This photograph depicts Dick Higgins during his presentation at the EyeRhymes conference in Edmonton, Canada. -- Source of annotation: Marvin or Ruth Sackner.

In a letter to Marvin Sackner sent with this catalogue, Axel Malik writes, "As this catalogue has an English translation as well, it might be of interest to you. It features my biggest work of 'concrete writing', a piece of enormous dimensions, 6,20 meters wide and 20 meters long. As you can see on one photo on my web-site, the help of mountainclimbers was needed for the installation at the Broadcast-Studio of the SWR. During the exhibition it was possible to travel along the work by taking an transparent elevator. With best wishes and greeting, Axel." The catalogue coincided with exhibitions at the Dombibliothek Hildesheim in 2003 and SWR Studio Freiburg in 2004. Included is an interview between Elamr Zorn and Axel Mmalk on December 11, 2004 in the SWR Studio Freiburg. -- Source of annotation: Marvin or Ruth Sackner.

Lists the theme of several issues of Dire, the magazine edited by Jean Vodaine. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consisted of performances by the Nomads (listed as contributors) and an exhibition of artist stamps. Several of the latter are photographically reproduced in this catalogue. The Sackner Archive also holds the deluxe limited edition (50 copies) of this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Tom Patterson contributes an essay "Joni Mabe's Public Obsessions". -- Source of annotation: Marvin or Ruth Sackner.

The folded pages are filled with notes on a theological text. Two pages are upside down. -- Source of annotation: Marvin or Ruth Sackner.

This issue deals mainly with Chinese poetry and visual art; the poems were translated to French. -- Source of annotation: Marvin or Ruth Sackner.

Jackman demonstrates in a drawing the dimensions of the chair used in the her piece held by the Sackner Archive, The Poet Assassinated, that its basis was Picasso's Maquette for a Monument to Guillaume Apollinaire. -- Source of annotation: Marvin or Ruth Sackner.

Contains information about curry's pre-publication material that had been sent to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts prints onto which Phillips has written and rubberstamped documentation as to the type of printing process employed for each stage proof of the illustrations for Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

These documents include an essay by Thomas A. Clark on Finlay's controversial sculpture, OSSO at ARC in 1987 that included the logo of the Waffen SS. This work was considered by Art Press, a Parisian based journal as being pro-Nazi whereas Clark argues that it is anti-Nazi. They includes a copy of a protest letter on Finlay's behalf by Sol Lewitt to Jack Lang, the French cultural minister. Stephen Bann contributes a critical essay on Finlay's proposal for a revolutionary garden in Vers -- Source of annotation: Marvin or Ruth Sackner.

This book "presents a comprehensive collection of the poet's handwritten, drawn, typographic and musical notation - works composed through nonintentional methods and which operate simultaneously as visual art, literature and scores for performance." The Steven Clay, Charlie Morrow, Anne Tardos, Kenneth Goldsmith, Julie Harrison, Susan Bee, Philip Gallo and Ian Tyson participated in its performance. -- Source of annotation: Marvin or Ruth Sackner.

This is the obiturary of Houedard, born February 16, 1924, died January 15, 1992. -- Source of annotation: Marvin or Ruth Sackner.