This letter from Harris to Furnival was written to request that Furnival send some work for sale in an exhibtion in Vancouver entitled "The Mandan Ghetto" to run April 1 to April 14, 1968. -- Source of annotation: Marvin or Ruth Sackner.

This letter from Harris to Furnival requests material for an exhibition entitled Pandora's Box in Victoria. -- Source of annotation: Marvin or Ruth Sackner.

Valoch requests loan of Furnival's Pisa/Tower, Eiffel Tower, and two quadrats for an exhibition in Brno, Czeckoslovakia. He furnishes two small ink drawings to indicate the quadrats he wants sent to him. He mentions that he has written an article about Furnival's poster-poems in a Czech periodical, svetova literatura. He encloses new poems and two small prints to Furnival. -- Source of annotation: Marvin or Ruth Sackner.

The signature at the bottom of this letter is illegible. The writer discusses a poem submitted for PISA/Opening. He thanks Furnival for sending him the rotating word-disc/pentagon through Ernst Jandl. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns John Furnival exhibition at Ikon Gallery Ltd. in Birmingham, England, including specifications for catalog, posters and private viewing. -- Source of annotation: Marvin or Ruth Sackner.

Chopin requests Furnival to send graphics to ICA and to ask Houedard to send poems as well. -- Source of annotation: Marvin or Ruth Sackner.

This requests a recent piece for Tyler School of Art Expo Mfffahrnetc in Philadelphia. -- Source of annotation: Marvin or Ruth Sackner.

This letter acknowledges receipt of silkscreen prints from Furnival for an exhibiton at l'Universite de Rouen and a request to Houedard fora loan of his works. Heidieck does not provide the name of the exhibition nor does the Sackner Archive have an exhibition catalogue for it. -- Source of annotation: Marvin or Ruth Sackner.

Moineau asks Furnival to sponsor performances by Met-Art group in England, -- Source of annotation: Marvin or Ruth Sackner.

Text on poster written by Guido Ballo. -- Source of annotation: Marvin or Ruth Sackner.

This letter is an invitation to particpate in an exhibition in Paris, "Comparisons." -- Source of annotation: Marvin or Ruth Sackner.

bissett thanks John Gill, the publisher, for inviting him to read in New York. This letter was in the collection of the actor, Malcolm Carey. -- Source of annotation: Marvin or Ruth Sackner.

bissett writes that the Canadian Council will pay his fee if John Gill, the publisher, can pay his fare and that he is eager to get to New York. This letter was in the collection of the actor, Malcolm Carey. -- Source of annotation: Marvin or Ruth Sackner.

Proposes that Bennett send some material to Doc(k)s and Tartalacreme for publication and that Curtay perform in Bennett's space. -- Source of annotation: Marvin or Ruth Sackner.

Letter discusses artist's activities; an abstract drawing is present on verso. -- Source of annotation: Marvin or Ruth Sackner.

Text relates to Mail Art by exhibition written on verso of exhibition announcement of Craigie's paintings, assemblages & reliefs at McCoy Fine Arts Gallery, Philadelphia. -- Source of annotation: Marvin or Ruth Sackner.

Concerns apology for missing deadline of a project. -- Source of annotation: Marvin or Ruth Sackner.

Petasz discusses shortcomings of Commonpress issue edited by Pyros and asks him to send issues to several collectors including Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Zack describes his reaction to the 'Homage to the Mad Diarist' exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Merton requests contributions for his periodical, Monks Pond. Jonathan Williams passes the letter onto Emmett Williams with the notation that the above letter from Thomas Merton explains itself. -- Source of annotation: Marvin or Ruth Sackner.