Documentation
Found in 3438 Collections and/or Records:
Bye and Bye (Nine Sad Etchings) / Hancock, Trenton Doyle., 2006
This card documents a suite of etchings by the artist shown in the Print section of MOMA. -- Source of annotation: Marvin or Ruth Sackner.
Bye-bye la perf. / Blaine, Julien ; Schwarz A., 2006
This large volume serves as a reference to the farewell performances of Julien Blaine that will travel to Strasbourg, Marseille, Paris, Bordeaux, Toulouse and Nantes. It consists of an illustrated and documented history of Blaine's writing and performances with pictures of texts, costumes, revised pages, invitations and biographical material. -- Source of annotation: Marvin or Ruth Sackner.
Cafe-Cinema-Theatre Le Colbert / Lemaitre, Maurice, editor., 1955
Cahiers Loques: Happenings, Interventions et Actions Diverses. / Jean-Jacques Lebel., 1982
This book consists of photographs of erotic happenings. -- Source of annotation: Marvin or Ruth Sackner.
Cahiers Loques: Texticule ou Fodrakjlanot Sella. / Francois Dufrene ; Labelle-Rojoux A., 1983
Calendar / Anonymous., 2003
This calendar of events is illustrated with a figure of a baseball player sliding into base surrounded with varied sized letters from a printed article instead of dust. -- Source of annotation: Marvin or Ruth Sackner.
Call Me Burroughs, 2013
Calling Card Maquette / Hubaut, Joel., 1999
The mat frames out the rest of the larger photographic image (1994) of an assemblage of Hubaut's objects to provide the final image for the calling card, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Campos traduz o Rilke sem metaforas / Piza, Daniel; DeCampos A., 1994
Canadian Small Change Association: CP Woodbridge North / curry, jw., 1995
Scene from curry's Hobo trip on Canadian Pacific Railroad. -- Source of annotation: Marvin or Ruth Sackner.
Canadian Small Change Association (CSCA) Salvage Series. No.8/Feb / Gregg Simpson ; jw curry ; UU D ; Bradley Df., 2006
This card announces publication of Daniel f. Bradley's adaptation of David UU's book, "Before the Golden Dawn." -- Source of annotation: Marvin or Ruth Sackner.
Canal Street / Bernard Heidsieck., 1986
can't Afford No KODAK INSTAMATIK INSTAMATIK Vlm.2 / curry, jw; Sackner MA., 1991
On the verso of most pages, curry has written the first publication of these works. -- Source of annotation: Marvin or Ruth Sackner.
Cantuuuuuuuuum a Sirenum / Caruso, Luciano., 1992
CAOS [Chaotic Art Orderly Science]; Caotica Arte Ordinata Sciena / Aguiar F ; Banana A ; Baroni V ; Bennett JM ; Bentivoglio M ; Bertola C ; Blaine J ; Bleus G ; Blissett L ; Bruscky P ; Burrus H ; Cavellini GA ; Cohen R ; Collins P ; Deisler G ; Dellafiora D ; Dyar M ; Diotallevi M ; Fierens L ; Fricker H ; Galantai G ; Gini G ; Groh K ; Johnson R ; Held Jjr ; Maggi R ; Manfredini F ; Miglietta E ; Mittendorf A ; Mittendorf H ; Nikonova R ; Olbrich JO ; Padin C ; Pawson M ; Perfetti M ; Perneczky G ; Petasz P ; Pittore-Eurifico C ; Porter B ; Segay S ; spence p ; Stake C ; Binga T ; Tot E ; Lora-Totino A ; Varney E ; Vigo EA ; Arbizzani L ; A1 Waste Paper ; Barbot F ; Barbot G ; Bogdanovic N ; Boschi A ; Bulatov D ; CrackerJackKid ; DeJonge K ; Diamantini C ; Dudek-Durer A ; Espinosa C ; Fedi F ; Fontana G ; Jesch B ; Kamperelic D ; Lehmus J ; Lenoir P ; Liuzzi O ; Morandi E ; Parentela C ; Pignotti L ; Restany P ; Roffi G ; Roncoroni F ; Ruch G ; Saunders R ; Schodl G ; Seifert J ; State of Being ; Shimamoto S ; Strada G ; Tisma A ; Swierkiewicz R ; Summers R ; Stussi M ; Binga T ; Vitacchio A ; Wood R ; Zito R ; Andolcetti F ; Manfredi M., 1999
The exhibition was curated by Ruggero Maggi. The essays and art works in this book all relate to the chaos and fractal theory in mathematics, art and poetry. As Angelo Bertani writes in his essay, On Apparent Order and Chaos, "What seems to be extremely significant is the artist's need (now extremely widespread) to go out from protected, appointed places and instead, contend directly with existence, with the richess of material, with the spaces of life: in this sense, the creeping crisis of painting, the growing prevalence of installations and video-works are a sign, beyond the current fashion of the will to contend with change, accident and the relative: the other names for chaos. Moreover, in a world where technology prevails, perhaps only the ways of art can inser ta fragment of liberty into the oppressive mechanism of necessity." -- Source of annotation: Marvin or Ruth Sackner.
Caravan Conference / Nomads; Olbrich JO; Hendricks G; Hainke W; Monro N; Klassen N; Arts A; Koch W., 1993
Stored in Olbrich box. -- Source of annotation: Marvin or Ruth Sackner.
[Card to Ann & Emmett Williams] / Steen, Vagn; Noel A; Williams E., 1970
The verso of the card is Steen's offset poem "the poem begins here." The message from Steen to Williams deals with the time of arrival in New York from a Copenhagen flight. -- Source of annotation: Marvin or Ruth Sackner.
[Card to Bob (Cobbing)] / Furnival, John., 1970
Furnival requests additional information about the proposed Stedlijk Museum exhibition, the dates and the financial arrangements. The recto of the card is Openings Press Card Series No.6: Furnival: Bestiary. -- Source of annotation: Marvin or Ruth Sackner.
[Card to Cornelis Vleeskens] / spence, pete., 2004
Spence addresses Vleeskens as Mr! and comments that he likes Annaberg. -- Source of annotation: Marvin or Ruth Sackner.
[Card to Cornelis Vleeskens] / spence, pete; Ende M., 2004
Spence addresses Vleeskens as Mr! Spose! and comments about meeting a correspondence networker in Germany named Jorg with his family. The recto of the card is a visual poem by Michael Ende. -- Source of annotation: Marvin or Ruth Sackner.