Houedard thanks Cinicolo for his visit and states that he told Peter Max that Cinicolo might visit although Houedard admits that he never actually met him "like ive met you now." -- Source of annotation: Marvin or Ruth Sackner.

In the letter, Houedard asks cinicolo for advice on the design of the catalogue, invitation and book for the LYC exhibition. He also inquires as to the way the reversal poems should be printed on tracing paper. He lists and mentions that he is returning cinicolo's letters so that they can be filed by cinicolo. Houedard includes a drawing of the reversal poem "mind ache" on the second page. -- Source of annotation: Marvin or Ruth Sackner.

In the letter, Houedard asks cinicolo for advice on the design of the catalogue, invitation and book for the LYC exhibition. He also inquires as to the way the reversal poems should be printed on tracing paper. He lists and mentions that he is returning cinicolo's letters so that they can be filed by cinicolo. Houedard includes a drawing of the reversal poem "mind ache" on the second page. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of a red apple. -- Source of annotation: Marvin or Ruth Sackner.

Houedard expresses ideas and provides sketches for reversal poem, "Mind-Ache." -- Source of annotation: Marvin or Ruth Sackner.

Houedard provides further sketches and design ideas for Mind-Ache. -- Source of annotation: Marvin or Ruth Sackner.

Houedard mentions that the original letter was typed with a pink ribbon and also that he admires the work of Edward Wright. Describes the difficulties he has had in publishing his work with Dana Atchley in Canada. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of an apple. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of a red apple. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes about sending Cinicolo 3 a photograph of himself. This letter is typed to mdd [my dear donato) with the hand written addition of "onato" in micrographic handwriting. -- Source of annotation: Marvin or Ruth Sackner.

Houedard indicates that the reversal poem card that was designed for the LYC exhibition (also held by the Sackner Archive) could not be printed because of lack of funding. -- Source of annotation: Marvin or Ruth Sackner.

Houedard indicates that the reversal poem card that was designed for the LYC exhibition (also held by the Sackner Archive) could not be printed because of lack of funding. -- Source of annotation: Marvin or Ruth Sackner.