This catalogue features experimental calligraphic paintings by Ben Bella, Brion Gysin, Jean Degottex, Shakir Hassan, and Lee I-Fan. William Burroughs' interview of Brion Gysin is titled "Points de Passage." Pierre Restany contributed an essay on the work of Lee U-Fan. -- Source of annotation: Marvin or Ruth Sackner.

This book documents a public library intervention aimed to creat a new dialog between artists and library users. The project offered readers the opportunity to borrow artist books. Each book holds half the bookmarks received from participants in this exhibition; the other half were placed in books in the library to be discovered by the readers. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the participants at a railroad stop. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the participants at a railroad stop. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the participants at a railroad stop. -- Source of annotation: Marvin or Ruth Sackner.

This book documents an invitation to Blaine to perform in Cuba in 2003. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition celebrates 30 years of collecting works on paper and artists books in the Miami-Dade Library and was curated by Barbara Young, Margarita Cano and Helen Kohen. -- Source of annotation: Marvin or Ruth Sackner.

Cover drawing was made by Ian Gardner who was also co-editor of this periodical. Martin Walker provides a brief account of The Battle of Little Sparta Feb. 4, 1983 relating to Finlay's tax status with the local government. -- Source of annotation: Marvin or Ruth Sackner.

Announces the installation of "Heretic Chapel" at Franklin Furnace. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of notes and sketches for Curriculum Vitae paintings. This book with blank pages bound by Richard Minsky was given to Phillips on his 50th birthday by Minsky. -- Source of annotation: Marvin or Ruth Sackner.

These are pictures used by curry for publication about his railroad escapades and are stored with curry's publications.. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Sticky Lights #4. This broadside is an announcement for a poetry reading by bp Nichol at Nicky Drumbolis' bookshop, Letters, on Nov. 22, 1984. The silkscreen print that is collaged onto the broadside is is a translation of Basho's "frog." -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of a work originally issued as Ganglia Press Tonto Or series No.5, 1966 in an edition of 20 copies. A copy from the original run is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Lists issues of th wrecking ballzark, sticky lights, th mini mlart, industrial sabotoge, pomez a penny, and systems retrieval. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology in German of articles which appeared in English in Arcade No.1 (1964), in Klacto/23 (1967), Insect Trust Gazette No.2 (1962) & No.4 (1968) and Writers Forum No.21 (1966). These dealt with the cut-up technique of making fiction pioneered by Burroughs and Gysin. -- Source of annotation: Marvin or Ruth Sackner.

This is a documentation of a zany exhibition with the material consisting of names and addresses of mail artists, Fluxus artists, dealers and collectors along with comments and doodles. Zack also provides some diaristic content. -- Source of annotation: Marvin or Ruth Sackner.

Moss writes, "Six days a week I take a ten-minute bike ride through Jerusalem. I also bike through time, history, memories and feelings as I pedal from home to my studio. I made a little map of my studio." The text of the brochure by Moss describes his thoughts about maps in general and his own personal realities. -- Source of annotation: Marvin or Ruth Sackner.

Here's a little something for you & Ms. Ruth. So far it's an edition of 5. I wanted you to have one for your archive. The boxes are shaped like large books. -- Source of annotation: Marvin or Ruth Sackner.