Documentation
Found in 3469 Collections and/or Records:
[Letter to Jean-Paul Curtay] / Keppler, Joseph., 1983
Invites Curtay to give a performance. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Lora-Totino, Arrigo., 1981
Requests material for the cassette periodical, BaoBab' -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Lora-Totino, Arrigo; Cage J., 1980
Asks Curtay for information about his "body poetry." -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Marcus, Greil; Wolman G., 1984
Mentions that he is more interested in the Ultra-Lettrist movement than Lettrisme in relation to Situationism, as background for his book (Lipstick Traces). -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Musgrove, Victor; Wolfli A., 1983
Musgrove, a British poet with a collection of Outsider Art (the outsider archive) writes about Adolf Wolfli: "It is also of particular importance that Wolfli was ahead of everybody - he invented collage combinations with painting around the turn of the century, included a Campbell soup can in a painting in 1904 and the sound poems were begun before DADA, and so on." -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay oct.1, 1980] / Dutton, Paul., 1980
Mentions that he is unable to write about sound poetry for publication in Berenice. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Perloff, Marjorie., 1982
Thanks Curtay for La Poesie Lettriste and acknowledges his comments on her book, Poetics of Collage. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Rypson, Piotr., 1981
Discusses state of the Avant Garde in Polond. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Rypson, Piotr., 1980
This accompanies the submission of a manuscript for publication, The Sound Experiment in the Polish Futurist Poetry. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Sabatier, Roland; Isou I., 1981
Reminds Curtay of a literary contribution which is past due. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Scholz, Christian., 1980
Acknowledges receipt of his article on Kurt Schwitters' Ursonate. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Scholz, Christian; Hausmann R; Schwitters K; Claus CF; Mon F., 1983
[Letter to Jean-Paul Curtay] / Toth, Gabor., 1981
Gives change of address. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Tragtenberg, Livio., 1987
Mentions musical activities and reminds Curtay about an issue of Berenice that is due him. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Tragtenberg, Livio., 1981
Indicates that he sends Curtay records of his music and examples of concrete poetry.0 -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Tragtenberg, Livio R.., 1982
Discusses state of writing and composing music in Brazil -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Tragtenberg, Livio R.., 1982
Describes musical activities. The verso is a photograph b&w of a musical score. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Truck, Fred., 1982
Mentions relationship between sound poetry and catastrope theory. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Zlatnik, Gail; Foster S., 1983
Includes suggestions for revisions of Curtay's essay for publication in the catalog for the University of Iowa's exhibition of Lettrisme. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Jean-Paul Curtay] / Zurbrugg, Nicholas., 1982
Requests information about the periodical, Berenice. -- Source of annotation: Marvin or Ruth Sackner.