Documentation
Found in 3469 Collections and/or Records:
la Rondelle Brevetee / Astrid Strid., 1999
The object is a Kabbalistic disc accompanied with instructions for creating visual translations of text. -- Source of annotation: Marvin or Ruth Sackner.
la Rondelle Brevetee / Astrid Strid., 1999
The object is a Kabbalistic disc accompanied with instructions for creating visual translations of text. -- Source of annotation: Marvin or Ruth Sackner.
La Violence Le Chant, 1994
This book deals with the "force of song" in Roche's work with contributions by several writers as sort of a Festschrift. It is the deluxe edition of the book which consists of 13 copies numbered Z 1 to Z 13 and includes two prints, a collage, and manuscript page. The bibliography lists books, music records, drama, and essays about Roche, -- Source of annotation: Marvin or Ruth Sackner.
Lab-Art [Golem] / Daniel, Peter., 1990
A red form of a Golem is the background for the text Golem - Genom - GenGolem - LabGolem. In Jewish folklore a Golem is a man-made figure constructed in the form of a human being and endowed with life or an automaton. The name derives from the Hebrew word for a shapeless thing. -- Source of annotation: Marvin or Ruth Sackner.
[Labels for 1998 made prints] / Finlay, Ian Hamilton., 1998
Labyrinth of Time , 1988
[Labyrinth] / Wright, Edward., 1963
Laka I Smierc / Dluzniewski, Andrzej., 1988
This brochure depicts colored line drawings of human figures. -- Source of annotation: Marvin or Ruth Sackner.
Landmark Art Collaborative / Cutler-Shaw, Joyce., 1983
L=A=N=G=U=A=G=E [Language]. No.3/Jun / Bruce Andrews, Charles Bernstein, editors ; Mayer B ; Cage J ; Duchamp M ; Sondheim A ; Waldrop R ; Crosby H ; Waldrop K ; Hejinian L ; Essary L ; Piombino N ; Robson E ; Messerli D ; DiPalma R ; Bernstein C ; Andrews B ; Sherry J ; Laufer S., 1978
The layout of this issue was done by Susan Laufer. -- Source of annotation: Marvin or Ruth Sackner.
Lao-Tse / Gottlicher, Ingrid., 2005
In a letter from Emerson Gallery sent to the Sackner Archive, Russell Radzinski writes that Gottlicher "actually intended [it] as a project plan for a work she has been developing for quite some time but in my opinion it is an attrative piece of art in its own right (even if it does include quotidian details like scheules, finance details, travel arrangemnets etc.) Ingrid's work always elicits an astounding peace and calm and that is a little gift that I wanted to share with you at the closing of 2005." -- Source of annotation: Marvin or Ruth Sackner.
Large Paintings Small Galleries / Phillips, Tom ; Rushdie S., 1982
Phillips provides annotations for the paintings. One of them is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
L'Art Pro/La / Partum, Andrzej ; Kostelanetz R ; Partum A ; Aue W ; Glusberg J ; Ginzburg C., 1973
L'arte va all'attacco / Baroni, Vittore; Baroni V., 1995
The background for the collage is a photocopied newspaper article that describes Baroni's mail art activities. -- Source of annotation: Marvin or Ruth Sackner.
[Last Photograph of Dick Higgins prior to his Death] / Conz, Francesco; Higgins D; Paik NJ; Conz F., 1998
Last Trax , 1988
Last Words / Burroughs, William S.., 1997
The essay consists of excerpts from the journal of Burroughs from May 3 to his final entry on "August 1, Fliday," the day before his death. It reads, "Love? What is it? Most natural painkiller. What there is. LOVE." -- Source of annotation: Marvin or Ruth Sackner.
Late Returns: A Memoir of Ted Berrigan / Clark, Tom ; Padgett R ; Schneeman G ; Brainard J ; Saroyan A ; O'Hara F ; Berrigan T., 1985
Reproduces 11 letters from Berrigan to Clark and 20 photographs of Berrigan and friends, many of them featuring poets affiliated with The Poetry Project at St. Mark's Church-in-the-Bowery in New York. -- Source of annotation: Marvin or Ruth Sackner.