The hard cover book is titled "In My Home There Is No More Sorrow: Ten Days in Rwanda" by Rick Bass.The soft cover book is McSweeney No.40. -- Source of annotation: Marvin or Ruth Sackner.

Ana María Uribe (1944-2004) was an Argentinian poet whose writing practices and poetry resonate with our historical moment of transition from analog to digital media." Uribe was inspired by a poetics that led to close affinities between the use of the page and the capabilities of digital media: The concrete poets tied onto Mallarme's innovation and revolutionized spatial conventions byturning space into an integral component of the poem with semantic significance. The flat, twodimensional surface of the page, however, is fundamentally redefined on the computer screenonce again, for the poetic space of the screen is radically different from that of the page on numerous levels. Firstly, it is kinetic and interactive: letters can move and migrate, positions ofletters and words are no longer fixed and static, but in flux and transient; they are no longer predetermined but potentially open for creative interventions (Schaffner1" -- Source of annotation: Marvin or Ruth Sackner.

This guide mentions that a 50 minute film shown in the National Gallery about Titian includes an interview with Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.

bp Nichol designed the cover. "The Para-Concrete Manifesto" by the North American concretists (da levy) is on the back cover. This manifesto is also present on the verso of a letter from Cavan McCarthy to George Dowden which is also held by the Sackner Archive. Loc-Sheets No.17-24 that document the concrete poetry scene in 1966 is stapled to one copy of this issue. da levy contributed a typed. punctuation poem. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips, apparently engaged in thought in his studio, while seated against a wall onto which is pinned part of his Dante's Inferno Diary. The diary is now held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This essay focuses on the material and visual traces of everyday life, in particular his engagement with photgraphs and postcards as objects of art. Joe Moran, the author, describes Phillips project "20 Sites n Years." He also points out the similarity in the compulsive interest between Phillips and George Perec. Phillips use of postcards as in "The Postcard Century" and in his semial painting "Benches" is noted. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts one of Tom Phillips' assistant making a silkscreen print in Phillips' studio for Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

This photograph was taken during the summer Sara Sackner spent in London. Phillips is depicted at work on a large print of "Dante's Inferno." -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips with an assistant reviewing prints for Dante's Inferno in Phillips' studio. The large drawing, "Speaking in Tongues" (1980) is seen on the wall. This work was subsequently acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips seated in his studio with a cup of coffee by his side. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Nick Kite, one of Tom Phillips' assistants, along with Phillips reviewing a print for Dante's Inferno in Phillips' studio. -- Source of annotation: Marvin or Ruth Sackner.

This issue is supplemented by Torque: maximum rotational ephemeral series 1.4-1.5 that is housed in an envelope that is too small for this issue. -- Source of annotation: Marvin or Ruth Sackner.

Luther Blissett is the alto-ego of Piermario Ciani and this book documents his beliefs and works. -- Source of annotation: Marvin or Ruth Sackner.

Relates to the cannabis grown in the gardens of Room 3o2 bookshop. -- Source of annotation: Marvin or Ruth Sackner.

Hill composed the poems in this book by altering the poems of others while recognizing their contribution. -- Source of annotation: Marvin or Ruth Sackner.