Letter concerns work by D. Harris which appeared in "Approches" No.3. -- Source of annotation: Marvin or Ruth Sackner.

Date of correspondence is from postmark. Letter concerns D. Harris' work for an international issue of "Approches," and pieces by J. Bory for a Canadian exhibition that Harris was involved in organizing. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns mailing of several books by J. Blaine to D. Harris. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns b. bissett's return of J. Bory posters. -- Source of annotation: Marvin or Ruth Sackner.

This letter deals with poems that levy has submitted for publication. He also requests that Harris contact bp Nichol for acceptance of these poems. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a manuscript submitted for publication to david w harris entitled, "The Incense Box" that apparently remained unpublished. -- Source of annotation: Marvin or Ruth Sackner.

This letter was written on behalf of a Dr. Northman concerning a sum that Richard Aaron owes him. Huoedard also mentioned his own work of typestracts that are to be published in an anthology by (sic) Allan Riddel. -- Source of annotation: Marvin or Ruth Sackner.

Houedard sends handwritten explanations and dates of several of his past works for publication on a single page tp pete (?). Pete might be Peter Finch since the Sackner Archive has another letter addessed to him in 1974. -- Source of annotation: Marvin or Ruth Sackner.

In this letter to Charles Cameron DSH describes how busy he is with a visiting Abbot that he cannot attend a "conkrete evening at better books." -- Source of annotation: Marvin or Ruth Sackner.

This letter page might be a seicond of two that cannot be found. In it, Houedard discusses the religious life of monks as seen from the outside world.The remainder of the letter deals with meeting the person to whom it is addressed. Desmond, a prisoner that dsh befriended is also mentioned. -- Source of annotation: Marvin or Ruth Sackner.

DeCampos provides a brief discussion of his first meeting with Gomringer in his first communication with Houedard. He thanks Houedard for sending him typogrammes..."very interesting as studies of form though I personally prefer always to use the semantical element." States that both Gomringer and his group began from the same starting point, i.e., Mallarme's the throw of the dice, "the threshold of new poetry." -- Source of annotation: Marvin or Ruth Sackner.

Deals with the impact of drug trafficing on society. -- Source of annotation: Marvin or Ruth Sackner.

Mentions the Destruction in Art Symposium and comments about the book he currently is writing. -- Source of annotation: Marvin or Ruth Sackner.

Mentions DIAS and asks whether the conference would be interested in a speech on Destruction in Medicine. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a book written by Haliburton that is being read by Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Babs Jackson, the Director of Tristan Tzara's farciful play, "The Gas Heart," discusses the progress of the rehersals for it. This letter is filed in the houedard binder. -- Source of annotation: Marvin or Ruth Sackner.

Correspondence refers to calls to Lisson Gallery and the fact that Sylvester (DSH) would have to say about disposal of a work for the catalogie "to settle it one way or the other." Pederson thanks Donato for "saying about it." Stored in cinicolo 3 box. l.d. pesersen contributed a poem to Peter Finch's book, "Typewriter Poems" (1972). -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes of the lack of care for his works when lent for exhibitions.This letter contains a typing of an elaborate curving line of letters "godfuckyou" and also a structure of individual letters that he describes as "thats not much of one im in a hurry" -- Source of annotation: Marvin or Ruth Sackner.

This letter from Harris to Wagner was written to as a cover letter for drawings he is sending to him as well asking him about publishing a new book of disintegrating language entitled, "Pamplemousse." This was subsequently published by Blewointment Press in 1969 - the Sackner Archive has a copy. -- Source of annotation: Marvin or Ruth Sackner.