The Beat Hotel on 9 rue Git-le-Coeur in Paris, was the residence of the Beat writers during the years 1957 to 1963. It was here that Ginsberg wrote Kaddish, Gysin discovered the cut-up method and Dream Machine, Burroughs completed and published Naked Lunch, and Corso wrote the Bomb. -- Source of annotation: Marvin or Ruth Sackner.

The material consists of documentation of the exhibition installation. -- Source of annotation: Marvin or Ruth Sackner.

These are the photographic negatives for the catalog illustrations. -- Source of annotation: Marvin or Ruth Sackner.

The material consists of photographs used to illustrate the catalog for this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Peter Day. Excellent discussion and documentation behind the French government's decision to withdraw Finlay's commission on the Right Of Man for the city of Paris. -- Source of annotation: Marvin or Ruth Sackner.

Ruth Sackner holds a broach made by Ramshaw. This book deals mainly with architectural commissions of Ramshaw. -- Source of annotation: Marvin or Ruth Sackner.

Thi leaflet announces a book on Lavada Durst, Dr. Hepcat, who was probably the first African American deejay in the USA. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of a collection of previously published essays on artist books, installations, and book objects. -- Source of annotation: Marvin or Ruth Sackner.

Second edition listing of first books by 2000 American and British writers. -- Source of annotation: Marvin or Ruth Sackner.

This critical text on bp Nichol's 'Captain Poetry'was dropped from 'The Captain Poetry Poems Complete' by bp Nichol at the insistance of jw curry. It is issued now as Moments Cafe number seven and is stored in bp Nichol box. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition. It includes reproductions of "Pages from Cut-Up Scrapbooks" in which Burroughs' pasted remnants from "Moroccan streets, weird news items, St. Louis memorabilia, ruminations on sex and death, old photographs, notes from narcs, and other essential exotica - an incredible montage of telescoped existence on the main line, source material and matrix of his books." There are also sections of Burroughs' The White Subway, The Old Movies, The Cobble Stone Gardens, and The Retreat Diaries, -- Source of annotation: Marvin or Ruth Sackner.

One DVD deals with an interview of Ed Sanders recollections of his contacts with da levy, the other a levyfest held at Cleveland State University of poetry readings and reminiscences of da levy by his friends. -- Source of annotation: Marvin or Ruth Sackner.

One DVD deals with an interview of Ed Sanders recollections of his contacts with da levy, the other a levyfest held at Cleveland State University of poetry readings and reminiscences of da levy by his friends. -- Source of annotation: Marvin or Ruth Sackner.

Artists mentioned win this book with multiple works in the Sackner Archive include Susan Barron, Cavallini, Buster Cleveland, Jiri Kolar, El Lissitzky, and Elena Presser among others. -- Source of annotation: Marvin or Ruth Sackner.

Michael Ryan as Director of Research Collections, Van Pelt Library University of Pennsylvania, was responsible for the Tom Phillips exhibition there in May 1993 with works lent by the Sackner Archive. In this book, he writes about collectors who donated livres d'Artistes amd finely bound books to the Stanford University Library, his former post. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was shown in seven venues. It was "a comprehensive survey of Fahlstrom's graphic work, including twenty-seven prints as well as four multiple editions in three-dimentional object and book format." The Sackner Archive holds "My Dear White Skeleton" in 1 cent Life, "Eddie (Sylvia's brother) in the Desert," "Opera" 1976, and the print portfolio of 1974. -- Source of annotation: Marvin or Ruth Sackner.

This is the text that accompanies Typewriter Poems: 1984. -- Source of annotation: Marvin or Ruth Sackner.