Scope and Contents

The embossed cover of this book was designed by Gray. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book contains the themes, notes and cancelled text for some of the poems of the 20 Curriculum Vitae Paintings. Ideas for some of the visual images of these paintings are sketched. Coffee stains are present on several pages. On the pentultimate page, Phillips lists themes for a Problems in Art series of works, viz., Drawing Breath (held by Sackner Archive), Mixing (the) Colour(s), Finding the Still Life, Anatomic Studies, A Sense of Perspective, Life Class, Choosing the Ground (soft or hard -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The cover collage is by R. Werner. The book reproduces letters from Lowell, a reproduction of a painting by d.a. levy and a reproduction of a visual poem collage by rjs. Selected content of the letters are annotated at the end of this book. -- Source of annotation: Marvin or Ruth Sackner.

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The videotape depicts Sloy at work making calligraphic pieces. "bony maronie" is written repetitively and fragented on the cover of the case. -- Source of annotation: Marvin or Ruth Sackner.

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Card No.15 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.

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List titles of over 1000 small press magazines. -- Source of annotation: Marvin or Ruth Sackner.

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Contains interview of Steve Clay and Merce Dostak, proprietors of Granary Books. -- Source of annotation: Marvin or Ruth Sackner.

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Eight editors contribute their literary history and insights of editing small press magazines. Stated to be the beginning of an annual series. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Issue is devoted to interviews of eight editors of small press publishing. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is mentioned as "the best collection of book arts in the world...an extrordinary melange of possibilities of future potential for the arts." Ackerman was a great friend of the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

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This manuscript was given to the Sackners with an attached card Compliments of Martin S. Ackerman - Ruth and Marvin: Would appreciate it if you would read this. I will call you when I get back from my trip. If you see andy typos or names misspelled, [please let me know. Marty." The Sackner Archive is mentioned as "the best collection of book arts in the world...an extrordinary melange of possibilities of future potential for the arts." Ackerman was a great friend of the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The Sackners saw the inaugural exhibition at the Hammer Gallery in 2006. "This beautifully illustrated book highlights the unique history of The Societe Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877-–1952), Marcel Duchamp (1887-–1968), and Man Ray (1890-–1976). As America's first “experimental museum for modern art, the Societe Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions. The incredible collection of the Societe Anonyme now belongs to the Yale University Art Gallery, a gift from the Societe and Dreier. It features the work of more than one hundred artists, many of whom are among the century's most renowned —including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee,...

Scope and Contents

This book was first published in a limited edition by Editions Bravin Post Lee in 1997. A signed copy of that volume is held by the Sackner Archive. Goldsmith records his conversational life from April 15, 1996 to April 21, 1996 in a stream of consciousness style. The personal aspects of his daily routine, working for an all night, avant garde radio station, creating Web sites, talking with Cheryl Donagan, his wife, attending lectures and art openings, and meeting Marjorie Perloff are all obsessively recorded by the artist /poet. Goldsmith describes how he went to RISD and used to make sculptures of books and then carved language onto the wooden books. Although he felt the sculptures were really beautiful, Goldsmith became much more interested in the language than in the actual form of the book object itself. The Sackner Archive holds one of these early pieces, "Steal This Book." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Goldsmith records his conversational life from April 15, 1996 to April 21, 1996 in a stream of consciousness style. The personal aspects of his daily routine, working for an all night, avant garde radio station, creating Web sites, talking with Cheryl Donagan, his wife, attending lectures and art openings, and meeting Marjorie Perloff are all obsessively recorded by the artist /poet. Goldsmith describes how he went to RISD and used to make sculptures of books and then carved language onto the wooden books. Although he felt the sculptures were really beautiful, Goldsmith became much more interested in the language than in the actual form of the book object itself. The Sackner Archive holds one of these early pieces, "Steal This Book." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In the preface, Crombie states, "These rhymes were concocted as a pretext for a sequence of fantastical creatures inspired and printed from patterned vinyl wallpaper. " -- Source of annotation: Marvin or Ruth Sackner.

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The theme of this book is the game of chess. -- Source of annotation: Marvin or Ruth Sackner.