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Documentation

 Subject
Subject Source: Sackner Database

Found in 3469 Collections and/or Records:

Word Images 1982-2004 / Winkler, Michael ; Sackner MA ; Sackner RK., 2004

 Item
Identifier: CC-43238-45297
Scope and Contents

The Sackner Archive lent Word Works (Book) to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

Word Music / Toby Lurie., 1998 - 1999

 Item
Identifier: CC-38022-39908
Scope and Contents

The disc records Lurie and other reading his poems mostly from "Duets." This disc could not be played in the Sackner's disc recorder. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998 - 1999

Words and Images / Prestianni, John; Wolf A., 1985

 Item
Identifier: CC-04501-4588
Scope and Contents

This article consists of an interview of Arne Wolf. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Wordwork / Dautricourt, Joelle ; Gysin B ; Sackner MA ; Sackner RK., 1996

 Item
Identifier: CC-16418-16768
Scope and Contents

This is an extension of Dautricout's rubberstampings dealing with permutations of "word." Here the images are produced in a computer and then printed with a Canon laser color copier. The catalogue mentions that Dautricourt's work is held in the Sackner Archive and was exhibited in The Altered Page (Center for Book Arts, NY) and the Beauty in Breathing Exhibitions (Miami Beach). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Wordworks: Poems Selected and New, 1993

 Item
Identifier: CC-08121-8282
Scope and Contents Publishers Weekly: "In 1967, when critic Kostelanetz began publishing his own visual poetry, he was one of the most accessible practitioners of the form. A poem composed of the single word "lollypop" travels vertically down the page, the first O huge so the whole looks like a lollipop. A five-page tribute to Henry Ford is composed entirely of the letters A and T. Later work pulls apart words and places them back together, as in "relationship," the central I and O forming the knot of a bowtie-like shape formed by the other letters. "I seem to have . . . characteristic ways of handling language that extend from print into other media," Kostelanetz says as he moves from visual to aural poetry, then on to film and video poems. Short, conversational prefaces to each of this book's 15 sections help pave the way for uninitiated readers (though as the work becomes more difficult to appreciate on the page, his introductions become more technical and complex). These commentaries threaten to...
Dates: 1993

Wordworks: Poems Selected and New, 1993

 Item
Identifier: CC-08122-8283
Scope and Contents Publishers Weekly: "In 1967, when critic Kostelanetz began publishing his own visual poetry, he was one of the most accessible practitioners of the form. A poem composed of the single word "lollypop" travels vertically down the page, the first O huge so the whole looks like a lollipop. A five-page tribute to Henry Ford is composed entirely of the letters A and T. Later work pulls apart words and places them back together, as in "relationship," the central I and O forming the knot of a bowtie-like shape formed by the other letters. "I seem to have . . . characteristic ways of handling language that extend from print into other media," Kostelanetz says as he moves from visual to aural poetry, then on to film and video poems. Short, conversational prefaces to each of this book's 15 sections help pave the way for uninitiated readers (though as the work becomes more difficult to appreciate on the page, his introductions become more technical and complex). These commentaries threaten to...
Dates: 1993

Work Seen. No.7/Dec-Jan / Judith Sandiford, editor ; Sackner MA ; Caruso B., 1990

 Item
Identifier: CC-00370-378
Scope and Contents

Marvin Sackner's talk at Birganart Gallery, Toronto is briefly reviewed by Judith Sandiford and Ronald Weihs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Working Drawings for Humument Supplement Page 85 / Phillips, Tom., 1970

 Item
Identifier: CC-54428-989932
Scope and Contents

Working Notes, 11 pages with notes and 1 smaller page with a copy of the original page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

[Working Methods] / Jacques Villegle., 2000

 Item
Identifier: CC-38042-39928
Scope and Contents

The disc holds several .jpg files that document the working methods of Villegle. Contrary to most belief, his decollages are carefully planned and constructed. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

World According to Dada / Foster, Stephen C., editor., 1988

 Item
Identifier: CC-10694-10903
Scope and Contents

Several works from Sackner Archive were lent to this exhibition. The photographs depict Chinese visitors to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

World Wall One Documents 1981-1987 / Furnival, John; Rypson P; Phillips T; CrackerJackKid; Melnicove M; Sackner DR; Baroni V; Spector B; Olbrich JO; Toth G; Pittore-Eurofico C; Random S; Hundertmark A; Scott M; Cheek C; McAlpine B., 1988

 Item
Identifier: CC-13193-13494
Scope and Contents

This consists of letters, cards and messages on scraps of paper from the participants who sent rocks to Furnival's wall project. Furnival mounted most of them on cardboard backings. The rock wall was erected at the Furnival's house in Stroud. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Wormwood Review, The. No.37 / Locklin G ; Lifshin L ; Micheline J ; Kryss TL., 1970

 Item
Identifier: CC-48056-69079
Scope and Contents

Includes a section of poems by Jack Micheline. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Writers Forum Check List of Publications / Cobbing, Bob, editor., 1979

 Item
Identifier: CC-17736-18105
Scope and Contents

Provides a listing grouped under the classifications used by Cobbing for the publications. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979