Documentation
Found in 3450 Collections and/or Records:
[Letter to Jean-Paul Curtay] / Perloff, Marjorie., 1982
Thanks Curtay for La Poesie Lettriste and acknowledges his comments on her book, Poetics of Collage. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Rypson, Piotr., 1981
Discusses state of the Avant Garde in Polond. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Rypson, Piotr., 1980
This accompanies the submission of a manuscript for publication, The Sound Experiment in the Polish Futurist Poetry. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Sabatier, Roland; Isou I., 1981
Reminds Curtay of a literary contribution which is past due. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Scholz, Christian., 1980
Acknowledges receipt of his article on Kurt Schwitters' Ursonate. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Scholz, Christian; Hausmann R; Schwitters K; Claus CF; Mon F., 1983
[Letter to Jean-Paul Curtay] / Toth, Gabor., 1981
Gives change of address. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Tragtenberg, Livio., 1987
Mentions musical activities and reminds Curtay about an issue of Berenice that is due him. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Tragtenberg, Livio., 1981
Indicates that he sends Curtay records of his music and examples of concrete poetry.0 -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Tragtenberg, Livio R.., 1982
Discusses state of writing and composing music in Brazil -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Tragtenberg, Livio R.., 1982
Describes musical activities. The verso is a photograph b&w of a musical score. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Truck, Fred., 1982
Mentions relationship between sound poetry and catastrope theory. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Zlatnik, Gail; Foster S., 1983
Includes suggestions for revisions of Curtay's essay for publication in the catalog for the University of Iowa's exhibition of Lettrisme. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Zurbrugg, Nicholas., 1982
Requests information about the periodical, Berenice. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Zurbrugg, Nicholas., 1980
Response regarding details of essay requested by Curtay. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Zweig, Ellen., 1981
Discusses setting up a performance for Curtay. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Kurtay sic Curtay] / Meltzer, David; Hirschman J., 1981
Mentions that Curtay ought to contact Jack Hirschman. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jim Haynes] / Finlay, Ian Hamilton., 1964 - 1965
Comments upon adverse review of Lorine Niedicker book, produced by Finlay and Haynes, by Walter Kier in the magazine New Saltire. He asks Haynes to write a letter to the magazine with his response. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jim Haynes] / Finlay, Ian Hamilton., 1965
Mentions his disappointment that his daughter, Jessie, who married to a sailor now lives in NYC. Suggests that Haynes ought to contact Dom Sylvester Houedard who Finlay believes is an oustanding concrete/kinetic poet. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jim Haynes] / Finlay, Ian Hamilton., 1964 - 1965
Notifies Haynes that he is sending a new play to him that has been broadcasted in Scotland and Canada. Includes a minimalist poem in the letter entitled "Landscape in the Barracks." Calls attention to two stains on the first page by encircling them and labeling them "tomato soup." -- Source of annotation: Marvin or Ruth Sackner.