Scope and Contents

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue consists of an interview of Vittore Baroni by Ruud Janssen. The questions consisted of 1) What kind of legacy are mail artists leaving to Internet surfers?, 2) Some readers of this interview might not know your magazine Arte Postale! What is your magazine about?, 3) Do you keep an Archive? -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The reviews and articles deal with the rock band, Le Forbici di Manitu. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The reviews and articles deal with the rock band, Le Forbici di Manitu. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Baroni notes that the first 5 issues were Assemblings. Thereafter, several issues were written solely by Baroni. He mentions the Sackner Archive as having a complete collection of Arte Postale. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored in Robert Rehfeldt box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Program to celebrate the tenth anniversary of Franklin Furnace. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Article describing artist books found in the shop, "Printed Matter". -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is a review copy as stated on the enclosed card. It is an uneven but useful presentation of multiples since both very small editions (3 copies) to unlimited editions are given the same footings. The author selects examples of individual artist works from Word and Pictures but ignores the whole universe of assemblings that include a myriad of multiples. Works mentioned by Bury and held by the Sackner Archive include 1) Maurizio Nannucci's "Poem," 1967; 2) Kenhelm Cox's "Suncycle," 1968 (without motor); 3) Mary Martin's "Rotation," 1968; 4) Maurizio Nannucci's "Do It Yourself," 1969 [Bury states edition of 10 but the Sackner Archive holds the same title in a paint can dated 1968 in a numbered edition of 30 copies]; 5) John Cage's "Not Wanting to Say Anything About Marcel" (1970); 6) Ian Hamilton Finlay's "Pacific," 1975; 7) Maurizio Nannucci's "Creare L'Artista Creativo = To Create the Creative Artist," 1977; 8) Ian Hamilton Finlay's "Arcadian Gliders," 1981; 9) Yoko Ono's "A...

Scope and Contents

Contains International Art Post Editions Vol.1 No.1 1988, Vol.1 No.2 1988, Vol.2 No.1 1989, Vol.2 No.2 1989, Vol.2 No.3 1989, Vol.3 No.1 1990, Vol.4 No.1. 1991, Vol.5 No.3, 1992, Vol.6 No.1 1993, Vol.7 No.1 1994, Vol.12 No.12. Also contains Artistamp News Vol.1-6 (1-8) and issue number 11. The stamp sheets are held within plastic sleeve pages. Stamp sheets have been added from 1991-1999. Anna Banana signed and numbered some of her stamp sheets. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Baroni discusses his beginnings as a stamp and correspondence artist and Arte Postale. He mentions collaborative texts for a CD and floppy dics, and a book project in 1993. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of five essays on artists books with extensive footnotes and a detailed bibiliography. Lucy Lippard is quoted on Artist Books as "not books about art, or on artists, but books as art. They can be all words, all images, or combinations thereof. At best they are a lively hybrid of exhibition, narrative, and object." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Also designated as Konst-och bildforskning No.5-6. The Sackner Archive is listed under bookshops, publishers, archives and catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This package comprises a kit of source material given to teachers. The Sackner Archive lent Sonya Delaunay's book, "Transsiberian Railroad" to this exhibition. The laminated print is an English translation of part of the poem with a concrete presentation owing to the inventive employment of typefaces. -- Source of annotation: Marvin or Ruth Sackner.