Experimental calligraphy
Found in 134 Collections and/or Records:
Neon De Suro. No.7/Dec / Joan Palou., 1976
Depicted on page 15 of "A L'Entorn De Neon de Suro 1975 - 1982. -- Source of annotation: Marvin or Ruth Sackner.
Omicidio, 1980
Unable to find any background information on this poet. Purchased this work from Ugo Carrega. -- Source of annotation: Marvin or Ruth Sackner.
on keeping It secret , 1989
Ou tour de Proust / Termeer, Ulrike., 1986
Although 40 copies of this titled work were distributed, all copies are unique. There are a total of 77 drawings. -- Source of annotation: Marvin or Ruth Sackner.
Paul Auster and Sam Messer: L'histore de ma machine a ecrire, Actes Sud, 2003 / Mairey, Francoise., 2014
pientures, gavures, serigraphies / Mahdaoui, Nja., 1985
Please Don't Read This / Willi, Jean., 1982
[Poetry Review Cover Design 1: not used] / Willis, Diz., 1969
[Poetry Review Cover Design 2: not used] / Willis, Diz., 1969
POSS / Babenko, Dmitry., 1997
This work was exhibited in one of pete spence's correspondence art shows. -- Source of annotation: Marvin or Ruth Sackner.
POSTH / Babenko, Dmitry., 1997
This work was exhibited in one of pete spence's correspondence art shows. -- Source of annotation: Marvin or Ruth Sackner.
PULE / Babenko, Dmitry., 1997
This work was exhibited in one of pete spence's correspondence art shows. -- Source of annotation: Marvin or Ruth Sackner.
Rooks, What did they do? / Ostroukhova, Evgenia., 1991
Ruth & Marvin Sackner / Carothers, Martha., 1988
Sonotexts / W. Mark Sutherland., 2011
Sonotexts / W. Mark Sutherland., 2011
Spet K Pochopeni [To Head For Understanding] / Hula, Jiri; Volvovic, Josef., 1986
Stille Dialog / Mahdaoui, Nja ; Shibata, Tsuneo ; Videbaek, Ole., 1993
Suede Bleue / Gette, Paul-Armand., 1965
Although the tirage for this book is 20 copies, each book is unique since the letters of the text formed from different colored papers have been individually cut with a scissors by Gette. These letters have varied calligraphic styles and dimensions. The pages consist solely of text and the theme relates to Gette's wife and their vacations in her Swedish birthplace. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.