David Harris aka David UU. Letter discusses sending sound performance tapes for festival. Cobbing states that he "must try to keep better contact between what we are doing and your good selves." -- Source of annotation: Marvin or Ruth Sackner.

The letter addressed to David Oo rather than David UU states that Nuttall sends two poems for Harris' exhibition, "For Joan" and "There is No Need to Cry on my Labia Leslie." -- Source of annotation: Marvin or Ruth Sackner.

Nuttall indicates that he sends a facsimile reproduction of a drawing for publication and this technique will be important. -- Source of annotation: Marvin or Ruth Sackner.

Concerns radio broadcasts of sound poetry tapes. In response to Harris' request, Cobbing writes "No I am not in an academic or influential position. I am an out-of-work good-for-nothing poet - so - sorry I can't help get you a grant." David Harris aka David UU. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns poets Blaine has contacted requesting work for exhibition of Davis UU. -- Source of annotation: Marvin or Ruth Sackner.

The letter is Vroom's response to a request from UU for poems for publications. The letter also includes a brief biography of Vroom including his role in editing the periodical, Labris. -- Source of annotation: Marvin or Ruth Sackner.

The letter reads, "d.h. consider as ms - i suppose it would be best if you returned it to me if you canot use it... i kind of like it & will eventually publish it myself if no none else will - will try to communicate later -" This letter was included with the manuscript of this untitled work called "Manuscript to david w harris." The Sackners purchased the letter and manuscript from Harris. -- Source of annotation: Marvin or Ruth Sackner.

Valoch indicates that he is sending books to David UU in exchange for Canadian Avant Garde poetry books. -- Source of annotation: Marvin or Ruth Sackner.

Valoch thanks UU for issues of Gronk and submits poems for the Canadian magazine, "Spanish Fleye." Also, he states that he wishes to publish in Gronk. -- Source of annotation: Marvin or Ruth Sackner.

Valoch mentions materials that he is sending for his exhibition, 'microproseplus' and method of payment, i.e., prefers books to money. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerning J. Blaine's alphabetic photographs appears on verso of broadside. -- Source of annotation: Marvin or Ruth Sackner.

Letter mentions acceptance of work by D. Harris for "Approches" No.3. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns D. Harris' article about A. Artaud for "L'Herne," and provides Harris with many names and addresses of concrete and visual poets from Europe, Brazil and Japan for proposed Canadian exhibit. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns J. Bory's poems for D. Harris' periodical "Spanish Fleye" and Bory's organization of his own "Selected Works." -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns text by D. Harris for gallery exhibition. Bory writes, "Please write me in ENGLISH, if possible and not in AMERICAN because I do not understand all: ei for I, u for you, etc..." -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns placement of issues of "Spanish Fleye" No.1 in two French bookstores. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns concrete poetry exhibition at St. Peters College, Oxford, England, and reprint of article on A. Artaud for the French review "L'Herne." -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns issue No.3 of "Approches" which is forwarded as an enclosure to D. Harris. -- Source of annotation: Marvin or Ruth Sackner.