Zboya writes that he used a computer progam to manipulate the text of Mallarme's poem to produce "non-Euclidean kernals of meaning." -- Source of annotation: Marvin or Ruth Sackner.

Review of "Broken Language: Visual Books" an exhibition which took place at San Francisco Camerawork. Author mentions that Barbara Drucker's "The Golden Age," held by Sackner Archive, is in the tradition of Tom Phillips "A Humument". -- Source of annotation: Marvin or Ruth Sackner.

The 10 poets in this anthology each contributed three prints. Harmut Kruger made a three dimensional alphabet that has been drawn to form the exterior surface of a dwelling. Some of the prints appear to have been made from letraset collages & others by distortions of typefaces in a photocopying machine. In general, these black & white prints emphasize the three dimensionality of letters. One print documents the background & work of each contributing artist. -- Source of annotation: Marvin or Ruth Sackner.

This is the 500th Writers Forum publication that selectively reproduces pages from the previous publications of the press. Jennifer Pike is also known as Jennifer Cobbing. It was reprinted in 2003 by Edition Selene. -- Source of annotation: Marvin or Ruth Sackner.

Gunther writes about his failed exhibiton in Beijing and plans to curate an exhibition on the underground scene of East Berlin 20 years after the fall of the Berlin Wall. -- Source of annotation: Marvin or Ruth Sackner.

Lehrer indicates that Versations is made up of sounds in a space that can have personal meaning to the reader, or can be used as a score or script for a performance of characters listed at the top of each page. "Time moves from top to bottom. The performance progresses one page at a time. Notations that occur on the same horizontal line are performed simultaneously. Line lengths are determined by breath breaks as in verse but the reading as in conversation is generally fluid. Most speeches have typographic indicators for particular emphasis, volume, or emotion. Some chacters on the othe hand ar more monochromatic. -- Source of annotation: Marvin or Ruth Sackner.

Lehrer indicates that Versations is made up of sounds in a space that can have personal meaning to the reader, or can be used as a score or script for a performance of characters listed at the top of each page. "Time moves from top to bottom. The performance progresses one page at a time. Notations that occur on the same horizontal line are performed simultaneously. Line lengths are determined by breath breaks as in verse but the reading as in conversation is generally fluid. Most speeches have typographic indicators for particular emphasis, volume, or emotion. Some chacters on the othe hand are more monochromatic. The letter from Lehrer reads, "here is another copy of versations for your collection. i hope that the other books arrived safely. thanks again and enjoy................." -- Source of annotation: Marvin or Ruth Sackner.

This book depicts deconstructed collages in color by Villegle from 1996-1999; composite black and white photographs document performances. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of the work of contemporary Catalan visual poets that depicts two works by the 32 contributors. -- Source of annotation: Marvin or Ruth Sackner.

This lists all back issues including the contents. -- Source of annotation: Marvin or Ruth Sackner.

Nam June Paik in his interview with Nicholas Zurbrugg points out differences between the academic and creative people in video art. The layout in this issue is highly experimental with a concrete poetic sensibility. -- Source of annotation: Marvin or Ruth Sackner.

Consists of Accame's comments on the series of drawings with the same title held by the Sackner Archive. He indicates that he was the first to translate Jarry's poetry into Italian. The work deals with a teatise on pointology. As Accame explains, "If pataphysic is, by definition, the 'science of particulars,' what there is more particular than a point? ...'point becomes the place where beginning and end meet each other,' as you can also read in my tables." -- Source of annotation: Marvin or Ruth Sackner.

This unfolded sheet contains the visiting hours, tour schedule, catering, pottery factory shops and other details including a hand-drawn map for visiting the abbey. -- Source of annotation: Marvin or Ruth Sackner.

Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent 29 works to this exhibition. Ruth and Marvin Sackner delivered a talk about their collection at the exhibition opening. The exhibition was reviewed in Art on Paper Vol.8 No.1, 2003. -- Source of annotation: Marvin or Ruth Sackner.