Consists of Accame's comments on the series of drawings with the same title held by the Sackner Archive. He indicates that he was the first to translate Jarry's poetry into Italian. The work deals with a teatise on pointology. As Accame explains, "If pataphysic is, by definition, the 'science of particulars,' what there is more particular than a point? ...'point becomes the place where beginning and end meet each other,' as you can also read in my tables." -- Source of annotation: Marvin or Ruth Sackner.

This unfolded sheet contains the visiting hours, tour schedule, catering, pottery factory shops and other details including a hand-drawn map for visiting the abbey. -- Source of annotation: Marvin or Ruth Sackner.

Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent 29 works to this exhibition. Ruth and Marvin Sackner delivered a talk about their collection at the exhibition opening. The exhibition was reviewed in Art on Paper Vol.8 No.1, 2003. -- Source of annotation: Marvin or Ruth Sackner.

Film photographer who worked on a bp Nichol film with Brian Nash & jw curry. He also was a participant on curry's hobo train trips. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists the artists and depicts their visual poems in a contest for the best works. The winners were Gerhild Ebel, Reinhard Klessinger, and Axel Georg Malik; works by all of these artists are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Following an introductory essay in English by Karl Riha, the remainder of this book consists of reviews of PIPS in newspapers and magazines. In the introduction, Riha notes that "PIPS is a dialect word (used in Rhineland) for a head cold or disease afflicting chicken (symptom: inflamed coating of the tongue) or: a DADAIST fantasy word!!!!"In box labeled "Pips flat periodicals." -- Source of annotation: Marvin or Ruth Sackner.

Photograph of Lemaitre flanked by four women including Laura Aga-Rossi. -- Source of annotation: Marvin or Ruth Sackner.

This is a variant of the title page for Adler's Vowel Jubilee; the subtitle 'For Haddock & Rosebush' was removed from the title page of the commercially distributed suite of prints. -- Source of annotation: Marvin or Ruth Sackner.

This document states, "The Pressures of the Text (1983, 17 min) integrates direct address, invented languages, ideographic subtitles, sign language, and simultaneous translation to investigate the feel and form of sense, the shifting boundaries between meaning and meaninglessness. A parody of art/critspeak, educational instruction, gothic n arrative, and pornography, it has been performed as a live work at major media centers and new music festivals in the US and Europe." The Sackner Archive hold a copy of this video work. -- Source of annotation: Marvin or Ruth Sackner.

The photograph is of an exhibition case with the publication of Vp=Vp by Gunther. -- Source of annotation: Marvin or Ruth Sackner.

This is part of the photodocumentation (of the artists) for Deschamp No.3. -- Source of annotation: Marvin or Ruth Sackner.

An interview with Dean who publishes a small mag, Arthur Cravan, discusses Craven's life and work and also includes a bibliography. Bruno Richard, who publishes "Elles Sont de Sortie" discusses correspondence art, rubberstamp art and Ray Johnson. He classifies zines into the following categories: found art; hybrid; assembling and multiple origins. John Held Jr., who publishes Bibliozine describes International Mail Art. -- Source of annotation: Marvin or Ruth Sackner.

Director Glenn Lowry writes in the catalogue forward that "Dieter Roth was an endlessly inventive and thought-provoking artist whose substantial body of work, made over the course of nearly five decades, is both prodigious and idiosyncratic. In his experiments with forms, materials, and language, Roth challenged the boundaries not only between mediums but between art and everyday life." Curator Sarah Suzuki writes that "it is easier to describe what he is not than what he is : Above all, he is not a propagandist, and he is not a prophet. He is neither a moralist nor an immoralist. And he is no joiner...He is a member of no ism, group or movement, although many movements, groups, and isms would like to claim him as one of their own." -- Source of annotation: Marvin or Ruth Sackner.