Goldsmith records his conversational life from April 15, 1996 to April 21, 1996 in a stream of consciousness style. The personal aspects of his daily routine, working for an all night, avant garde radio station, creating Web sites, talking with Cheryl Donagan, his wife, attending lectures and art openings, and meeting Marjorie Perloff are all obsessively recorded by the artist /poet. Goldsmith describes how he went to RISD and used to make sculptures of books and then carved language onto the wooden books. Although he felt the sculptures were really beautiful, Goldsmith became much more interested in the language than in the actual form of the book object itself. The Sackner Archive holds one of these early pieces, "Steal This Book." -- Source of annotation: Marvin or Ruth Sackner.

In the preface, Crombie states, "These rhymes were concocted as a pretext for a sequence of fantastical creatures inspired and printed from patterned vinyl wallpaper. " -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book is the game of chess. -- Source of annotation: Marvin or Ruth Sackner.

This consists of a draft copy of a classification system for visual/verbal material. -- Source of annotation: Marvin or Ruth Sackner.

This is an unpublished essay dealing with Copithorne's personal involvement in visual poetry -- Source of annotation: Marvin or Ruth Sackner.

Designated Quartos number nine. Cobbing documents the first publication and performance of the poems in this volume which include a reprinting of Hymn to the Sacred Mushroom, Serenade.., Suesequence, Or/Ro, and Beethoven Today. -- Source of annotation: Marvin or Ruth Sackner.

Designated Quartos number nine. Cobbing documents the first publication and performance of the poems in this volume which include a reprinting of Hymn to the Sacred Mushroom, Serenade.., Suesequence, Or/Ro, and Beethoven Today. -- Source of annotation: Marvin or Ruth Sackner.

Designated Quartos number nine. Cobbing documents the first publication and performance of the poems in this volume which include a reprinting of Hymn to the Sacred Mushroom, Serenade.., Suesequence, Or/Ro, and Beethoven Today. -- Source of annotation: Marvin or Ruth Sackner.

The message that is rubberstamped as separate word(s) on each page reads "Sorry i haven't mailed anything 1/2 to you for a while i've been too busy please accept this book in exchange for your art." -- Source of annotation: Marvin or Ruth Sackner.

This booklet lists the exhibition, poetic and performance activities of Blaine from January 1995- September 1995. One copy has handwritten notes by Blaine on both covers. -- Source of annotation: Marvin or Ruth Sackner.

One of the loose sheets documents the method that Chopin utilizes to perform th esound poems. Thei tape is allso designated No.9 in the series. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.3. The poem, "Soundings" is a communal performance piece which celebrates medieval myths and legends. Four mandalas on unbound pages contain names of several concrete and visual poets along with examples of fragments of their works. -- Source of annotation: Marvin or Ruth Sackner.

The poem Soundreel (1919) is printed as "Sound-Ell" and is missing the handwritten ink additions present in the original copy held by the Sackner copy entitled " Sound-Reel" in the book "The Dada Painters and Poets" (1951) by Robert Motherwell. The Interview Avec Les Lettristed (1947)i s based upon "PIN and the story of PIN" (1962) edited by Jasia Reichardt. This unplayed tape is also designated No.5 of the series. -- Source of annotation: Marvin or Ruth Sackner.