of annotation: Marvin or Ruth Sackner.

The editor of this book is listed as Robert W. Cobbing, aka Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

A bollard is a thick low post on a wharf which is used to moor ships with a rope. This book depicts bollards for a decoration of a Scottish Shopping Centre, The Gyle - Edinburgh. Reproductions of drawings are depicted one to a page. Each is inscribed with the name of a ship which also alludes to a poem or quotation generally from classical literature as indicated in footnotes. -- Source of annotation: Marvin or Ruth Sackner.

The book reproduces several Hebrew-like calligraphic drawings. -- Source of annotation: Marvin or Ruth Sackner.

At Finlay's Serpentine exhibition (1977) in which Bernini's "Apollo and Daphne" was shown, the Nazi SS organization was equated with nature. It signified the ultimate 'wildness' on a scale whose other 'cultivated' extreme was the 18th century. This book traces the progression (or descent) from the civilized script of this period in which 'f's were customerly substituted for 's's - to the double lightening stroke emblem of the SS; a gradation between 'Culture' and 'Nature.' -- Source of annotation: Marvin or Ruth Sackner.

Nichol demonstrates "copying machine disintegrative tendencies" by repeatedly putting the same text through four different photocopying machines. The text breaks down until it gradually disappears, so that "the machine is the message." The process is the same as that employed by Emmett Williams in a series of poems that are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue focuses on the erotic and often overtly pornographic works by Berman and Prince. The catalogue Includes a reproduction of the poster for Michael Mcclure's "The Beard." This poster is also held by the Sackne Archive. -- Source of annotation: Marvin or Ruth Sackner.

This card is an annual holiday greeting from Sandra Jackman. -- Source of annotation: Marvin or Ruth Sackner.

The brochure contains a proof print from Hobson's book and text on the story. -- Source of annotation: Marvin or Ruth Sackner.

The main elements of this work were the phrase I place God before me always." (Psalm 16:6) and the 67th Psalm written out in the form of a Menorah .Many other quotes and verses were often added, ferquently with kabbalistic significance.The Shiviti served as a kind of mandala or concentration piece. It became a very popular calligraphic folk art piece especially in the eighteenth and nineteenth centuries." -- Source of annotation: Marvin or Ruth Sackner.